Lazaretto Lyrics
And every single bone in my brain is electric
But I dig ditches like the best of 'em
Yo trabajo duro
Como en madera y yeso
Como en madera y yeso
And even God Herself has fewer plans than me
But she never helps me out with my scams for free, though
She grabs a stick and then she points it at me
When I say nothing, I say everything
Yeah, when I say nothing, I say everything
They threw me down in a lazaretto
Born rottin', bored rotten
Makin' models of people I used to know
Out of coffee and cotton
And all my illegitimate kids have begotten
Thrown down to the wolves, made feral for nothin'
Quarantined on the Isle of Man
And I'm trying to escape any way that I can, oh
Any way that I can, oh
Damn, I have no time left, time is lost
No time at all, throw it in a garbage can
And I shake God's hand
I jump up and let Her know when I can
This is how I'm gonna do it
They're lighting fires with the cash of the masses
And like the dough, I don't fall down
I'm so Detroit, I make it rise from the ashes
Yeah, that's it
About
Originally the “world’s fastest-released record” on Record Day 2014, Jack White released the studio version two days later along with the Elvis Presley cover “Power of My Love” as its B-side.
This is the second release, after “High Ball Stepper”, from White’s 2014 album Lazaretto.
White explained the song’s meaning to NPR:
“This was a rhyme about the braggadocio of some hip-hop lyrics — the bragging about oneself in hip-hop music. The character who’s singing this song is bragging about himself, but he’s actually bragging about real things he’s actually accomplished and real things that he actually does, not imaginary things or things he would like to do.”
Q&A
Find answers to frequently asked questions about the song and explore its deeper meaning
Dominic John Davis:
We recorded the album during breaks from touring in 2012. There were many songs that Jack came to the studio with that had already been written start to finish, while others began as experiments or ideas. He works very fast and sometimes likes to get an idea or sketch on tape and see what we can make of it. This song started as more of an experiment.
Jack worked with both of his backing bands, The Buzzards and The peacocks on these sessions and we recorded a lot of music. I would guess there’s another 12 tracks that we had been working on that didn’t make the album. The song “Lazaretto” was interesting because initially there were no lyrics. The riff came together and Jack wrote a few of the chord changes along with the breakdown and tempo shifts. We ran through it just a few times and moved on to some other material very quickly. Months later I would listen back thinking he would make some tape edits and give the song more of a traditional structure, but Jack liked it as is. What you hear on the record is what we had put down originally. Start to Finish.
It was great seeing this record come together. Sometime in 2013 he called me into the studio to hear what he was working on. I had heard a lot of other tracks that we had recorded but had forgotten about “Lazaretto” because it was more of a sketch or a studio exercise. Hearing it with lyrics for the first time was a remarkable moment. I couldn’t believe what he had come up with. The song doesn’t have what you would call a traditional chorus or verse form, but it’s so powerful. Both musically and lyrically.
—via Songs for Whoever
- 1.Three Women
- 2.Lazaretto
- 8.Entitlement
- 11.Want and Able