Inertia Creeps Lyrics

[Verse 1: 3D]
Recollect me, darling, raise me to your lips
Two undernourished egos, four rotating hips
Hold on to me tightly, I'm a sliding scale
Can't endure, then you can't inhale clearly
Out of body experience interferes
And dreams of flying, I fit nearly
Surrounds me, though I get lonely slowly

[Chorus: 3D]
Moving up slowly
Inertia keeps
She's moving up slowly, slowly
Moving up slowly
Inertia creeps
Moving up slowly
She comes
Moving up slowly
She comes
Moving up slowly
Inertia creeps
Moving up slowly
She comes
Moving up slowly
She comes
Moving up slowly
[Verse 2: 3D]
In my home no chrome as clear as
See me now with my nearest, dearest
Been there when I'm over careering
Room shifting is endearing
Between us is our kitchen
Which you found my irritant's itching
Been here before, been here forever

[Chorus: 3D]
Moving up slowly
Inertia keeps
Moving up slowly
Inertia creeps
Moving up slowly
Inertia keeps
Moving up slowly
She comes
Moving up slowly
Moving up slowly
She comes
Moving up slowly
Inertia creeps
Moving up slowly
She comes
[Verse 3: 3D]
I make no sound in my eider-down
Awake I lie in the morning's blue
Room is still, my antenna in you
Nylon burns the bedspread with two
Gravity's zero, see me stall
I bounce off walls, lose my footing, and fall
Can be sweet though incomplete though
And the frames will freeze, see me on all fours
It's been a long time

[Interlude: 3D]
She comes
She comes
I want to x you
She comes
I want to x you
She comes
X

[Outro: 3D]
I caught your radio waves
I caught your radio waves
With a tin can and string
Say you string me along
Say you string me along
Say inertia creeps
Inertia creeps and she comes
Say she comes
Say she comes
Say she comes
Say she comes

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About

Genius Annotation

Massive Attack’s “sex song” is, in a strange twist of fate, about 3D’s relationship (which had ended at the time).

A proto-version of “Inertia Creeps” was originally written by Massive Attack and given to Manic Street Preachers to be sung by rhythm guitarist and lyricist, Richey Edwards in early 1994. Since Edwards had a reputation for being volatile and unpredictable, Massive Attack were unsure of how receptive Edwards would be to the song. However, to their surprise, Edwards was enamored with “Inertia Creeps”, and recorded a version with Manic Street Preachers. This version was shelved until 1998, when it appeared on the single release of Massive Attack’s version.

After taking a short break in July from the 1997 tour in Turkey, Massive Attack would return to Bristol with cassettes of Turkish music which would be the inspiration for what would eventually become “Inertia Creeps”. They used the Manic Street Preachers track from 1994 as the basis to hang the Turkish sample on. The Turkish music was overheard by Massive Attack at a belly dancer club in the Turkish capital Istanbul, and the very percussive nature of it piqued 3D’s interest immediately. The lyrics for the song had already been written several months before and the Turkish music backing track would serve as an appropriate musical canvas for his thoughts on one of his own personnel dysfunctional relationships he had had in the past.

Q&A

Find answers to frequently asked questions about the song and explore its deeper meaning

What did Massive Attack say about "Inertia Creeps"?
Genius Answer

3D on the high tempo percussion used on Inertia Creeps [Mezzanine Interview Disc – March 1998]:

It was to drive the music forward, so that it went on and on, but the vocals are meant to pull it back a bit and it suggests this kind of stillness that’s trying to settle.

3D on the meaning behind Inertia Creeps [Innerviews.org – September 1998]:

It was just about a relationship I had been going through. It’s about being in a situation but knowing you should be out of it but you’re too fucking lazy or weak to leave. And you’re dishonest to yourself and dishonest to the other person. You’re betraying them everyday and the whole scene feels like it’s closing in on you. The idea is a combination of movements propelling yourself forward and pulling yourself back at the same time. That’s what the track’s, about—a fucked up relationship basically and there it is.

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