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ORCID36th ICMC 2010: New York, USA
- Proceedings of the 2010 International Computer Music Conference, ICMC 2010, New York, USA, 2010. Michigan Publishing 2010
- Yoshifumi Kurosawa, Kenji Suzuki:
Robot-Assisted Playing With Fingering Support For A Saxophone. - Sihwa Park, Seunghun Kim, Samuel Lee:
Composition With Path : Musical Sonification Of Geo- Referenced Data With Online Map Interface. - Chris Sanden, Chad R. Befus:
Perception Based Multi-Genre Labeling On Music Data. - Marcelo Cicconet, Paulo Cezar Pinto Carvalho, Luiz Velho:
On Bimodal Guitar-Chord Recognition. - Chad R. Befus, Chris Sanden, John Z. Zhang:
Pyschoacoustic Feature Based Perceptual Segmentation. - Gilbert Nuono:
Business Model, For Violin, Cello And Live Electronic. - Brian Belet, Stephan Ruppenthal:
System Of Shadows, An Interactive Performance Environment For Trumpet/Flugelhorn And Kyma. - Dan Trueman:
Clapping Machine Music Variations: A Composition For Acoustic/Laptop Ensemble. - Florian Thalmann, Guerino Mazzola:
Gestural Shaping And Transformation In A Universal Space Of Structure And Sound. - Avrum Hollinger, Joseph Thibodeau, Marcelo M. Wanderley:
An Embedded Hardware Platform For Fungible Interfaces. - Daniel Jones, Mark d'Inverno:
Forest Fire Dynamics In Sonic Organisation. - Esteban Maestre, Alfonso Pérez, Rafael Ramírez:
Gesture Sampling For Instrumental Sound Synthesis: Violin Bowing As A Case Study. - Scott Mclaughlin, Pierre Alexandre Tremblay:
Spectralconway: Cellular Automata Off The Grid. - Aaron Einbond, Diemo Schwarz:
Spatializing Timbre With Corpus-Based Concatenative Synthesis. - Diemo Schwarz, Norbert Schnell:
A Modular Sound Descriptor Analysis Framework For Relaxed-Real-Time Applications. - Claudio Bertin, Rodrigo F. Cádiz, Patricio de la Cuadra, Gabriel De Ioannes, Alvaro Sylleros:
The Arcontinuo: A Performed-Centered Electronic Musical Instrument. - Dimitri Diakopoulos, Ajay Kapur:
Argos: An Open Source Application For Building Multi- Touch Musical Interfaces. - Ian S. Gibson, Matthew Davey:
A Wireless, Real-Time, Social Music Performance System For Mobile Phones. - Andre Baltazar, Carlos Guedes, Bruce W. Pennycook, Fabien Gouyon:
A Real-Time Human Body Skeletonization Algorithm For Max/Msp/Jitter. - Gabriel Vigliensoni, Marcelo M. Wanderley:
Soundcatcher: Explorations In Audio-Looping And Time-Freezing Using An Open-Air Gestural Controller. - Sam Bailey, Adam Scott, Harry Wright, Ian M. Symonds, Kia Ng:
Eye.Breathe.Music: A Multimeadia Controller That Uses Eye Movement And Breathing. - Doug Van Nort, Pauline Oliveros, Jonas Braasch:
Developing Systems For Improvisation Based On Listening. - D. Andrew Stewart:
Vigorous Music-Making: The Inherent "Liveliness" Of A T-Stick Instrumentalist. - Grace Leslie, Diemo Schwarz, Olivier Warusfel, Frédéric Bevilacqua, Bruno Zamborlin, Pierre Jodlowski, Norbert Schnell:
Grainstick: A Collaborative, Interactive Sound Installation. - Colin Raffel, Nick Kruge, Diane Douglas, Edgar Berdahl, Wendy Ju:
The Lattice Harp: A New Hybrid Instrument And Controller. - Aron P. Glennon, Nick Didkovski:
The Timestruct Toolkit: Imposing Temporal Structure In Max. - Rebecca Fiebrink, Daniel Trueman, N. Cameron Britt, Michelle Nagai, Konrad Kaczmarek, Michael Early, M. R. Daniel, Anne Hege, Perry R. Cook:
Toward Understanding Human-Computer Interaction In Composing The Instrument. - Miha Ciglar:
Tactile Feedback Based On Acoustic Pressure Waves. - Roger B. Dannenberg, Robert Kotcher:
Aurafx: A Simple And Flexible Approach To Interactive Audio Effect-Based Composition And Performance. - Corrado Coia, Brian J. Ross:
User-Guided Evolution Of Granular Synthesis. - Timothy A. Place, Trond Lossius, Nils Peters:
A Flexible And Dynamic C++ Framework And Library For Digital Audio Signal Processing. - Friedrich V. Turkheim, Thorsten Smit, Robert Mores:
A Semi-Virtual Violin For Investigations Into Sound Quality And Musician-Instrument Interaction. - Chad Wagner:
Dynamic Playlist Generation: A Case Study. - Leigh M. Smith:
Rhythmic Similarity Using Metrical Profile Matching. - Janis Libeks, Douglas Turnbull:
Exploring "Artist Image" Using Content-Based Analysis Of Promotional Photos. - Thomas Rocher, Matthias Robine, Pierre Hanna:
A Survey Of Chord Distances With Comparison For Chord Analysis. - Sho Onuma, Masatoshi Hamanaka:
Piano Arrangement System Based On Composers' Arrangement Processes. - Jörn Loviscach:
Spectral Synthesis Of Rhythms. - Tae Hong Park, David Hyman, Peter Leonard, Wen Wu:
Systematic And Quantative Electro-Acoustic Music Analysis (Sqema). - Peter Faerber, Philippe Kocher:
The Mobile Ambisonics Equiptment Of The ICST. - Mara Helmuth, Jung Hyun Jun, Talmai Oliveira, Ahmad Mostafa, Kazuaki Shiota, Amitabh Mishra, Dharma P. Agrawal:
Wireless Sensor Networks And Computer Music, Dance And Installation Implementations. - Jörn Loviscach:
The Show Must Go On: Dependable Audio Computing. - Christopher Ariza, Michael Scott Cuthbert:
Modeling Beats, Accents, Beams, And Time Signatures Hierarchically With Music21 Meter Objects. - William Brent:
A Timbre Analysis And Classification Toolkit For Pure Data. - Teresa Marrin Nakra, Daniel Tilden, Andrea Salgian:
Improving Upon Musical Analyses Of Conducting Gestures Using Computer Vision. - Thom Blake, Mark Fell, Tony Myatt, Peter Worth:
Yasunao Tone And MP3 Deviation. - José Ignacio López Ramírez-Gastón:
Technological Advantage For The Sound Arts: Border Politics. - Marije A. J. Baalman, Vincent De Belleval, Joseph W. Malloch, Joseph Thibodeau:
Sense/Stage - Low Cost, Open Source Wireless Sensor Infrastructure For Live Performance And Interactive, Real-Time Environments. - Miller S. Puckette:
Grafting Synthesis Patches Onto Live Musical Instruments. - Marcelo F. Caetano, Xavier Rodet:
Automatic Timbral Morphing Of Musical Instruments Sounds By High-Level Descriptors. - Marcelo Queiroz, Gustavo H. M. De Sousa:
Structured IIR Models For HRTF Interpolation. - Georg Essl:
Urmus - An Environment For Mobile Instrument Design And Performance. - Tony Myatt, Oliver Larkin, Dave Malham:
Studio Report: Music Research Centre, Department Of Music, University Of York. - Arshia Cont, Andrew Gerzso:
The 'C' Of IRCAM: Coordinating Musical Research At IRCAM. - Mark Ballora, Curtis Craig:
Studio Report: Music Technology At Penn State University. - Alexander Refsum Jensenius, Kyrre Glette, Rolf Inge Godøy, Mats Høvin, Kristian Nymoen, Ståle Andreas Skogstad, Jim Tørresen:
Fourms, University Of Oslo - Lab Report. - John Thompson, Michael Olson:
Georgia Southern University Studio Report. - Douglas Geers, George Brumner, Douglas Cohen, Nicholas R. Nelson:
The Brooklyn College Center For Computer Music, City University Of New York. - Hans Timmermans, Jan Ijzermans, Rens Machielse, Gerard van Wolferen:
Education On Music And Technology, A Program For A Professional Education. - Scott Hewitt, Pierre Alexandre Tremblay, Samuel Freeman, Graham Booth:
HELO: The Laptop Ensemble As An Incubator For Individual Laptop Performance. - Dale Parson:
Algorithmic Musical Improvisation From 2d Board Games. - Jean Bresson:
Ml-Maquette / Musique Lab 2. - Jonathon Kirk:
Otoacoustic Emissions As A Compositional Tool. - Damián Keller, Daniel Luis Barreiro, Marcelo Queiroz, Marcelo Soares Pimenta:
Anchoring In Ubiquitous Musical Activities. - Roger B. Dannenberg, Daniel P. Siewiorek, Noel Zahler:
Exploring Meaning And Intention In Music Conducting. - Alex McLean, Geraint A. Wiggins:
Petrol: Reactive Pattern Language For Improvised Music. - Thomas Stoll:
Abstraction In A Unit-Based Audio Processing System. - Volkmar Klien, Thomas Grill:
Because We Are Falling Down. Physics, Gesture And Relative Realities. - Gary S. Kendall:
Idiosyncrasies Of Spatial Perception In Multi- Loudspeaker Reproduction. - Eric Battenberg, Adrian Freed, David Wessel:
Advances In The Parallelization Of Music And Audio Applications. - Rodrigo F. Cádiz, Patricio de la Cuadra:
Spectral Stochastic Resonance Sound Synthesis. - Florent Berthaut, Myriam Desainte-Catherine, Martin Hachet:
Combining Audiovisual Mappings For 3D Musical Interaction. - Ryo Ikeshiro:
Generetive, Emergent, Self-Similar Structures: Construction In Self. - Jérôme Barthélemy, Yann Orlarey, Alain Bonardi, Serge Lemouton, Raffaele Ciavarella, Karim Barkati:
Toward An Organology Of Virtual Instruments In Computer Music. - John MacCallum, Andrew Schmeder:
Timewarp: A Graphical Tool For The Control Of Polyphonic Smoothly Varying Tempos. - Aron P. Glennon, Robert Rowe, Juan Pablo Bello
:
Automatically Generating Syntactically Correct Audio Effects In Max. - Axel Berndt:
Decentralizing Music, Its Performance, And Processing. - Jacob David Sudol, Roger Reynolds:
Creating And Inhabiting A Space: Real-Time Algorithms And Performance Issues In Roger Reynolds's Angelspace (2008-2009). - Jeremy C. Baguyos, Chryssie Nanou, David Wetzel, McGregor Boyle:
An Unconference Unsession On Computer Music Performance. - Alexandre Torres Porres:
Dissemination of Computer Music Theory Outside Academia. - Benjamin Schroeder, Marc Ainger, Richard E. Parent:
New Languages For Physical Modeling Synthesis. - David Reinecke:
How To Conduct A Laptop Orchestra: Issues Of Coordination In Computer Music. - Eliot Handelman:
Jack And Jill Project In Autonomous Music Composition. - Eugene Marlow:
Is The Laptop A Musical Instrument? Or, What's Old Is New Again, And Vice Versa. - Nick Cope, Tim Howle:
Electroacoustic Movies - Towards A Post-Acousmatic Music. - Jamie E. Oliver:
How To Articulate A Regional Space For Research And Creation In Latin America. - Juan Parra Cancino:
Towards A Performance Practice Of Computer Music: A Journey. - judsoN:
Neuroacoustics: Intergrating The Strengths Of Computer Technology And Human Biology Through Music. - Krista Martyne, Julien-Robert L. Salvail:
Interactive Video In Performance. - Lyn Goeringer:
Using Streetlights To Generate Sound: Hidden And The Use Of Non-Incandescent Light Sources For Sound Generation. - Michael Spicer:
The Medium Is The App. - Miha Ciglar:
Tactile Feedback Based On Acoustic Pressure Waves. - Parl K. B. Vester:
Radical Computer Music. - Miller S. Puckette, Hans-Christoph Steiner, Alexandre Torres Porres:
Pure Data Barcamp. - Sam Tarakajian:
Gelie - Investigations In Expression Through Mapping. - Scott Mclaughlin:
Reception Of Intellectual Property Issues In Computer Music. - Naotoshi Osaka, Seongah Shin, Lonce Wyse:
Founding Of The Asia Computer Music Project. - Miha Ciglar:
Sonic Beams / Acoustic Shadows. - David Plans Casal:
Decomposing Autumn: A Component-Wise Recomposition. - Christopher Bailey:
A Database System For Organising Musique Concrete. - Hans Peter Stubbe Teglbjaerg, Thomas Göpfert:
Virtual Bass-Clarinet In Modalys. - Paolo Girol:
Analysis And Resynthesis Of Anemic Cinema. - Chikashi Miyama:
Peacock: A Non-Haptic 3D Performance Interface. - Felipe Otondo:
Mobile Sound Sources In Two Music Theatre Works. - Brian Carty, Victor Lazzarini:
Hrtfearly and Hrtfreverb: Flexible Binaural Reverberation Processing. - Robert England:
A Multilevel Symbolic Music Alignment Algorithm. - Dominique Fober:
Time Synchronization In Graphic Domain - A New Paradigm For Augmented Music Scores. - Joachim Ganseman, Paul Scheunders, Gautham J. Mysore, Jonathan S. Abel:
Source Separation By Score Synthesis. - Marcelo Cicconet, Tertuliano Franco, Paulo Cezar Pinto Carvalho:
Plane Tessellation With Musical Scale Tiles And Bidimensional Automatic Composition. - Antoine Allombert, Raphaël Marczak, Myriam Desainte-Catherine, Pascal Baltazar, Laurent Garnier Allombert:
Virage: Designing An Interactive Intermedia Sequencer From Users Requirements And Theorical Background. - Alain Bonardi, Isis Truck:
Introducing Fuzzy Logic And Computing With Words Paradigms In Realtime Processes For Performance Arts. - David Romblom:
Arcsyn: An Expressive And Efficient Additive Synthesis Architecture. - William A. Burnson:
Introducing Belle, Bonne, Sage. - Kat Agres, Spencer Topel, Michael J. Spivey, Stephen Moseson:
An Auditory Twist On Visual Search Using Head Movement Controlled Ambisonics. - Aengus Martin, Craig T. Jin, André van Schaik, William L. Martens:
Zero-Discount Partially Observable Markov Decision Processes For Computational Improvising Agents. - Mauricio Ubilla, Domingo Mery, Rodrigo F. Cádiz:
Head Tracking For 3d Audio Using The Nintendo Wii Remote. - Mark Ballora, Brian J. Panulla, Matthew Gourley, David L. Hall:
Sonification Of Web Log Data. - Salman Bakht, Christopher Jette:
Www.Lovelyweather.Com: A Web-Based Interactive Audio-Visual Environment. - Georg Essl:
The Mobile Phone Ensemble As Classroom. - Lydia Ayers, Andrew Horner:
Synthesizing The Dynamic Spectra Of The Didgeridoo. - William A. Burnson, Hans G. Kaper:
Automatic Notation Of Computer-Generated Scores For Instruments, Voices And Electro-Acoustic Sounds. - Hsin-Ming Lin, Chih-Fang Huang:
An Algorithmic Composition Method Of Monophonic Pitches Based On The Frequency Relationship Of Melody Motion. - Alistair McNichol:
Technology And Creativity In The Classroom: An Opportunity Missed? - Ewan Stefani, Christophe De Bézenac:
Computer-Controlled Video As A Multimodal Interface In Live Acousmatic Music. - Andrew Sorensen:
A Distributed Memory For Networked Livecoding Performance. - Georg Essl:
Ursound - Live Patching Of Audio And Multimedia Using A Multi-Rate Normed Single-Stream Data-Flow Engine. - Pascal Baltazar, Bjørnar Habbestad:
Unruhige Räume - Spatial Electro-Acoustic Composition Through A Collaborative Artistic Research Process. - Ivica Ico Bukvic, Ji-Sun Kim:
Perception And Interpretation Of Concurrent Aural Shapes Using Dream Interface. - Jean Bresson, Carlos Agón:
Processing Sound And Music Description Data Using Openmusic. - Philippe Esling, Carlos Agón:
Composition Of Sound Mixtures With Spectral Maquettes. - Ajay Kapur, Michael Darling, Meason Wiley, Owen Vallis, Jordan Hochenbaum, Jim W. Murphy, Dimitri Diakopoulos, Carl Burgin, Tyler Yamin:
The Machine Orchestra.
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last updated on 2025-01-09 19:41 CET by the dblp team
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