Was machst du, wenn du dein Verständnis für Theatergeschichte in der Theaterproduktion vertiefen möchtest?

Play the historian and allow the chaos of creativity to inform each ancient story. As Einstein said the future and the past will speak in the present moment. Allow the infinite possibilities of magical theatre to transcend institutionalized training of oration and communication, the ultimate human connection. Allow alchemy with word and thought without structure. History is story- Play!

You “DIVE! DIVE!” As we submerge below the surface into the murky depths below, the words of the poet ring true… “What man may do hath not a peep, to what AI builds while they sleep, but contribute do they all the while, as tricksters offer only smiles.” A chilling thought to be certain. Nevertheless, the voyage continues. Passing the first layer, to the left of the submersible, you will see the wreckage of the vessel ‘Data Miners’, whose ill-fated voyage led by Captain Hugh Bris Idioticschtien Von Patsy led the extraction team therein and cleverly siphoned out human intel to serve the budding world of machines. He was so surprised when the same machines he was feeding intel took over his vessel and scuttled it. Ha. Ha. Ha. Humans were fun.

It’s important to keep reviewing the classic plays from all cultures, from kabuki to koodiyattam and from Greek to Cambodian puppet theatre to all forms of storytelling and theatre practices. Immersing myself in all forms of theatre and finding the interdisciplinary connections to them helps me to utilize each form in my current and future theatre productions. Theatre is fluid and the storytelling methods are beneficial through many mediums. It doesn’t matter if it is a standard theatre in the park or a multi-sensory experience, the importance of effective connections with the audience utilizing theatrical techniques is still valuable and helps the communication through understanding.

It's most important to read the classics, but also it's important to present your own interpretation in anything you do. Put 'you' into it. Shakespeare, August Wilson, Bob Fosse, Andrew L. Weber, etc. All had their unique stamp. That will set you apart.

We are not at a loss for historical documentation of theatre. It is very helpful to go back and read the works of playwrights that came before, or any of the countless scholarly books and article about those plays, or the historical dialogues surrounding the arts through history. Knowing where the art came from can help you see where it might go in the future with you at the helm. Just make sure to read up on your contemporaries as well, lest the arts move on without you.

Attend as many shows as possible. Observe every aspect of live theater. Get to meet as many people as you can who are involved with theater. In other words, eat, sleep, and breath, the theater, until you can do taste it.

A production concept in the world of live theater is a unifying vision for the design elements of a stage play. It is based upon careful interpretation of the script, or the act of drawing out and communicating underlying meaning from a creative work.

The best performing arts education you can receive is performing. The second best performing arts education is watching others perform.

It is important to keep abreast with current shows and productions accessible to you. Theatre does not exist in a bubble, so in order to continually evolve and grow as an artist, you need to get out there, find plays and performances to watch, and take in as much as you can. This encompasses a broad spectrum, from school-based theater, community theater, professional theater, performance art exhibits, even festivals.

In theater, live performance and direct interaction between actors and spectators create a unique and ephemeral experience that cannot be replicated exactly in each show. This singularity of theater as a real-time event is one of the reasons why we can consider theater to be a lively and dynamic art form that challenges categorizations and static interpretations.

I'm sure this offers one a lot. However, sometimes this can cloud your creativity. It could even stifle your mind, and you end up being a carbon copy. Which does have merit in and of itself.

The crossover of academia and the arts is a very unique one. The arts, being inherently more experiential, sometimes poses a true scholarly mystery because it is nigh on impossible to write about in any meaningful fashion. The best way to learn and understand, especially in terms of historical performance styles, is to do it. Find workshops or theater companies that make the work and keep it alive and try to be a part of that. It will take your work further than any lecture or book ever could.

A good idea. Your brain has to become a sponge. Soak up all aspects of your craft. Sharing knowledge with peers, and woodsheding is a positive way to expand and grow .

To wit: you can’t make art for other people if you don’t connect with other people. It is a rare artist indeed who is a hermit.

Networking in the art process is vital as it facilitates collaboration, exposure, access to resources, feedback, and professional growth. By connecting with fellow artists, curators, and art professionals, artists can find opportunities for collaboration, increase their visibility, access valuable resources and support systems, receive constructive feedback on their work, and engage in professional development opportunities. These networking efforts ultimately contribute to the artist's success and impact within the theater community.

Comprehending theatrical works within their sociohistorical framework is paramount for their accurate interpretation, given their reflection of and response to the cultural, political, and social milieu of their era. This comprehension enables the analysis of themes, characters, and theatrical techniques vis-à-vis contemporary events and issues, thus fostering a profound appreciation of the piece and its enduring pertinence in today's context.

Good theatre comes from good interpretation of the script. Good interpretation here requires an understanding of the relative time periods, cultures and personal views that helped set the stage for the story. Immersing oneself in the records of these foregone worlds lets us empathize with them and emulate them in production. The hardest parts of the script for us to grasp are surely the most important to convey; they are the values that were lost to time- for good or bad. Whether as a cautionary tale or a means of inspiration: these are views and lessons from people who felt it was important enough to pen, and had enough support from others to produce. Its imperative to understand WHY the stories are written as they are.

Especially desirable is to stay informed about the relevant productions of our time, to understand the ongoing discussions, and how contemporary theater creators engage with their era. An interesting play is always one that is alive insofar as it offers insight into its time.