Wie schafft man visuelles Interesse mit Aufnahmen und Winkeln?

The most important aspect of a shot is if able to tell our story in very clearly, and help the story is great shot how u shoot does not not matter, but try ad things without disturbing story line,

Without a shot list, it is very hard to create a flowing story of images. You must prepare and most of that preparation is in giving the angle, the framing and the movement of the shot meaning helping the story/characters/action unfold. The shot list is a very good marriage of director, dop and editor. If you respect this trinity, you have a good film to make.

You don’t always have control of your surroundings, and sometimes we hold “the shoot” to be too precious, too delicate. In that moment I try to break the rules. For the longest time I avoided shots in front of windows, or verticle shapes behind a subject. In those moments when you don’t have control, I like to say ‘eff it’ and break all the rules. I’d rather do that than protrate in front of the film gods and ask for divine intervention. Rock that shit out.

In visual storytelling, shots serve as fundamental building blocks, categorized by factors like camera-to-subject distance, scene visibility, and the number of subjects in the frame. A wide shot unveils the entire scene, setting context and location. In contrast, a medium shot captures the subject from the waist up, fostering a sense of intimacy. The close-up, on the other hand, hones in on emotion, reaction, or subject significance, often intensifying tension or drama. These distinct shot types play crucial roles in conveying narrative elements, enriching the storytelling experience.

Shot types are your tool for controlling the audience, whether that be emotionally or making sure the audience is paying attention to what you deem important in a scene. Even for shoots where you do not have much control of the subject or have not had ample time to plan things out, your shots are your way to control the situation and make sure the audience is understanding the vision that you have. The vision comes together fully after post production is complete with the addition of music / special effects but none of this will be able to save a shot filmed incorrectly.

Angles in cinematography refer to the camera's positioning relative to the subject and horizon, significantly impacting the scene's perception and power dynamics. An eye-level angle, positioned at the subject's eye level, offers a neutral and realistic perspective, maintaining balance in the scene. Conversely, low-angle shots place the camera beneath the subject, looking upward, evoking sensations of dominance or vulnerability. In contrast, high-angle shots position the camera above the subject, looking downward, instigating feelings of power or inferiority. These angle types play a pivotal role in shaping the emotional and narrative nuances of visual storytelling.

Camera angles are very necessary in visual story telling. Stories need to be told well. Apart from the visual aesthetics, How we choose camera angles tells the audience about the world around us and make the audience have a certain feeling about a subject in frame.

Experiment with Angles: Eye Level: This is the most common angle and offers a neutral perspective. It's how we naturally see the world. Low Angle: Shooting from below can make subjects appear larger, more powerful, or intimidating. High Angle: Shooting from above can make subjects appear smaller, weaker, or more vulnerable.

🎥 Elevate your visual storytelling by mastering angle types! Start with the eye-level angle for that relatable, straight-on perspective—it's your narrative baseline. Then, shake things up: aim high with a bird’s-eye view to offer an omniscient glimpse of the scene, or go low for a worm’s-eye view, adding an element of grandeur or vulnerability to your subject. Don’t forget the power of the oblique angle, tilting the camera to disorient the viewer and heighten emotional impact. Each angle type not only enhances visual interest but also deepens the narrative, inviting your audience into a more engaging and emotionally resonant world.

Im a big time “freestyler”. I like to shoot the same shot multiple times in different angles. Sometimes placing my camera in the most bizarre places like the inside of a bag or strapped to the bars of a bicycle. You’d be surprised by the results from just trying. I think the most important thing to remember is that creativity is the ability to think about a task or a problem in a new or different way, or the ability to use the imagination to generate new ideas.

➡️ Wide Shot + Low Angle: This combination can highlight the vastness or grandeur of a setting, or contrastingly, underscore a character's isolation or insignificance within a large space. ➡️ Medium Shot + High Angle: Useful for showcasing a character's emotional vulnerability or the intimacy of a dialogue, this pairing can create a sense of closeness while also implying a power dynamic. ➡️ Close-Up + Eye-Level Angle: Ideal for capturing the intensity or focus of a character's emotions or actions, this combination brings the viewer into the immediate personal space of the character, heightening engagement and tension.

➡️ Close-Up + Low Angle: Magnifies the subject's features or expressions, adding drama or intensity. ➡️ Close-Up + High Angle: Personalizes the subject, highlighting emotional states like contemplation or sorrow. ➡️ Wide Shot + Dutch Angle: Creates a sense of disorientation or tension in a broader scene. ➡️ Medium Shot + Dutch Angle: Focuses on the subject while adding a sense of instability or unease. ➡️ Close-Up + Oblique Angle: Enhances emotional impact, suggesting internal turmoil or a skewed perspective.

Incorporating various shot and angle combinations is a potent tool for injecting visual intrigue and diversity into your videos while conveying an array of meanings, moods, and effects. Consider this: pairing a wide shot with a low angle can accentuate the vastness and majesty of a landscape or structure, or conversely, underscore the character's solitude and insignificance within it. Conversely, a medium shot combined with a high angle can spotlight a character's vulnerability and emotion, or create an intimate ambiance for a conversation. Furthermore, a close-up paired with an eye-level angle can heighten the character's intensity and concentration, or amplify the tension within a scene.

➡️ Wide Shot + Low Angle: Showcases vast landscapes or structures, emphasizing scale and grandeur, or highlights a character's isolation. ➡️ Wide Shot + High Angle: Offers an expansive view while diminishing the subject, suggesting vulnerability or insignificance. ➡️ Medium Shot + Low Angle: Focuses on the subject, making them appear powerful or imposing against their environment. ➡️ Medium Shot + High Angle: Captures the subject in detail, while conveying a sense of vulnerability or submissiveness. ➡️ Close-Up + Eye-Level Angle: Intensifies the subject's emotions or reactions, creating a strong connection with the viewer.

Most of my videos being educationally related (in how to accomplish something), it depends on the subject matter. Recently, I made a video on how to remove and replace a bathroom sink drain with a modern Pop Up stopper drain. Getting up close and personal with the workings below a sink are a physical pain, so I use a flashlight with a wide beam, and my smartphone on a short tripod. This got up close and personal with the work I was doing. Hand held shots may be shaky (a GoPro helps), but they allow motion to show specifics. The majority of my videos are timed to be short, and are typically just me speaking in a single take, until I am done with my point. This type of video is for people familiar with the subject.

One thing I've found helpful is considering transitions when shooting not just in post. Match pan or tilt out of a shot to the in of the next shot in your edit.

The golden rule is to keep the audience in a hypnotic trance, where they become the protagonist, and everything is happening to them. This calls for restraint in creativity when it comes to shot angles. The exception is when the story calls for POV to reveal to the audience something that the protagonist does not know. The risk of momentarily jarring them out of trance is offset by the production value of introducing suspense. In my opinion, a good compromise would be a POV that emulates the protagonist's peripheral vision.

Rules are important, but any of them can be broken in an interesting or creative way. The visual grammar that you envision for each project is unique to that project.

Imitation is the sincerest form of flattery! I say this to say that you should study your favorites, directors, cinematographers, photographers. When you see something that just is undeniable and draws you in… try it. What you make will never be exactly what they created but this will expand your knowledge of what works and what doesn't from your perspective.

Watch everything twice. If something hooks you in, watch it again, why did it hook you in? What stood out compared to the other 100 videos you scrolled past that day? Analysing why videos are so engaging, and taking these learnings into your work can be a great way of creating visual interest in your videos.

"Inception" (2010) de Christopher Nolan, qui exploite des angles inhabituels pour jouer avec la réalité, et "Birdman" (2014) d'Alejandro González Iñárritu, qui donne l'impression d'une prise de vue continue, intensifiant l'expérience visuelle.

Make the first second really, really count! Keep in mind to: - Make the hook visually pleasing (using props or tools to simplify the topic) - Create a no-brainer 1st sentence for instant context

Get crazy! If you're reading this you've already learned how to properly frame things in the traditional ways. Everybody who owns a phone already knows this for the most part. As a professional shooter, do anything and everything it takes to get a unique shot. Don't be afraid to lay on the ground, climb on top of something, shoot through one thing to get to the thing you're actually shooting. Be creative, and take it to a crazy level! This is what will get you attention.

considering a organic approach, when developing your visual interest. It helps you connect with your audience when you are being authentic. There’s nothing like creating something that is from the viewpoint of your eyes. Sometimes that is what people would like to see.

SOUND. Our eyes are only one of our senses. Audio cues and music can inform what we see just as well as any shot. Watch a David Lynch movie if you don't know what I mean.

Orson Welles said: “A long-playing full shot is what always separates the men from the boys. Anybody can make movies with a pair of scissors and a two-inch lens.” I think this is one of my favorite quotes because the long take truly is an incredible tool for great filmmakers. It is difficult to coordinate the camera placement and the actors in an extended shot but the effect can be incredible. Both immersive and not immersive simultaneously, drawing attention to the filmmaker as an auteur and immersing the viewer in the world of the story.