site categories
Stephanie Bunbury
More From Stephanie Bunbury
‘Memoir Of A Snail’ Review: Australian Claymation Master Adam Elliot Reflects On Love, Grief And Human Weakness – Annecy
As a small child, motherless Grace started keeping snails in a jar, writing names on their shells and watching their life cycle — mate, breed, die — with loving fascination. "They were my friends," she muses in voiceover in Memoir of a Snail, which this week had its premiere at the Annecy International…
-
-
0 Comments Comment on ‘Memoir Of A Snail’ Review: Australian Claymation Master Adam Elliot Reflects On Love, Grief And Human Weakness – Annecy
Cannes Film Festival 2024: Read All Of Deadline’s Movie Reviews, Including Palme d’Or Winner ‘Anora’
Read all of Deadline’s Cannes Film Festival reviews below, including Palme d’Or winner Anora.
The New York-set romantic dramedy charts the story of a stripper from Brooklyn who transforms into a modern Cinderella when she meets the son of a Russian oligarch.
The film, playing in the official…
‘Simon Of The Mountain’ Review: Federico Luis’ Critics’ Week Winner Is A Wholly Original Debut – Cannes Film Festival
Simon has a strong twitch that drives him to shake his head, meaninglessly. He sometimes dribbles. The way he looks out at the world from under his brows, especially when people are talking to him, suggests he can't quite keep up with what they're saying. When he meets a group of young people from a local…
‘The Kingdom’ Review: Julien Colonna’s Corsican Father-Daughter Mob Drama Is An Understated Epic – Cannes Film Festival
"Why do they want to kill you?" At 15, Lesia (Ghjuvanna Benedetti) is still daddy's girl. She knows but doesn't want to know the answer to her question, just as she has always known what Pierre-Paul (Saveriu Santucci) does for a living — a very good living — but doesn't acknowledge it to herself. "Money…
‘The Seed of the Sacred Fig’ Review: Exiled Iranian Director Shows A Conservative Family Split Apart By Protests In Heartfelt, Politically Fiery Melodrama – Cannes Film Festival
Woman, life, freedom. Down with theocracy! The slogans shouted in the bloody streets of Tehran over the past year echo through The Seed of the Sacred Fig, Mohammad Rasoulof's long, heartfelt story of an Iranian family that starts to tear at the seams when Iman's two daughters are told what he really does…
‘To A Land Unknown’ Review: Sympathetic Story Of Stranded Palestinian Refugees Avoids Turning Them Into Heroes – Cannes Film Festival
By the time we meet them, Chatila and Reda already are down in the lower depths. Cousins from Palestine, they have spent much of their lives living as refugees on the run. Having made it as far as Athens, a kind of holding zone for people from the Middle East trying to slip into Europe, they are trying to…
‘September Says’ Review: Oddball Teenage Sisters Bonded By Bullying In Ariane Labed’s Directing Debut – Cannes Film Festival
Weird sisters have been spinning their witchy webs in stories dating back to Greek mythology, which included a macabre trio of sisters who passed a single eye between them. There is something of that sense of a closed circle of unknowable femininity between the two teenage girls in September Says, the…
‘Mongrel’ Review: Superbly Controlled And Paced Taiwanese Drama Bears Witness To One Of The Great Crimes Of Our Time – Cannes Film Festival
"Don't you trust me?" It's a routine question from the man they call Boss, a ruthless character operating at the lower levels of the immigrant trade in Taiwan, adopted home of director Chiang Wei Liang. Nobody trusts Boss (Daniel Hong Yu-Hong), least of all his Thai sidekick Oom (Wanlop Rungkumjad)…
‘The Shrouds’ Review: Body Horror Master David Cronenberg Loses The Plot In A Tangle Of Conspiracy Theories – Cannes Film Festival
When his wife died, Karsh tells the blind date he has asked to lunch, he had an overwhelming urge to jump into the coffin with her rather than see her sent away alone. Instead, he contrived a way to straddle the worlds of the living and the dead, setting up a luxury cemetery where the dead are wrapped in…
‘Lula’ Review: Oliver Stone’s Documentary About Brazilian President Is Illuminating & Accessible – Cannes Film Festival
Luis Ignacio Lula da Silva, three times president of Brazil, was born in 1945. He grew up poor in Sao Paulo and left school early to help support his family. Having trained as a lathe operator, he reached a milestone when he became the first member of his family to earn more than the minimum wage…
‘Rumours’ Review: Guy Maddin’s Smart, Sharp & Quirky Satire Hits The Bullseye For Those Who Have The Giant Brain For It – Cannes Film Festival
Remember the communiqué from the Rambouillet G7 conference back in 1975? Of course they do. Tramping through a wooded estate somewhere in Germany, pursued by the zombie remains of Iron Age chieftains recently exhumed from the grounds of the nearby stately home, the leaders of the world's richest…
‘The Balconettes’ Review: A Very Bloody, Somewhat Didactic, Game – Cannes Film Festival
Ghost story, body horror, feminist comedy and a freshly minted edition of that very French subgenre, How to Get Rid of a Troublesome Corpse: Noémie Merlant, familiar as a fine actress from Céline Sciamma's Portrait of a Lady on Fire, packs a good deal into her sophomore feature as director, The Balconettes…
Next page of stories
More Stories
Sidebar
Newswire
PMC
Deadline is a part of Penske Media Corporation. © 2024 Deadline Hollywood, LLC. All Rights Reserved.
Powered by WordPress.com VIPSite
ad
\