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‘All In: Comedy About Love’ Broadway Review: John Mulaney, Richard Kind, Fred Armisen & Renée Elise Goldsberry Give Voice To Comic Brilliance Of Simon Rich
Last week, the Broadway play All In: Comedy About Love got very dramatic about money – weekly box office, specifically, with grosses topping $1 million, an impressive feat for any play not named Mary. Figure in that All In isn’t really a play at all, but a collection of readings by the short comic fiction…
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By Greg Evans
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2 Comments Comment on ‘All In: Comedy About Love’ Broadway Review: John Mulaney, Richard Kind, Fred Armisen & Renée Elise Goldsberry Give Voice To Comic Brilliance Of Simon Rich
‘Gypsy’ Broadway Review: Audra McDonald Takes Her Turn At Momma Rose
There aren’t enough dressing rooms on Broadway to contain all the expectations for the new Gypsy, George C. Wolfe’s revival starring the great Audra McDonald. Considered by theater buffs to be among the greatest stage musicals of the American canon, Gypsy now stars a performer considered among the…
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By Greg Evans
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‘Cult Of Love’ Broadway Review: Merry Christmas, Like It Or Not
If the line “What shall we hang, the holly or each other?” hadn’t already been taken by The Lion In Winter, it would make a fitting quip stuffed somewhere in Leslye Headland’s deliriously cutting Cult of Love, opening tonight on Broadway.
Granted, this dysfunctional family holiday is already stuffed…
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By Greg Evans
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‘Swept Away’ Review: John Gallagher Jr. Steers A Stirring Avett Brothers Seafaring Musical
As enthralling as it is disquieting, Swept Away, opening tonight on Broadway, is a taut and captivating new folk musical featuring the gorgeous songs of the roots-rock group The Avett Brothers and an impeccable cast headed by John Gallagher Jr. and Stark Sands.
Based on the Avetts’ gorgeous 2004…
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By Greg Evans
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‘Elf The Musical’ Broadway Review: Ho Ho Etc.
Elf The Musical, the cheery – very, very cheery – revival opening tonight for a limited holiday run on Broadway, is an entirely suitable gift from a hard-working cast for fans of the well-liked 2003 Will Ferrell Christmas perennial. If you crack up at memories of Mr. Narwhal (here represented by a large…
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By Greg Evans
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‘Tammy Faye’ Broadway Review: Unanswered Prayers
If you remember Tammy Faye Bakker at all from the peak of her ’80s televangelical fame, you’ll most likely remember the scandals, the mascara, the tarantula-leg eyelashes, the big, big hair, the prescription drugs and maybe the groundbreaking on-air interview she did with AIDS patient Steven Pieters, all…
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By Greg Evans
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‘Maybe Happy Ending’ Broadway Review: Darren Criss And Helen J Shen Delight As Lovestruck Androids Dreaming Of Electric Cheek
It takes a special type of theatrical talent, one loaded with heart and wit and insight, to imbue something that looks like an Apple MagSafe iPhone Charger with more romantic appeal than a decade’s worth of Valentines Day chocolates, but that’s just what the creators and performers of the delightful…
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By Greg Evans
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‘A Wonderful World’ Broadway Review: James Monroe Iglehart Brings Louis Armstrong Back To Swingin’ Live
Well, hello, Louis! Add another talent to the already prodigious roster of Louis Armstrong: Jazz giant, trumpeter par excellence, great American vocal stylist and, now, the rare musical historical figure powerful and charismatic enough to drape a jukebox musical around and come out a victor.
A Wonderf…
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By Greg Evans
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‘Romeo + Juliet’ Broadway Review: Kit Connor And Rachel Zegler Take The Bard To A Proper Rave-Up
Shakespeare’s star-crossed lovers sure are getting a work out these days, what with Tom Holland’s recent stab in London, the enduringly popular girl power take of & Juliet and no doubt one or two others percolating somewhere even as I write. But no matter – make room, plenty of room, for Sam Gold’s Romeo +…
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By Greg Evans
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‘Left On Tenth’ Broadway Review: Julianna Margulies Beguiles In Sickness And Health
If nothing else, Delia Ephron's autobiographical romantic comedy Left on Tenth, opening tonight on Broadway, proves that Ephron, like her late sister Nora, can find the feel-good in even the most unlikely places. In Left on Tenth, that would be the oncology ward of a Manhattan hospital.
Based on…
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By Greg Evans
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‘Sunset Blvd.’ Review: Nicole Scherzinger Steals Broadway With One Look
All that madness in Gloria Swanson’s eyes at the end of Billy Wilder’s 1950 masterpiece Sunset Boulevard is amplified to breathtaking lengths in Jamie Lloyd’s commanding and gorgeous renovation of Andrew Lloyd Webber's 1993 musical Sunset Blvd. With a career-expanding performance that redefines the…
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By Greg Evans
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‘Our Town’ Broadway Review: Jim Parsons Leads A Thornton Wilder Classic Unstuck In Time
With so much turmoil in the world, it’s at least a little comforting that things haven’t changed much in Grover’s Corners, the place that gives Our Town, Thornton Wilder’s beloved 1938 report from Smalltown USA, its name. People there are born, love and die without so much as looking up to savor what they…
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By Greg Evans
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