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Latest in Evil Does Not Exist
‘Tuesday’, ‘Treasure’, ‘I Used To Be Funny’ Lead Quiet Arthouse Weekend As Wider Market Rebounds: “Maybe We Have To Get Mainstream Back On Its Feet” First – Specialty Box Office
It was an Inside Out specialty weekend, fairly quiet and with a stream of indies films and more wide releases. The schedule is starting to recover from a strike-induced slump that, however, provided oxygen to some indies.
Small films have been competing for screens with majors at arthouses from…
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2 Comments Comment on ‘Tuesday’, ‘Treasure’, ‘I Used To Be Funny’ Lead Quiet Arthouse Weekend As Wider Market Rebounds: “Maybe We Have To Get Mainstream Back On Its Feet” First – Specialty Box Office
‘Run Lola Run’, Tom Tykwer’s Experimental Thriller, Takes Victory Lap In Rerelease – Specialty Box Office
Cardio is good. Sony Pictures Classics' 4k rerelease of Run Lola Run had a healthy weekend, opening to an estimated $154k on 275 screens. This is the 25th anniversary of the U.S. debut of Tom Tykwer's German experimental thriller that sees flame-haired Lola (Franka Potente) on the move in Berlin, pounding…
More Neon Love As ‘Babes’ Blasts Off Stateside – Specialty Box Office
As Neon was justly feted this weekend for a fifth consecutive Cannes Palme d'Or winner (Anora), it also had a nice showing at home with a terrific expansion for indie Babes.
The feature directorial debut of Pamela Adlon jumped from a 12-screen opening last week to 590 and hit no. 9 at the domestic…
‘Kidnapped: The Abduction Of Edgardo Mortara’, Marco Bellocchio’s True Tale Of Jewish Boy Taken By Pope In 1800s Italy – Specialty Preview
A searing historical drama set in mid-19th century Bologna, and a TIFF award winning coming-of-age story open in limited release. The fascination with female conductors continues in doc Maestra. Netflix starts a small run with Richard Linklater comedy Hit Man. A24’s I Saw TV Glow is steady on under 400…
Imax Doc ‘The Blue Angels’ Soars, ‘I Saw The TV Glow’ Shows Broad Appeal, Nice Open For ‘Babes’ In Upbeat Indie Weekend – Specialty Box Office
MGM/Imax's The Blue Angels lands a hefty $1.3 million on just 255 domestic Imax screens from limited showtimes in the large format exhibitor's exclusive theatrical engagement. The Paul Crowder film, with Glen Powell and Bad Robot as producers, follows the Navy's famed demonstration flying squadron. It…
Comedy ‘Babes’ Opens In Limited Release Stateside With Neon On The Move In Cannes – Specialty Preview
Babes by Pamela Adlon, co-written and starring Ilana Glazer, debuts in limited release with films by Hang Song-soo and Bertrand Bonello and docs on a controversial Venice Biennale, ground-breaking female clerics, and the Blue Angels Navy Squadron. A trio of festival favorites expand. While eyes now are on…
A24’s Coming-Of-Age Horror ‘I Saw The TV Glow’ Tunes Up Indie Market – Specialty Box Office
A24's I Saw The TV Glow beamed out one of the best limited openings of the year as the specialty market shows signs of life after a dreary April.
The '90s era trans coming-of-age horror-thriller grossed $116.3k at four theaters in New York and LA for a per screen average of $29k for Jane Schoenbrun…
‘I Saw The TV Glow’, ‘Evil Does Not Exist’, Ethan Hawke’s ‘Wildcat’ & Anita Pallenberg Doc Debut, Can They Give Indies A Bump? – Specialty Preview
It's been a rough few weeks for indies but May is here with a handful of hopefuls looking to rev up the market — from A24's buzzy I Saw The TV Glow to Ryusuke Hamaguchi's Venice award-winning Evil Does Not Exist. A documentary about Anita Pallenberg featuring Scarlett Johansson hits theaters, with a…
Asia Pacific Screen Awards: Ryusuke Hamaguchi’s ‘Evil Does Not Exist’ Leads Nominations & First Round Winners Announced
Japanese filmmaker Ryusuke Hamaguchi's latest feature, Evil Does Not Exist, leads this year's Asia Pacific Screen Awards (APSA) with four nods, including the gong for Best Film.
Hamaguchi's nominations haul includes Best Director, Best Screenplay, and Best Cinematography for Yoshio Kitagawa. The…
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By Zac Ntim
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Ryusuke Hamaguchi’s ‘Evil Does Not Exist’ Gets Nearly 8-Minute Ovation At Venice Premiere
Ryusuke Hamaguchi's latest, Evil Does Not Exist, received a 7-minute, 50-second ovation at its Venice Film Festival world premiere on the Lido on Monday. The applause for the director of last year's Best International Feature Oscar winner Drive My Car only ended when Hamaguchi and his team got up to…
Ryusuke Hamaguchi On Covertly Making His Venice Title ‘Evil Does Not Exist’ & Why ‘Drive My Car’ Oscars Buzz Made Him “Sick Of Filmmaking”
When Venice head Alberto Barbera announced his competition lineup in July, he confessed that he and his selection team were surprised to see one submission in their database: a feature project by Japanese filmmaker Ryûsuke Hamaguchi.
Hamaguchi had quietly returned to filmmaking following the…
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By Zac Ntim
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‘Evil Does Not Exist’ Review: Ryusuke Hamaguchi Delivers A Constantly Surprising, Intellectually Agile Film – Venice Film Festival
Shinrin-yoku, which translates as "forest-bathing," was a Japanese invention of the 1980s: a meditative therapy that connects burnt-out urbanites with the healing power of nature. Evil Does Not Exist, the latest film from the celebrated director of Drive My Car, Ryusuke Hamaguchi – and a contender for the…
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