UPDATED Monday with some final grosses: Starting small on two screens but with surprising spring is animated Flow from Sideshow and Janus Films, setting the distributor's highest per screen average of circa $25.4k, or $50.8k at two theater in NY and LA. Gints Zilbalodis' feline tale, Latvia's Oscar submiss…

Hello, Love, Again, the widest domestic release for a Filipino film, now holds a record for the highest opening weekend for the same with $2.4 million and a no. 8 spot. Jesse Eisenberg's A Real Pain crossed $3 million at the box office following its expansion to more than 1,000 theaters in week 3…

Cannes Palm d'Or winner Anora went wide and A Real Pain added theaters in limited release, both nicely, with Crunchyroll's Japanese epic fantasy OVERLORD: The Sacred Kingdom and Small Things Like These at the specialty box office. Sean Baker's breakout Anora is looking at $2.55 million on 1,104…

The independent film fall festival love affair with moviegoers continues with A Real Pain posting the year's third best per screen average. Anora continues its standout run as does Conclave. The Ralph Fiennes-starring Vatican thriller is no. 4 at the box office in week 2. A24’s We Live In Time is no…

Great indie numbers this weekend as Anora turned out highest per-screen-average of 2024 at $90k on six screens for a $540k gross. We Live In Time, the best platform expansion of the year, grossed $4.2 million on 956 screens in week 2 for a $4.5 million cume. Newcomers Union and The Line fared well on one…

In a weekend of wide releases, indies included, A24's Andrew Garfield and Florence Pugh-starring We Live In Time popped on five screens with the third best limited opening of the year after Yorgos Lanthimos' Kinds Of Kindness and Jason Reitman's Saturday Night. The romance by John Crowley grossed…

Sam and Colby: The Legends Of The Paranormal from popular ghost-hunting YouTubers Sam Golbach and Colby Brock scared up a no. 6 spot at the domestic box office. Also this weekend, Mubi continued a series of firsts for the indie distributor with The Substance. And Columbia Pictures' Saturday Night saw…

Columbia Pictures' Saturday Night from Jason Reitman debuted at $265k, a great $53k per theater that’s the second-best limited opening of the year, and the best since June when Kinds Of Kindness also opened in 5 theaters (to a $75k PTA). It's been a long a slightly dower wait for something to pop. Sat…

Here's to a solid indie weekend with BTS's Jung Kook: I Am Still, Mubi's The Substance, Whiplash is back and My Old Ass in limited release. Am I Racist? by conservative podcaster Matt Walsh also continued strong in week two. Mubi's release of Coralie Fargeat’s The Substance opened to $3.1 million…

A conservative and a faith-based film landed at nos. 4 and 10 at the domestic box office this weekend, with a solid showing for anime Dan Dan Dan: First Encounter and a nice limited opening for My Old Ass. Am I Racist?, the first theatrical release from Jeremy Boreing and Ben Shapiro's The Daily…

Documentary ¡Casa Bonita Mi Amor! with Trey Parker and Matt Stone cleaned up on one screen only in Denver and Tamil-language revenge thriller The Greatest Of All Time is the latest Indian film to pop at the North American box office with over $2 million on 530 screens for the three-day weekend and a cume…

Edgar Wright's cult classic horror-comedy Shaun of the Dead grossed an estimated $600k for the 3-day weekend and $720k for the four days in Focus Features re-release for the comic zombie-fest's 20th anniversary. That's a bloody nice showing as fans turned out for the cult film starring Simon Pegg and…