¿Cuáles son algunos consejos para utilizar fuentes de luz artificial en la fotografía de productos?

In my experience with artificial light sources, less is always more whether it is soft or a hard reflector for a product. Sometimes there is the tendency to over light the subject with many lights. One light source gives so much depth just like our singular sun.

Knowing how to use light controls such as reflectors, diffusers, soft boxes, flags, and other materials to control how the light is perceived and where it strikes is important. The best book I have ever seen on this subject is one I used in my classroom called "Light, Science, and Magic" by Fil Hunter and Paul Fuqua. Very comprehensive and simply the best on down and dirty how to photograph different surfaces, metal, glass, 3-D objects, and using multiple light sources.

There are different ways to achieve great lighting for product photography. However, I'd recommend using a classic setup: strobe lights with softboxes. Reason #1: You'll find more tutorials online about strobe lights and softboxes than continuous lights. Reason #2: You'll have to learn about shadows and reflections (it's a good thing; it will force you to grow as a photographer!) Reason #3: You'll have the most control to shape your light (e.g. different sizes and types of light modifiers) My recommendation is a 2-light setup with a compatible trigger. Godox is an excellent budget-friendly brand; and a pair of 200-watt lights would be sufficient for common small to medium sized products. Also, don't forget light stands and modifiers!

I am not a big fan of bank lights. 1.Double umbrellas are great black back on one side the other shoot through the white Phototex. 2. Mole Richardson scoop light. The small ones are very nice. They throw an interesting sharp light. 3. Make a scrim and shoot through it or bounce the light. Depending on the height of your ceilings will determine what kind of gobos you will need. 4. Always mask down your areas outside of your image. 5. Avoid flare by checking your lens for speculate highlights and use black cards to block the flare

Borrow from your favourite images/ film scenes/ paintings. Really pay attention to what you like about these scenes. If you can find a reflective object (like an eye). Zoom in and see what clues they have about how the scene was lit. Really ask yourselves questions, where are the shadows? Are the lights warm or cold? Squint at the scene to look at contrasts and then practice practice practice.

One of the important tips of lighting products is to be uniform for each side of the product. Suppose we have a cube. Each side of it should have a same light generally. If we have not enough equipment for professional lighting, reflectors including white wall, white cardboard, white cloth or a mirror can compensate the defects.

One of the important tips of lighting products is to be uniform for each side of the product. Suppose we have a cube. Each side of it should have a same light generally. If we have not enough equipment for professional lighting, reflectors including white wall, white cardboard, white cloth or a mirror can compensate the defects.

Effective artificial lighting is a game-changer in product photography. Whether using continuous lighting, strobes, speedlights, or LED panels, these tips can help you master artificial light: Choose the right source. Diffuse the light for softness. Employ reflectors for balance. Adjust color temperature. Strategically position lights. Utilise light modifiers. Minimise glare and reflections. Tweak light intensity. Experiment with angles. Prioritise consistency. Fine-tune in post-processing. Practice and learn. These tips will help you capture stunning product images by harnessing the power of artificial light.

Avant toute chose, une photo doit être une histoire! je ne dirige pad la lumière de la meme façon ci je photographie une scène du matin, ou une scène du midi ou du soir!

Agreed. Using multiple light stands at different angles can give an atmospheric effect. I would suggest do a few toggles between b&w and color photography to get that natural light look and feel.

Learn the inverse square law, artificial lighting seems complicated at first, but once you master it it will take your photography to another level. You’ll be able to shoot wherever and wherever you want. Learn the general rules like “soft light is best” and you can be creative with breaking those rules sometimes, sometimes hard light gives a creative look if you know how to use it. You don’t have to start with a lot, a simple speed light or a simple continuous light kit can go a long way in taking your photos to the next level. Natural light is great, it’s the best as a matter of fact, but you can’t control it. With artificial light you can control and shape it into whatever you want it to be.

Product Photography can be divided into different categories: 1: ADVERTISING ATL 2: DIGITAL ADV 3: E-COMMERCE among others. Light and set up is very different in each of this cases. -> In e-commerce lighting has to be rounded to avoid harsh shadows in order to make simple and clear the vision, but not too FLAT to loose not volume. In ADVERTISING or DIGITAL the product sits in a recreated situation which explains the benefits, so light has to be descriptive of the moment, not FLAT. It is a good start using available natural light, bounced with panels or mirrors and a strobe is useful to fill or generate main lights. -> Sometime less is more

Use Soft Light: Soft light sources, such as softboxes or umbrellas, create diffuse and even lighting, reducing harsh shadows and highlights on the product. Positioning Lights: Experiment with different angles and distances of your light sources to find the best lighting setup. Consider using multiple lights to illuminate different parts of the product evenly. Light Modifiers: Use light modifiers like reflectors and diffusers to control the direction and intensity of the light. Reflectors can bounce light back onto the product, filling in shadows.

Multi exposure can be useful when we have not enough light source. Each time one side of the work can be lighten. Although this manner is experimental, it may show us the alternative ways of creative lighting.

I agree with many in this discussion that natural light is great for photography, but artists and photographers know we can create powerful effects and particular moods with additional lighting. A key tip is experiment with different colored lighting. Blue or yellow tones can enhance landscape photography in surprising ways. Colored lights don't have to feel harsh on portraits either - use a diffuser to soften contrasts for a "daylight" feel. A quick homemade diffuser could be a sheet of white paper or cloth, or even the white shade from a bedside lamp.

Moving light source is another way to new experience and get different results. In a large studio when we take a photo of an airplane, handy flash can be several times fired in several directions . In small studio also we can use hanging and swinging light source is interesting experiments.

To enhance your product photography skills, delve into light quality and diffusion. Experimentation in this aspect can lead to diverse and captivating effects in your shots. Altering the light quality, whether hard or soft, allows you to control the character of your shadows and highlights. Try using a hard light source for a striking, defined look, or opt for a soft light source to achieve a smoother, more gentle transition between light and shadow. Likewise, playing with light diffusion by either focusing or scattering the light can significantly impact the contrast and clarity of your images. By embracing these techniques, you can customize your product photography to create the desired visual impact.

Knowing the purpose of the product images will determine what kind of diffusion to use to control light quality. Are these product photos for an apparel brand on figure? Using more diffusion will be helpful to minimize shadows and unsightly wrinkles in the clothing and flatter the model. Are these product still photos of a makeup bottle? Using a harder light quality with no diffusion may be preferable to highlight the crisp edges of the product. Editorial product photos give the photographer a chance to be more experimental with lighting and composition. When choosing your light quality and diffusion it’s essential to be knowledgeable and adaptable to your product and client.

I seemed to have gone fast track in my photography as of last year. I have to say that I am self-taught. I followed Luke Ayers on YouTube and did his product photography course. I picked up using manual settings and playing with light to be SO helpful. I am always experimenting with natural light, using small high-power desk lighting and also my proper umbrella lights with diffusers. I love creating mood. I feel products need to envoke some sort of mood or bring something to the senses.

Use diffusers to soften shadows, particularly on products that might show imperfections. The quality of light affects not only the product's appearance but also the overall mood of the photography.

You can still use flash with tungsten if you use an amber filter over the flash to bring its 5200 Kelvin temperature down to tungsten’s 3200. A blue filter on the tungsten source can also match it to flash or daylight. Match the camera setting to the light source.

For matching the light source and white balance of camera we have to calibrate the camera white balance setting. By using an A4 white paper and filling the frame of camera, (read the manual) and pressing the shutter button, the camera gets calibrated. Auto white balance is the best choice which let you correct it after in editing software like photoshop.

en effet la lumière est différente le matin et le soir! Choisir son histoire est très important! Un bol de café ne s'éclaire pas comme un bol de soupe!

I always use an xrite color checker with the software to zero in on getting the sensor to record colors properly. You will be surprised how much better your work will look.

Always calibrate your camera's white balance according to the light source to avoid an unwanted color tint. Use gray cards or custom white balances for improved color accuracy.

Continually refining your lighting setup is essential for achieving consistently high-quality product photography. Testing your setup with a spec product or model before the actual shoot allows you to evaluate how the light interacts with your subject regarding shape, color, and texture. Remember to document your settings and take notes during these test runs, as this will be invaluable for maintaining a reliable reference point for future product photography endeavors.

Testing and documenting your lighting setup is absolutely essential, especially for paid assignments. Consider this scenario: you're tasked with photographing a reflective product under harsh lighting conditions, but the client insists on minimizing glare on the logo. Conducting a light test beforehand is akin to a thorough study session before the actual shoot. It allows you to address any technical or visual challenges in advance. This meticulous preparation translates to a seamless day on set, leaving a lasting impression on your client and team members due to your exceptional level of readiness.

Don’t be afraid to experiment on your own. part of perfecting your set preferences for different scenarios and subjects is playing with it as much as possible. gather friends, objects, etc and use what is available to you to play, experiment, and create. The more you experiment and push the boundaries of your work on your own, the more confident you will get with shooting on the fly and finding the perfect set up when you’re on set.

Take test shots from different angles and with different lighting setups to compare results. Consider using a calibrated monitor when reviewing images to ensure what you see is accurate and true to life.

I love product photography, and I believe that lighting can truly distinguish someone from being a professional and from being an amateur. That said, when I started, I didn't have access to the fanciest gadgets. Going online and researching budget-friendly light sources is a great way to begin exploring the world of lighting. I used Google for an initial search to familiarize myself with different types of lights, but I found the exact product I wanted to buy through tip videos on TikTok. I started with a small mountable LED light that cost around $20. Starting with limited access to the best lights forces you to be intentional with the available light and think of creative ways to make things work.

my favourite light is natural but that's not always possible to achieve and experimenting as written in most comments is important

Don't think you can just Photoshop all your problems away! Make sure the product you are shooting is clean, and free of debris. Check for light spots and reflections. Try to get it as close to post as possible, if you take the time and respect your subject, you will respect your pictures even more.

The most fundamental aspect about lighting that every photographer can and should understand is that light travels in a straight line. Understanding this core concept allows you to investigate where errant reflections and stray shadows are coming from; as well as how to shape, feather, and modify light to suit your vision.

Watch for reflections. Make sure the image is showing what you want it to show, not your set up. I am usually shooting outside so backgrounds and horizons can become problematic. They can also add to the subject if you are careful. Colored lights and filters can be interesting.