Drone Swarms as Cultural Artifacts
Two days ago, I made some comments about the priority and centrality of drone swarms as a threat https://lnkd.in/dT-BwxgP
No matter what actual events show every day in more and more parts of the world, unseen swarms are threatening everything all the time. Besides the development of expensive systems capable of dealing with such a threat, drone swarms have been dominating the domain debate for more than ten years in a row. Year after year, we have observed worrisome developments in drone technology, BUT THE SWARM. And here we are: striving to protect against swarms while protection against remotely piloted UAS is not good enough. Attackers have too much of an advantage; they have changed the course of war in Ukraine, and the Olympics are this summer.
I don't want to think in conspiracies. They are quite resilient to Occam's razor. Instead, besides raw popularity and collective think inertia, I would like to explore a different path: cultural artifacts.
You see, dogfight air combat was real for just less than 20 years. It was THE air combat during World War I and several minor conflicts right after it, but during the middle 1930s, it was being abandoned in favor of energy combat, boom and zoom, and other non-visually appealing combat modes. Not many years after the Second World War, AA missiles were created and quickly developed, and we can confidently say that during the last 50 years, missiles have been the kings of air combat, following known stats and figures.
The problem with air combat is that it was visually narrated during and right after its creation using the then also young cinema. Western and world public was captivated by mesmerizing and exciting air combats between chevaliers of the air that turn on a dime looking for the tail of their adversaries. No matter how terrible actual WWI air combat was, the film portrait of air combat was engraved in stone, so to speak. Decade after decade, although actual air combat evolved, it was portrayed in films as dogfight. Right up until 2023.
Now, it's not so easy to trace how drone swarms acquired popularity. Slaughterbots activists campaigned, sure, and it looked like an asset only accessible to main powers. It was more or less the direct translation of shock-and-awe capabilities of the nineties, and also a very striking picture. If you want to portray the threat posed by small drones on a computer display, it's better to make them fly ominously in flocks against their objectives. Like killer bees or the birds of Hitchcock.
Nowadays, it's not debatable that swarms have captured the imagination. While not operative, we talk about them all the time and prepare against them. However, there is a decisive difference: dogfights were a cultural artifact AFTER they happened, while swarm attacks have not happened yet.