Publicación de Palco Ticketing

Sampling International LLC Group, also known as SI Corporate, of which Dominion Sample and SI Tactic are a part of, has failed to provide severance pay to 207 employees in the Mexico Facility, which is a CRIME. All of this was orchestrated by Andrew Nazari (COO and President of the entire SI Group including Dominion Sample and SI Tactic, https://lnkd.in/e5bKdarr) and Dean Treister (Owner of SI Group, https://lnkd.in/e99qPt4b) Management made the decision to disappear on May 20th and no longer communicate with their employees, leaving unpaid wages, leaving pregnant women and senior citizens without health insurance. They also stole from their employees 2 months of mortgage payments; management took the payments from the employee’s paychecks but failed to transfer the amount to the mortgage creditors. This is unacceptable and deeply concerning. The 207 employees were told by the company lawyers to cover our unpaid wages and severance with whatever was left behind at the facility, most of which is fabric/shingles/material provided and paid for by the company's clients, such as Springs Window Fashions, Draper Window Shades, Sunbrella, Glen Raven. Again, this is material paid for by CLIENTS, which now the employees will have to sell in order to recover part of the unpaid wages and severance, most of this material will have to be sold at a fraction of the cost. Employees are the backbone of any company, and they deserve to be treated with fairness and respect, especially during times of transition. Severance pay is not just a legal obligation, but a moral one, ensuring that individuals are supported as they navigate through sudden job loss. We have been forced to hire legal counsel, in hopes of finding a solution in such distressing times, however the SI Corporate group has refused to fulfill its responsibilities to its former employees. It's crucial for the company to uphold its values and commitments to its workforce, demonstrating integrity and compassion in all its actions. #FairTreatment #EmployeeRights #StandTogether

Os comparto mi reciente artículo para FAM Cultura sobre cómo las empresas pueden aprovechar sus impuestos para patrocinar proyectos de entretenimiento. El patrocinio de festivales se ha convertido en una de las herramientas más efectivas para conectar con el público de forma auténtica y memorable. Pero, ¿es posible hacerlo sin asumir costes netos? En este artículo, analizo cómo los incentivos fiscales permiten a empresas de todos los tamaños participar en grandes eventos culturales, optimizando su fiscalidad y posicionándose en el centro de experiencias únicas. ¡Espero que lo encontreis interesante!

¿Conoces Ticketara? Si eres promotor o tienes un evento en mente, Ticketara te lo pone fácil 🙌  Con esta plataforma, podrás promocionar tus espectáculos y vender entradas de manera sencilla y rápida. ¡𝗧𝗮𝗻𝘁𝗼 𝗽𝗮𝗿𝗮 𝘁𝗶 𝗰𝗼𝗺𝗼 𝗽𝗮𝗿𝗮 𝗹𝗼𝘀 𝘂𝘀𝘂𝗮𝗿𝗶𝗼𝘀! 🚀 💻 ¿Cómo funciona? Es tan fácil como hacer el registro de tu evento en nuestra web intuitiva y compartirlo en tus redes o página web con un link directo 🖱️  🎭 ¿Qué te ofrece Ticketara? El equipo de Ticketara sabe lo complicada que es la situación actual para la cultura, por eso apoyan a quienes apuestan por ella 💪 Si las entradas de tu evento son gratuitas, ¡𝗲𝗹 𝗰𝗼𝘀𝘁𝗲 𝗲𝘀 𝟬€!.  Para eventos con coste, solo nos llevamos un 𝟰% de comisión. Y si necesitas mapa de butacas, lo tienes disponible desde solo 𝟴𝟬€ ✨ 🌟 En 𝗕𝗲𝗰𝗼𝗱𝗲 apostamos por la cultura y el ocio con herramientas como Ticketara que hacen más fácil todo el proceso.  #Becode #transformaciondigital #kitdigital #ayudas #subvenciones #ayuda #subvencion #desarrollodenegocio #desarrollodenegocios #innovacion #ia #inteligenciaartificial #bigdata #empresa #negocio #digital #digitalizacion #pyme #pequeñaymedianaempresa #desarrollodepymes #ecommerce

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exclusive Investment Opportunity: Premium Suite at Tijuana’s Premier Venue 🔹 Prime Investment: Premium Suite at one of Tijuana’s most sought-after venues Exceptional location with prime views and exclusive access 🔹 Investment Highlights: High-Value Asset: Acquire a high-demand suite with premium seating for major games and events Rental Income Potential: Opportunity to lease the suite for scheduled events, including sports games and concerts, generating a steady rental income stream Exclusive Access: Enjoy VIP status with premium access to high-profile events, enhancing both business and personal value 🔹 Rental and ROI Potential: Event Rental Revenue: With numerous high-attendance events scheduled throughout the year, including major sports events and concerts, there is significant potential for lucrative rental income. Estimated revenue from renting the suite can vary based on event popularity and frequency. Investment Recovery: Based on historical rental rates and event frequency, the estimated time to recover the investment can range from 5 to 7 years. This estimate considers average occupancy rates and event rental fees, providing a solid framework for financial planning. 🔹 Strategic Benefits: High Demand: The venue’s reputation and frequent high-profile events ensure continuous demand and potential for high rental yields Enhanced Value: Owning a premium suite provides a unique opportunity for both investment growth and personal enjoyment Flexible Use: Potential to utilize the suite for business hosting, client entertainment, or personal use, adding to its versatility and attractiveness 📈 Maximize Your Investment Potential with this exceptional opportunity to own a premium suite at a premier venue. Contact us today to discuss this opportunity in detail and to explore how it fits into your investment strategy.

Estas semanas estoy vendiendo la participación a las cenas de Club Ecommerce (24 oct BCN y 29 MAD) y estoy teniendo conversaciones muy interesantes que me hacen reflexionar. - muchas empresas ven un riesgo participar en un evento y el coste que conlleva, en vez de la oportunidad de establecer una relación humana y en persona - a algunos les parece muy muy caro, pero tienen comerciales que cobran más y no tienen ni la mitad de reuniones - muchas empresas no tienen presupuestos de marketing para acciones como esta y si lo tienen, lo tienen super ajustado, hablo de 500€ al mes. Con este presupuesto es díficil tener resultados - algunas empresas tienen presupuestos anuales que una vez se ha gastado, mala suerte, perdiéndose la oportunidad de conectar con gente que alomejor no vuelve a contestar ni un e-mail o a ir a otro evento - en general no se suele valorar la dificultad de traer gente top a los eventos - muchos equipos comerciales no son conscientes de la importancia de salir de la vorágine de emails y DM en linkedin para conocer a según que perfiles - tuve una tasa de respuesta altísima (15% sobre un primer email), el CTA era : "te recuerdo las condiciones?" , si haces un buen email y tienes una buena lista de asistentes, a la gente le gusta curiosidad - siempre me ha parecido curioso que la gente que está decidida, te da el ok por e-mail, en vez de llamarme. - y los indecisos en vez de proponer una llamada, siguen haciendo todo por e-mail, con conversaciones larguísimas - a veces el tamaño de la empresa no importa, sino la visión de las que trabajan allí, me encuentro con empresas de hasta 5 empleados que lo ven super interesante, y luego empresas super grandes de 600 empleados, que aunque no conocen a las personas que van, miran el céntimo la inversión - si tu competencia va y tú no, probablemente te avance por la derecha Nada, era una pequeña reflexión. Si te interesa saber las condiciones y quien va, me escribes un DM-

En QwantiQ priorizamos por igual producto y servicio. Para nosotros ambas cosas van vinculadas si queremos ayudar a dar el salto en la venta de entradas de tus espectáculos o eventos. No solo se trata de que dispongas de un sistema de ticketing muy potente, sino de aprender a utilizarlo y sacarle el máximo partido para que a su vez sea fácil para ti autogestionar las entradas de tus espectáculos y eventos y rentable. Vas a dar un gran paso y QwantiQ estará ahí para ayudarte. #ticketing #marketingcultural #audienciasculturales

💡 𝐇𝐨𝐰 𝐢𝐬 𝐭𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲 𝐫𝐞𝐬𝐡𝐚𝐩𝐢𝐧𝐠 𝐭𝐢𝐜𝐤𝐞𝐭𝐢𝐧𝐠, 𝐞𝐧𝐭𝐞𝐫𝐭𝐚𝐢𝐧𝐦𝐞𝐧𝐭, 𝐚𝐧𝐝 𝐜𝐮𝐥𝐭𝐮𝐫𝐚𝐥 𝐬𝐞𝐜𝐭𝐨𝐫𝐬? In an insightful interview with Revista Byte TI, our CEO Eduardo Haro and Maribel Tabuenca Borobia, Ticketing Business Development at #nazaríesintelligenia, share their perspectives on how innovation is transforming the entertainment and cultural industries. ⚡Their expertise highlights the need for user-centric approaches and advanced technologies to redefine the relationship between venues and their audiences. 🎭 Key insights from the interview: • “We must stop seeing ticket sales as merely issuing a barcode and instead understand them as the first point of contact between the user and the venue. This initial interaction will shape their future relationship with the cultural space, event, or city”. • “It’s essential to understand culture in a transversal way, integrating theaters, cultural spaces, and events with their potential audiences, rather than continuing with a fragmented, isolated approach”. 👉 Read the full interview to discover how we’re shaping the future of IT, entertainment, and culture. 🔗 https://lnkd.in/eEncZT6a _ #WeArePowerUps #doitsimple #TicketingInnovation #DigitalTransformation #EntertainmentTech #CultureTech

Hi everybody! I hope you’re all doing well. I’m reaching out to ask for a favor. Forbes 30 Under 30 Spain has opened their nominations, and I would be incredibly grateful if you could consider nominating me. I know I’m not extraordinary, but I believe my journey might inspire others who face various challenges in life and feel they have nothing to offer to the world. I want to show them that anything is achievable if you believe in it. For those who might not be familiar with my background, here’s a brief overview to help you decide whether to nominate me. I arrived in Spain from Morocco in 2006 with a humanitarian visa, after falling into a coma due to agammaglobulinemia, a rare disease that makes one highly susceptible to infections. My mother and I were forced to stay in Spain to save my life, which was one of the greatest gifts but also the most challenging situation as we had no resources or help at that time. Due to this situation that I require a treatment every two weeks, my life is a bit complicated. Despite frequent illness and a disrupted education, I pursued my passion for technology. I started coding at 12 and by 16, I was already officially working, which led me to leave formal schooling to focus on my personal development with different techniques due to my condition. ⬇️ How to vote below! Now, at 27, I am the Director of Procys, a startup specializing in AI-driven automation of manual processes. Our innovative solutions, such as automating invoice data extraction, have the potential to revolutionize efficiency in multiple sectors. Additionally, I am part of Openprovider's leadership team, and I mentor startups and other entrepreneurs to scale up. My journey underscores the importance of resilience and determination. By sharing my story, I hope to encourage others to never give up, no matter the obstacles they face. Thank you for considering my request. Your support would mean the world to me and could help amplify the message that anything is possible with determination and belief! How to Vote: https://hicham.page/forbes #forbes #forbesnomination #entrepreneur #agammaglobulinemia #startup

En el dinámico escenario actual del marketing y la publicidad, los festivales se destacan como plataformas cruciales para la conexión marca-consumidor. Esta potente estrategia fue tema central en el evento “Enamorando al Consumidor", donde representantes de diversas marcas exploraron en profundidad el excepcional valor de los festivales: conexión marca-consumidor. En esta reunión, se analizó cómo los festivales pueden ser eficaces en forjar conexiones genuinas y significativas entre marcas y audiencias. Haz clic en el siguiente link: https://lnkd.in/eQzcngYx, y conoce todos los detalles de la historia en nuestra web. 𝗔𝗴𝗲𝗻𝗰𝗶𝗮 𝗔𝟭 Ideas brillantes, resultados duraderos #A1 #agencia #marketing #noticias #threads #instagram #digital