Voici comment intégrer de manière créative de la musique et des effets sonores dans la production vidéo.

Integrating music and sound effects into video production is both an art and a science, requiring a blend of technical skill, creative intuition, and a deep understanding of the narrative: Understanding the Role of Sound, Sound Design Basics, Music Integration, Sound Effects and Ambience, Timing and Rhythm, Emotional Resonance, Technological Integration, Collaboration and finally, Feedback and Revision.

When I am selecting some underscoring for a piece of video I pay a lot of attention to whether or not something will be taking away from the scene rather than supporting it. Lots of lots of music is competitive with what is being seen on the screen and the phrase 'less is more' is very important. But most often anything with lyrics is going to be a bad choice for anything with your character's dialogue.

You can really make or break your video with a song! How’s the pacing? Is it loud enough? Is it too loud? All that takes into effect when selecting music. Sound is half your video. Be conscious of your song.

¿Cuantas veces no hemos visto un video y apenas comienza la música simplemente dejamos de ver? Saber escoger un tema es más que solo buscar en el banco de sonido la canción que mejor suene, debes tener un amplio conocimiento previo y eso no significa tener que saber la historia de la música. Si te quedas enclaustrado en un solo género tu producto audiovisual queda muy limitado, incluso la música que no te gusta puedes usarla de forma narrativa para reforzar construcción de personajes,situaciones desagradables o simplemente porque es el lugar correcto para usarla. Mi consejo para saber cuando y como usar la música en el audiovisual es simple: Escucha toda la música que puedas,de tu región,país,del mundo,te prometo que será divertido.

In a Nutshell: Diegetic vs. Non-Diegetic Sound: Diegetic sounds are those that exist within the story’s world (e.g., character dialogue, footsteps). Non-diegetic sounds, like background scores, are not heard by the characters but enhance the viewer’s experience. Foley Art: This is the process of creating everyday sound effects in post-production to match the actions on screen. Foley sounds are essential for making scenes feel real and lived-in.

No hay tarea más hermosa que hacer diseño de sonido. Eres como un pintor frente a la nada,el creador de realidades con la mayor responsabilidad de todas, hacer que todo sea verosímil. Puedes tener la imagen más hermosa que si el sonido es malo simplemente tu obra no funciona.Y por el contrario puedes tener una imagen regular que con un gran sonido todo explota de la mejor manera. Hay que pensar en el sonido como la agrupación de diversos elementos: La voz humana, los ambientes, los efectos de sonido, la música, aparte tienes que pensar en sonidos agudos, medios y graves, sonidos diegéticos(del mundo de los personajes) y extradiegéticos(solo para el espectador). No hay una receta secreta, el límite es tu imaginación solo nunca satures.

Sound design is all about good ears. While you can get away with some simple wooshes for video transitions, good cinematography need to be paired with believable sound design to be great. Sound design can start with just choosing the right sounds and end with layering dozens of layers just for one particular sound (a footstep, car crash, monster roar, magic spell). Choose wisely timbre and complexity depending on the imagery you need to sound, as it will amplify it tenfold. Also sound can tell more story than just imagery does. You can bring elements that are not in the shot to life. Like a door opening off camera, something falling, a heartbeat of a runner. Creative is the keyword here.

Sync with Action: Ensure sound effects and music cues are timed precisely to on-screen actions. This synchronization can enhance the impact of visual elements. Pacing: Adjust the tempo of music and the frequency of sound effects to control the pacing of a scene, building tension or providing relief as needed.

Siempre piensa en qué elemeto sonoro será tu hilo conductor,revisa donde está el climax del video antes de colocar cualquier sonido. Por ejemplo si tu hilo conductor será netamente la música y tienes solo efectos sonoros puntuales, escucha donde está el climax de la canción, no importa si tienes que cortar cola o cabeza,te prometo que si tus dos climax, visual y sonoro están sincronizados ya tienes a una gran parte de tu audiencia emocionada en ese punto, a nadie le importará si no escuchó la canción desde el inicio o si no la escucha hasta el final, la emoción que produces en el espectador es lo que cuenta.

Editing to the beat of the music is generally used for "high energy" videos but also can be effective in something "slower". Whether you are editing to the beat or adding sound effects, make sure it makes sense and adds to the video making it impactful and meaningful for the viewer.

Thematic Consistency: Develop recurring musical themes or motifs that evolve with the narrative, reinforcing the emotional journey of characters and story arcs. Emotional Underscoring: Use music to highlight the subtext and emotional undertones of a scene, providing the audience with cues on how to feel.

Saca de tu cabeza que estás limitado por lo que está en cuadro, la riqueza del diseño de sonido es que incluso puedes utilizar elementos fantásticos nada racionales en pos de inducir al espectador de forma concreta y narrativa. Este trabajo debes hacerlo desde el guión, en preproducción, conversa con el director y que te cuente qué quiere inducir él, también explora por tu cuenta pero de esta forma en rodaje podrás controlar mejor tus elementos sonoros,si un actor arrastra los pies por construcción de su personaje,quizas tener un micro a los pies no estaría mal,o por el contrario quizas el sonido de los zapatos no te gusta,pones una alfombra y luego grabas esos pasos que si te gustan.No te limites por lo que ves,construye lo que no ves.

La mezcla de sonido. La parte más dificil, aunque con práctica se vuelve sencillo. Lo primordial es la voz humana,nada puede estar más alto que la voz, es ley(siempre hay excepciones artístico-narrativas). A partir de ahí mezclas los diversos elementos que tengas, eso sí, siempre ten un canal master, creeme muchas veces te salvará la vida y ten presente en que formato serás escuchado: ¿en multiple mono? ¿estereo? ¿5.1? dependiendo de eso tendrás más espacio o no para colocar tus elementos sonoros. Si tienes muchos elementos en mono simplemente será una masa sonora y por el contrario si tienes pocos en 5.1 todo se sentira vacío. También nunca llegues al 0 siempre ten un rango entre -14 y -20, es mejor subir nivel a saturarlo todo.

Clarity and balance is very important when mixing music with dialogue and/or sound effects. You can lower the overrall volume of the music if there's any dialogue to make it intelligible or use a sidechain compression which ducks music volume base on the dialogue output. Generally a difference of 9-18 dB (depending on the music and dialogue) in volume is going to work just fine. Same goes for sound effects. And if you want to make them more impactful you can cut the music way before to make them stand out more.

Watch out for copyright infringements, depending where your media will be viewed you'll get in big trouble without permission to use it. There is plenty of copyright free music like in the youtube music library, but you might find yourself rabbitholing tons of tracks without finding the right one for your productions. There are other platforms where you can get higher quality music either with a subscription model or a one time purchase per track. Storyblocks and Artlist just to name a few. Bigger productions will buy rights to use a commercial track by famous artists or pay a composer to make a track for them from just for that particular production.

Every video has a story and a mood. Music and sound effects (SFX) help enhance these elements. Think of them as tools to evoke emotions, highlight actions, and make the viewing experience more immersive.

Test Screenings: Use audience feedback from test screenings to gauge the effectiveness of your audio integration. Iterative Process: Be prepared to revise and refine sound elements to better fit the evolving needs of the production. DAWs (Digital Audio Workstations): Use professional software like Pro Tools, Logic Pro, or Ableton Live for editing, mixing, and mastering sound. Sound Libraries: Utilize extensive sound libraries for a vast array of pre-recorded effects and music, customizing them to fit your production needs. Field Recording: Capture unique sounds on location to add authenticity to your soundscape.

3 Tipps Monday on how shooting your videos creatively: 1 - Lighting is key: Make sure your subject is well-lit to avoid grainy or dark footage. Natural light is usually your best friend, but if shooting indoors, consider using soft, diffused lighting to enhance your video quality. 2 - Stability matters: Keep your shots steady by using a tripod or a stabilizer. Shaky footage can be distracting and take away from the overall quality of your video. 3 - Pay attention to composition: Framing your shots carefully can make a huge difference in how professional your video looks. Use the rule of thirds to create visually appealing compositions, pay attention to your background.

compose and create effect , most of come it in my brain with my mouth. After that, test all sound modules and feel which sound is close to my mind and edit and edit ………