Your Obedient Servant
Producers
How does Hamilton
An arrogant
Immigrant, orphan
Bastard, whoreson
Somehow endorse
Thomas Jefferson, his enemy
A man he’s despised since the beginning
Just to keep me from winning?
I wanna be in the room where it happens—
[BURR AND COMPANY]
The room where it happens
The room where it happens
[BURR]
You’ve kept me from—
[BURR AND COMPANY]
The room where it happens
[BURR]
For the last time
Dear Alexander:
But I toe the line
As I reckon with the effects
Of your life on mine
I look back on where I failed
And in every place I checked
The only common thread has been your disrespect
Now you call me “amoral,”
A “dangerous disgrace,”
If you’ve got something to say
Name a time and place
Face to face
I have the honor to be Your Obedient Servant
A dot Burr
[HAMILTON]
Mr. Vice President:
I am not the reason no one trusts you
No one knows what you believe
I will not equivocate on my opinion
I have always worn it on my sleeve
Even if I said what you think I said
You would need to cite a more specific grievance
Here’s an itemized list of thirty years of disagreements
Sweet Jesus
[HAMILTON]
Hey, I have not been shy
I am just a guy in the public eye
Tryin’ to do my best for our republic
I don’t wanna fight
But I won’t apologize for doing what’s right
I have the honor to be Your Obedient Servant
A dot Ham
[BURR]
Careful how you proceed, good man
Intemperate indeed, good man
Answer for the accusations I lay at your feet or
Prepare to bleed, good man
[HAMILTON]
Burr, your grievance is legitimate
I stand by what I said, every bit of it
You stand only for yourself
It’s what you do
I can’t apologize because it’s true
About
The title and refrain of this song are a reference to the real-life correspondence between Aaron Burr and Alexander Hamilton that led to their famous duel. Each letter was signed:
I have the honor to be
Your Obdt. St
Here, the two are playfully mean with their letters, and the song has a kind of old-fashioned, silly charm. But hey, this was literally the way that these guys wrote themselves into history, so Lin-Manuel Miranda has an excuse to tease his characters a little.
Following Burr’s familiar introduction, the song is performed in ¾ time, making it a minuet or a waltz. As with “Farmer Refuted,” here’s it’s also used to indicate an almost prissy level of formality and contribute to the old-fashioned vibe. So from the modern viewpoint, we get a feeling of two people dancing around each other in a fusty, verbal whirl.
However, waltzing was still pretty new in the early 19th century, and was considered a “shameless, indecent” dance because waltz partners faced each other in a closed position (practically embracing!!!). Thus, from a historical standpoint, there are also hints of scandal and menace here—of circling each other before a fight. Once again, Miranda finds a way to marry musical form with narrative intent.
The circus music quality of the waltz music that kicks in and out throughout this song might be a nod to Dessa’s “Dixon’s Girl,” which was included on Lin-Manuel Miranda’s HAMthology playlist of songs that influenced Hamilton.
Q&A
Find answers to frequently asked questions about the song and explore its deeper meaning
- 3.My Shot
- 10.Helpless
- 11.Satisfied
- 13.Wait For It
- 14.Stay Alive
- 16.Meet Me Inside
- 18.Guns and Ships
- 21.What Comes Next?
- 22.Dear Theodosia
- 23.Non-Stop
- 24.What’d I Miss
- 26.Take a Break
- 27.Say No to This
- 32.One Last Time
- 33.I Know Him
- 35.We Know
- 36.Hurricane
- 38.Burn
- 39.Blow Us All Away
- 43.Your Obedient Servant