Everybody Wants to Rule the World Lyrics
Welcome to your life
There's no turning back
Even while we sleep
We will find you
[Chorus]
Acting on your best behaviour
Turn your back on Mother Nature
Everybody wants to rule the world
[Verse 2]
It's my own design
It's my own remorse
Help me to decide
Help me make the
[Chorus]
Most of freedom and of pleasure
Nothing ever lasts forever
Everybody wants to rule the world
[Bridge]
There's a room where the light won't find you
Holding hands while the walls come tumbling down
When they do, I'll be right behind you
So glad we've almost made it
So sad they had to fade it
Everybody wants to rule the...
[Instrumental Break]
[Chorus]
I can't stand this indecision
Married with a lack of vision
Everybody wants to rule the—
Say that you'll never, never, never, never need it
One headline, why believe it?
Everybody wants to rule the world
[Chorus]
All for freedom and for pleasure
Nothing ever lasts forever
Everybody wants to rule the world
About
Tears For Fears' biggest chart hit, peaking at #2 in their home country of Britain and topping the charts in the US, Canada and New Zealand. Although a massive hit, Rule The World almost wasn’t recorded. The pair weren’t fans of the song, and thought its syncopated shuffle beat wouldn’t fit in with the electronically straight-timed drums of the rest of the album.
Roland Orzabal said:
The shuffle beat was alien to our normal way of doing things. It was jolly rather than square and rigid in the manner of ‘Shout’, but it continued the process of becoming more extrovert.
As well as an atypical shuffle beat, the instrumentation of this song is interesting. Although it mainly uses the chords of A and G, it heavily incorporates the sixth into these chords, meaning there’s a droning E note throughout most of the tune.
This is a melodic device not far removed from traditional Indian music, and its first use in pop music can be traced back to the Raga-inspired music of George Harrison and The Rolling Stones.
“…Rule the World” has been heavily covered by artists ranging from Gloria Gaynor to Care Bears On Fire, and the simple melody and structure of the song makes it easy to adapt into many different forms.
This song heavily inspired the instrumentation of Rule, a song from Nas’s 2001 album Stillmatic. Both songs share similar subject matter.
It was also sampled by OutKast for Da Art Of Storytellin' (Pt 1).
Here’s a particularly interesting old-timey version by Scott Bradlee that appears in the 2013 videogame Bioshock Infinite:
Q&A
Find answers to frequently asked questions about the song and explore its deeper meaning
In the late 80s, Joe Strummer of The Clash made the cover of Musician magazine. In the article he related many great and humorous anecdotes. The best may have been his telling of the time he accosted Roland Orzabal (main writer and instrumentalist of TFF) in a restaurant:
“You owe me five quid!”
“Why?”
“You stole my lyric!”
The first line of “Charlie Don’t Surf” from Sandinista (released in 1980, four years before Songs From the Big Chair) is “Everybody wants to rule the world”. According to Joe, Roland dug into his pocket, pulled out a fiver and gave it to him right there!
Roland shared with SuperDeluxEdition:
I mean that track has just got a life of its own. It’s crazy, I mean, it was always popular, but then… I did an interview with Reuters or something like that, a while back, with this lady who went on Spotify and worked out that there are about 140 cover versions of that song; I mean, from Don Henley to Patti Smith, to Weezer, to Lorde, obviously. It’s crazy, it’s one of those songs, isn’t it? I remember from my childhood, there’d be songs like ‘Lola’ by The Kinks, it just, you know, it’s always going to be around; it’s a classic. I don’t get it and I didn’t get it at the time, I mean, I think it was the way that Chris made us improvise it every day, after our recording session, I would get on the guitar and Ian would get on the keyboards, Chris would be on the Fairlight and it soon became effortless. Every time we’d push up the faders, even if they were out of balance – because you didn’t have total recall back then, and nothing like we have nowadays with computers, Pro Tools and Logic – every time we pushed them up it was just, “wow”. There’s something intrinsic to it, you know, it’s just, it’s got a magic quality and so damn bloody simple.
- 1.Pharaohs
- 3.New Star
- 11.We Are Broken
- 12.Cold
- 15.The Big Chair
- 17.Ghost Papa
- 18.Shout
- 19.Mothers Talk
- 20.I Believe
- 21.Head Over Heels
- 24.Mad World
- 25.Change
- 26.Everybody Wants to Rule the World
- 27.Woman in Chains
- 28.Tears Roll Down
- 29.The Prisoner
- 30.The Body Wah
- 31.The Marauders
- 32.The Hurting
- 34.Empire Building
- 35.The Conflict