Keith Mitchell (June 16, 1951 – May 14, 2017) was a highly influential drummer known for his dynamic and versatile drumming style. Born on June 16, 1951, in Long Beach, California, Mitchell’s musical journey began at a young age when he discovered his passion for percussion. Throughout his career, he became renowned for his ability to seamlessly blend various genres, ranging from jazz and funk to rock and blues.
In the late 1970s, Mitchell joined the band Monitor, a group that was part of the Los Angeles punk and new wave scene. Mitchell’s drumming provided a solid and innovative backbone to the band’s music, helping to define their unique sound. His work with Monitor showcased his ability to adapt to different musical styles and his willingness to push the boundaries of traditional drumming.
Following his time with Monitor, Mitchell became a member of Green on Red, a band that emerged from the Paisley Underground movement in the early 1980s. Green on Red was known for their blend of psychedelic rock, country, and punk influences. Mitchell’s drumming added a powerful and driving force to the band’s music, contributing to their distinctive sound. His work with Green on Red further established him as a versatile and talented drummer capable of enhancing any musical project he was a part of.
In the 1980s, Mitchell joined the band Opal, which included guitarist David Roback and bassist-vocalist Kendra Smith. Opal was known for their dreamy, psychedelic sound, and Mitchell’s drumming played a crucial role in shaping the band’s music. He contributed to Opal’s two albums, Happy Nightmare Baby (1987) and Early Recordings (1989), both of which are considered seminal works in the psychedelic rock genre. Mitchell’s drumming on these albums was characterized by its subtlety and nuance, perfectly complementing the band’s ethereal soundscapes.
Mitchell’s most notable contribution came with his involvement in Mazzy Star, a band formed by David Roback and Hope Sandoval. Mitchell played on all four of Mazzy Star’s albums: She Hangs Brightly (1990), So Tonight That I Might See (1993), Among My Swan (1996), and Seasons of Your Day (2013). His drumming provided a steady and atmospheric foundation for the band’s hauntingly beautiful music. Mitchell’s ability to create mood and texture through his drumming was a key element of Mazzy Star’s sound, and his work with the band remains highly regarded by fans and critics alike.
On May 14, 2017, Mitchell died peacefully at the age of 65 after a courageous battle with cancer. Despite his illness, he remained dedicated to his craft until the very end. His courage and determination in the face of adversity were a testament to his character and his love for music.
Mitchell is survived by his sons, Paul Mitchell and Kieran Matias, his mother Charlotte Mitchell, and siblings Craig, Brian, and Mary Ellen Mitchell. He also leaves behind a legacy carried on by five grandchildren, two nieces, and two nephews.
In 2018, Mazzy Star released an EP titled Still dedicated to Mitchell’s memory, honoring his contributions to the band and the music world. This EP served as a tribute to his legacy and the impact he had on those who knew him and appreciated his work. Keith Mitchell’s drumming legacy continues to inspire and influence musicians and fans, ensuring that his contributions to music will not be forgotten.
