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A Case Study of “Feiyan's Dancing on Palms”
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由 JH Tseng 著作2015 — The focus was on the dancing prop design that adopted human factors engineering for the choreography of Feiyan's Dancing on Palms. Specifically, ...
A Case Study of “Feiyan's Dancing on Palms”
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2024年11月21日 — Human Factors Perspective of Dancing Props Design: A Case Study of “Feiyan's Dancing on Palms”. July 2015; Lecture Notes in Computer Science.
Human Factors Perspective of Dancing Props Design
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Human Factors Perspective of Dancing Props Design: A Case Study of "Feiyan's Dancing on Palms" · Jao-Hsun Tseng, P. Lin · Published in Interacción 2 August 2015 ...
Human factors perspective of dancing props design
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Two dancing pieces “Dancing on palms” (1996) and “Feiyan's dancing on palms” (2010) were created by the author previously. In order to reshape a historical ...
Jao-Hsun Tseng's research works | National Taiwan University of ...
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Human Factors Perspective of Dancing Props Design: A Case Study of “Feiyan's Dancing on Palms” · Conference Paper. July 2015. ·. 26 Reads. Jao-Hsun Tseng. ·. Po ...
Jao-Hsun Tseng
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Emotion and Perception: A Case Study of Aesthetic ... Human Factors Perspective of Dancing Props Design: A Case Study of "Feiyan's Dancing on Palms".
Po-Hsien Lin
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2024年11月15日 — Human Factors Perspective of Dancing Props Design: A Case Study of "Feiyan's Dancing on Palms". HCI (13) 2015: 274-284. [c12]. view. electronic ...
林伯賢教授Po-Hsien Lin | 臺藝大創意產業設計研究所博士班
國立臺灣藝術大學
https://cid.ntua.edu.tw › faculty
國立臺灣藝術大學
https://cid.ntua.edu.tw › faculty
Human factors perspective of dancing props design: A case study of “Feiyan's Dancing on Palms”. HCI International 2015, Auguest 2-7, 2015, Los Angeles, CA ...
中國文化大學教師教學大綱
中國文化大學
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Human factors perspective of dancing props design: A case study of “Feiyan's Dancing on Palms”. HCI International 2015, Auguest 2-7, 2015, Los Angeles, CA ...
Vision and painting : the logic of the gaze
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Types of Ekphrasis · Human Factors Perspective of Dancing Props Design: A Case Study of "Feiyan's Dancing on Palms" · Picture Without Frame: How Do We Recognize ...