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Jessica Duchen
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CLASSICAL MUSIC
What our love of Rachmaninov's Piano Concerto No 2 tells us about Britain
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CLASSICAL MUSIC
Vasily Petrenko has made Elgar his own
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OPERA
INTERVIEW
Bryn Terfel: 'The Arts Council is putting livelihoods in jeopardy'
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OPERA
In Madama Butterfly, Asmik Grigorian wipes the floor with the other singers
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ARTS REVIEWS
Simon Rattle/LSO, Barbican review: A fearless all-American triumph
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OPERA
This Magic Flute is a tonic for the soul
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CLASSICAL MUSIC
Louis Lortie's Hommage to Fauré was love at first note
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OPERA
Marcello and Musetta steal the show in La Bohème
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CLASSICAL MUSIC
The 10 best classical concerts of 2023
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CLASSICAL MUSIC
BBC Singers' Messiah was heart-soaring. It’s a travesty they faced being axed
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CLASSICAL MUSIC
Imogen Cooper at Queen Elizabeth Hall was an exquisite voyage through music
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CLASSICAL MUSIC
Louise Alder's Wigmore Hall recital proves we're fools to overlook Gabriel Fauré
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OPERA
Marina Abramović’s 7 Deaths of Maria Callas is buzzing with potential
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OPERA
Lise Davidsen at Wigmore Hall was hair-raising - I wouldn't have missed a moment of it
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OPERA
Rigoletto at the Royal Opera House will make your heart soar
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CLASSICAL MUSIC
Víkingur Ólafsson's Bach recital was remarkable
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CLASSICAL MUSIC
Barbara Hannigan's magical voice saved the LSO's patchy new-season concert
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CLASSICAL MUSIC
Simon Rattle's last LSO concert was an eloquent and heartrending farewell
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CLASSICAL MUSIC
I don't blame Simon Rattle for leaving the London Symphony Orchestra
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CLASSICAL MUSIC
John Wilson and the Sinfonia of London prom was so good it left me in tears
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MUSIC INTERVIEWS
Nicola Benedetti: ‘I'm not about placing people in a moral hierarchy'
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CLASSICAL MUSIC
Simon Mayo's YA adventure novel Itch makes for a gorgeous new opera
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ARTS
Even a Just Stop Oil protest can't dent the atmosphere at the First Night of the Proms
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OPERA
In Werther, mezzo Aigul Akhmetshina lights up Royal Opera's patchy production
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OPERA
Mezzo Jamie Barton is astonishing in Royal Opera's sparkling Il trovatore
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THEATRE REVIEWS
Longborough Festival’s Götterdämmerung presents an epic vision of Wagner
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OPERA
The emotionally wrenching Symphony of Sorrowful Songs speaks to the ENO’s perilous position
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OPERA
ENO’s gamble on Die tote Stadt doesn’t quite pay off
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OPERA
Opera star Anthony Roth Costanzo: 'We think low voices are masculine and masculine is powerful'
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CLASSICAL MUSIC
Nina Stemme's Wigmore Hall concert was a blaze of radiance from an operatic superwoman
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OPERA
The Rhinegold at the London Coliseum is so damn good, it might just save the ENO
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CLASSICAL MUSIC
If Antonio Pappano is the LSO's future, bring it on
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