Latest Release
- 11 JAN 2024
- 10 Songs
- Cosmic Thing · 1984
- Cosmic Thing · 1989
- B-52'S · 1979
- B-52'S · 1979
- B-52'S · 1979
- Wild Planet · 1980
- Cosmic Thing · 1989
- Party Mix - EP · 1981
- Cosmic Thing · 1989
- B-52'S · 1979
Essential Albums
- Most listeners probably think of The B-52’s as the band responsible for good-time 1980s party hits like “Love Shack” and “Roam”—and they’re not wrong. But the band’s commercial success only accounts for part of their story. It’s not even like they changed that much: Go back and listen to “52 Girls” or “Rock Lobster” from the group’s self-titled 1979 debut, and you can hear the same stuff that made the band so big a little later on: the surf guitars, the kitschy sense of humour, the way they flipped the innocence of 1950s pop culture into something trashy and a little weird. Even the band’s name—The B-52’s, after the ridiculous, precarious, over-feminised beehive haircuts worn by Kate Pierson and Cindy Wilson, but also after the conical noses of the bomber planes the haircuts resembled—felt subversive, or at least a little pokey; a connection between the insane cheerfulness of postwar pop and the almost monolithic violence of the American state. Getting lumped in with punk rock wasn’t totally wrong: As fun as it is, The B-52’s is shiny plastic music that makes you think about the rot underneath. And if that sounds highfalutin, just listen to how ugly they scream on “Dance This Mess Around” or Petula Clark’s “Downtown”—this isn’t a sock hop, sport. Alongside albums like the Talking Heads’ More Songs About Buildings and Food and Devo’s Q: Are We Not Men? A: We Are Devo!, this album defined the sound and feel of American New Wave: arty, direct, nerdy and questioning and a little irreverent but friendly, too—at least compared to the Romantic destruction of punk. And as current as the music probably sounded in the late 1970s, The B-52’s also predicted the playfulness of junk and retro culture that became a fixture of pop from the 1990s on, in which the present was basically a weirdly stitched-together Frankenstein of a bunch of disposable pasts. That Fred Schneider and Ricky Wilson—who died of AIDS in 1985—were two of the more identifiable gay pop artists of the time only made the band seem more novel and urgent. You know what they say: One man’s trash is another group of visionary weirdos’ treasure.
Albums
- 1992
- 1980
Music Videos
- 2003
- 1998
- 1993
Artist Playlists
- They came from Planet Claire.
- Beyond the campy antics lie woozy moods and bittersweet melodies.
- The funky sounds and ladies-first confidence they spawned.
Singles & EPs
Live Albums
More To Hear
- Elton John on why he loves the NYC rap group.
About The B-52's
Blending surf-rock tropes with ’50s kitsch imagery and a party vibe, The B-52’s were among the most distinctive New Wave bands to emerge in the late 1970s. Led by Fred Schneider’s animated vocal style, the band released a string of off-kilter singles, including “Rock Lobster”, “Private Idaho” and “Love Shack”. • The Athens, Georgia, band is said to have formed in 1976 after the musicians shared a “flaming volcano” cocktail at a local Chinese restaurant. Jam sessions soon led to their first single, 1978’s “Rock Lobster”, an underground success that landed The B-52’s a gig at CBGB in New York. • The B-52’s recorded their 1979 self-titled debut LP in the Bahamas with Island Records founder Chris Blackwell producing. The album reached No. 59 on the Billboard 200 album chart and eventually went platinum with sales of more than a million copies. • The band’s second album, 1980’s Wild Planet, went Top 20 in the US. The LP included the single “Private Idaho”, which reached No. 5 on Billboard’s Dance Club Songs chart and earned the band a thank-you in the credits to Gus Van Sant’s 1991 movie My Own Private Idaho. • Founding guitarist Ricky Wilson died of complications from AIDS in October 1985, after The B-52’s had finished recording their fourth album, 1986’s Bouncing Off the Satellites. The band didn’t tour behind the album, and the members agreed to a hiatus that lasted several years. • The B-52’s reached their commercial peak when they returned with their fifth album, 1989’s Cosmic Thing. On the strength of the hit singles “Love Shack” and “Roam” (both hit No. 3 on the Billboard Hot 100), the album reached No. 4 and sold more than 4 million copies in the US. • After releasing Good Stuff in 1992, The B-52’s wouldn’t record another album until Funplex in 2008, though they did appear in the 1994 live-action movie The Flintstones as The BC-52’s, singing the title song.
- FROM
- Athens, GA, United States
- FORMED
- October 1976
- GENRE
- Pop