More than a decade removed from his 2013 self-titled debut, Jahron Anthony Brathwaite—aka PARTYNEXTDOOR—remains an enigma in the OVO ecosystem: He takes several years between album releases and makes few live appearances, while his elusive reputation is intensified by the fact that some of the biggest moments of his career have come as a behind-the-scenes writer for artists like Rihanna. But his first album in four years represents the purest statement of purpose we’ve heard from the Toronto R&B auteur. If PARTYNEXTDOOR 4’s NSFW cover art doesn’t make his intentions clear, then the album’s very first lyric—“Take off your clothes”—instantly thrusts you into the boudoir where many of these songs play out, with foggy keyboard tones wafting in like incense and trap beats flickering like candlelight. But PARTYNEXTDOOR is a certified lover boy keenly attuned to the destabilising dynamics inherent to desire: After making the aforementioned request for disrobing on the opening “C o n t r o l”, he asks, “Who is in control?”—reframing his bedroom conquest as an act of surrender. Even his most salacious admissions project a certain ecstatic innocence: The Auto-Tuned devotional “L o s e M y M i n d” is possibly the most rapturous song ever written about enjoying a threesome on molly, while the dreamy “M a k e I t T o T h e M o r n i n g” renders mutual oral sex as a near-religious experience. But PARTYNEXTDOOR 4 does more than merely celebrate his X-rated exploits: The awestruck “R e a l W o m a n” suggests he’s looking for a relationship that goes beyond sunrise, while the downcast closing duo of “F a m i l y” and “R e s e n t m e n t” tap a deeper emotional vein to reveal the hang-ups that come with the hookups.