- Crash · 1996
- Before These Crowded Streets · 1998
- Come Tomorrow · 2018
- Listener Supported [Live] · 1999
- Come Tomorrow · 2018
- Before These Crowded Streets · 1998
- Everyday · 2001
- Away From the World (Deluxe Edition) · 2012
- Big Whiskey and the GrooGrux King (Deluxe Edition) · 2009
- Before These Crowded Streets · 1998
- Under the Table and Dreaming (Expanded Edition) · 1994
- Busted Stuff · 2002
- Crash · 1996
Essential Albums
- The sudden ascendance of the Dave Matthews Band following the group’s 1994 debut, Under the Table and Dreaming, could have spelled trouble—the kind of trouble that had befallen many of DMB’s mid-1990s major-label peers. This was a group that had a few hits and a much-buzzed reputation as a good-times live act. Did the band members have enough songs—and enough time—to get into the studio and knock out a sceptics-defying, career-affirming follow-up album? Crash, released in 1996, answered with a resounding yes. The record had first taken shape on the road, while Matthews and his bandmates were still promoting Under the Table and Dreaming. Rather than simply play the album they’d just released, they’d test out new songs, with Matthews reshaping the lyrics onstage in real time, as the rest of the band tweaked their own parts. By the time everyone headed to the studio in Bearsville, New York, with producer Steve Lillywhite, they possessed a clutch of numbers that had already been workshopped and fine-tuned. But the band members and their mentor did more than just set up a few microphones and knock out Crash as quickly as possible. They finessed them even further. As a result, the pizzicato-anchored contemplation of mortality, “Two Step”, surged from its delicate foundation, while the tryst-in-waiting celebration, “Say Goodbye”, moved with the same unpredictability and fun as the one-night stand it outlined. And the album’s eventual opening track, “So Much to Say”, got punchier in the studio, with drummer Carter Beauford seeming to fight his way through his kit. Meanwhile, the fan-favourite “#41” became more languid and mournful, with Matthews navigating the taxes of success, as the rest of the band rose to match his frustrations. But the enduring allure of Crash is thanks to “Crash Into Me”, perhaps Matthews’ best-known, most-debated song. “Crash” has endured every phase of coronation and backlash; over the decades, it’s been viewed as everything from a creepy bauble to a sweet devotional. Mostly, though, “Crash Into Me” functions as a thesis statement for the version of the Dave Matthews Band that came into focus on this record: Musically versatile and thoughtful, and emotionally vulnerable—but always in search of a good time, whenever possible.
- 2002
Artist Playlists
- Jazzy jams and a ferocious fiddle keep the fans coming back.
- Their gigs go to the heart of what DMB are all about.
- Kindred spirits among warm songwriters and jam bands.
- Early jam bands, ‘80s experiments and idiosyncratic bluesmen.
- Listen to the hits performed on the blockbuster tour.
Compilations
More To Hear
- Celebrating the group’s most ambitious album, 26 years later.
- The Crisis Crew is joined by Dave Matthews.
- Featuring Shawn Mendes, Mike Shinoda, and Dave Matthews Band.
About Dave Matthews Band
Dave Matthews Band’s famously epic concerts contain the secret to their equally abiding career: an ever-shifting mix of jazz experimentation, funk groove, bluegrass folksiness and indie-rock earnestness that promises satisfaction for both passing fans who want to sing along to a heartfelt hook and diehards who will stick around for the virtuosic third encore. Formed in Charlottesville, Virginia, in the early '90s, the group began with an unusual lineup—LeRoi Moore on saxophone, Boyd Tinsley on violin, Stefan Lessard on bass, Carter Beauford on drums and Matthews on voice and guitar. After conquering their hometown's frat and bar scenes, the band hit the jam circuit pioneered by fellow travelers Phish to fill the improv-rock void left by the Grateful Dead's 1995 exit. But DMB eschewed the blues-rock bluster and prog whimsy of their peers, instead delivering easy-sounding but existentially seeking singles like "What Would You Say" and "Ants Marching", not to mention bedroom fare like "Crash Into Me". From their 1994 debut Under the Table and Dreaming on through the 2000s, the group enjoyed a hit streak that saw seven studio albums and six live albums go platinum. Meanwhile, DMB's onstage alchemy transformed Matthews' often dark ruminations—songs about colonialism, apartheid and environmentalism—into celebratory and musically ambitious arena-galvanisers, such that between 2000 and 2010, they grossed more on the road than any other band. Moore's sudden demise in 2008 inspired DMB's funkiest release, the festively cathartic Big Whiskey and the GrooGrux King. The subsequent addition of more brass and electric guitarist Tim Reynolds made DMB an even richer live proposition, albeit one with increasingly rare studio albums. But 2018's downright optimistic Come Tomorrow confirmed that DMB continue to perform masterfully whether under dark days or sunny skies.
- FROM
- Charlottesville, VA, United States
- FORMED
- 1991
- GENRE
- Rock