Handel was in his twenties when he travelled throughout Italy, producing some of the Baroque era’s most exciting, colourful music for his patrons. These cantatas—effectively mini-operas with one or two characters and performed in aristocratic homes—were only recently rediscovered, having remained unpublished for 300 years. They’re vintage Handel: Aminta e Fillide, telling of a shepherd’s love for a shepherdess, features some of his most skilful vocal writing, deftly and gracefully performed by Sabine Devieilhe and Lea Desandre. The star attraction, Armida abbandonata, explores the gamut of Handel’s genius and deserves a place among his greatest operas. Le Concert d’Astrée are in blistering form.