- Tchaikovsky: Swan Lake · 1976
- Tchaikovsky: Swan Lake · 1976
- Rachmaninov: Piano Concerto No. 2 & Rhapsody on a Theme of Paganini · 1972
- Rachmaninov: Piano Concerto No. 2 & Rhapsody on a Theme of Paganini · 1972
- Tchaikovsky: Swan Lake · 1976
- Alone · 2007
- Barber: Adagio, Violin Concerto, Cello Concerto · 2005
- Tchaikovsky: Swan Lake · 1976
- Tchaikovsky: Swan Lake · 1976
- Tchaikovsky: Swan Lake · 1976
- Tchaikovsky: Swan Lake · 1976
- Sibelius: Violin Concerto, Op. 47, Serenades, Humoresque · 1995
- Tchaikovsky: Swan Lake · 1976
Essential Albums
- André Previn’s ’70s recordings of the Tchaikovsky ballets are a cornerstone of his widely followed conducting career. His lucid and flowing way with the LSO during Swan Lake shows precisely why: Beyond tending to the familiar melodies, Previn and his players lavish attention on the less familiar motifs and dances from the full work. Still, the showstopper moments come off well (check out the stomping “Coda” from the Act I “Pas de deux”), as do the tender moments (like violinist Ida Haendel’s solo during “Danses des cygnes”).
- Recorded in November 1971 and still sounding amazingly fresh in superb Decca sound, here are two piano-and-orchestra favourites that find pianist, orchestra and conductor making magic happen. Ashkenazy’s wonderful way with this composer—he’s one of the great Rachmaninoff interpreters—makes this a very special recording: the Concerto broad, romantic and powerfully done, the Rhapsody witty, fleet of foot and full of sparkle. Previn is a perfect partner and had already made the LSO into a world-class Rachmaninoff ensemble.
Artist Playlists
- Surveying one of the most wide-ranging musical lives of the modern era.
Singles & EPs
- 2019
- 2010
Appears On
- Dinah Shore with Andre Previn
About André Previn
Leonard Bernstein’s only rival as a fantastically gifted 20th-century musician in multiple genres was born Andreas Previn, into a Jewish family in Berlin in 1929. A piano-playing prodigy, he entered the Berlin Conservatoire when six years old, before his father and the family escaped from Nazi Germany and settled in Los Angeles. There, Previn landed a job at MGM as an in-house composer-conductor: his arrangements for the screen musicals Irma la Douce and My Fair Lady won Oscars, and among his original scores were Bad Day at Black Rock and Elmer Gantry. Although Hollywood success had come easily, Previn’s instinct to stay hungry saw him developing parallel careers as a jazz pianist and classical conductor. From 1968, his nine years with the London Symphony Orchestra brought world fame, plus a stellar reputation in late-Romantic repertory (their recording of Rachmaninov’s Second Symphony is a classic) and English music (including a cycle of Vaughan Williams’ nine symphonies). Like Bernstein, Previn was a natural with television audiences, for several years fronting André Previn’s Music Night on BBC One and, back in America again, Previn and the Pittsburgh with the Pittsburgh Symphony Orchestra. In his later years he composed two operas, A Streetcar Named Desire and Brief Encounter, and a violin concerto for his fifth wife, German violinist Anne-Sophie Mutter.
- FROM
- Berlin, Germany
- BORN
- 1929
- GENRE
- Classical