Latest Release
- 25 OCT 2024
- 12 Songs
- Elgar: Enigma Variations, Introduction & Allegro (Live) · 2007
- Puccini: Tosca · 1976
- Royal Philharmonic Orchestra - Beethoven · 1961
- Mozart: Exsultate, Jubilate; Vesperae Solennes De Confessore, Kyrie in D Minor & Ave Verum Corpus · 1972
- Tchaikovsky: 1812 Overture; Romeo & Juliet; Dances from Eugene Onegin; Dances from Oprichnik · 1984
- Je n'aime pas le classique mais ça j'aime bien ! · 2008
- Je n'aime pas le classique mais ça j'aime bien ! · 2008
- Beethoven: Piano Concerto No. 4; 32 Variations On An Original Theme · 1986
- Verdi: Requiem · 2003
- Les 50 Trésors de Mozart - Les Trésors de la Musique Classique · 1991
Essential Albums
- The London Symphony Orchestra is a world leader in works by Elgar, and conductor Sir Colin Davis has shown ample affection for the English composer in his own discography. So this live recording of the Enigma Variations, Introduction, and Allegro for Strings has some high expectations to meet. Unusually, the crew here opt to keep their performance of the Enigma frequently low-key; the interpretive choice works wonderfully as an elegant counterpoise to more obvious (and strenuous) methods of attack.
Artist Playlists
- One of Britain's finest conductors who embraced Berlioz, Sibelius and Tippett.
About Sir Colin Davis
Many conductors mellow as they get older, but with Colin Davis it was more a case of complete transformation. Born in Weybridge in 1927, he studied clarinet and played in the Life Guards. It was conducting, though, that drew him, an ambition he sustained through several frustrating years as a freelance conductor. His break came in 1957 when he was appointed conductor of the BBC Scottish Orchestra. Some critics were enthusiastic, particularly when he conducted Mozart and Berlioz (a lifelong passion), but his impatience and volatility in rehearsal went down badly, and several of his early positions ended acrimoniously. In 1967 he became conductor of the BBC Symphony Orchestra, whose repertoire he extended to include contemporary music, notably that of Tippett. But his attempts to modernise the hugely popular Last Night of the Proms drew more stinging criticism. It was during his tenure at London’s Covent Garden Opera that Davis began a process of Jungian analysis, which he claimed changed his character and attitude. During his periods with the Bavarian Radio Symphony Orchestra (from 1983) and the London Symphony Orchestra (from 1995) his manner became strikingly warmer and more generous, and old animosities from performers and critics melted away. His later performances and recordings, especially in Berlioz and Sibelius, were, and still are, much praised. He died in London in 2013.
- FROM
- Weybridge, England, UK
- BORN
- 1927
- GENRE
- Classical