The fringes of New Order's catalogue are a maze of side projects. Bernard Sumner's Electronic (with Johnny Marr!) serves up sleek, polished dance pop; Peter Hook's signature bass melodies drive Monaco and Revenge. And Gillian Gilbert and Stephen Morris traffic in sparkly club pop as—what else?—The Other Two. Cameos like Sumner's with 808 State reinforce how widely the group's shadow falls across the ‘80s and ‘90s.