Latest Release
- 9 FEB 2024
- 1 Song
- Zungguzungguguzungguzeng! · 1983
- Nobody Move Nobody Get Hurt · 1984
- Mexican Divorce (feat. Yellowman) [Radio Edit] - Single · 2025
- B.East · 2024
- Last Bus - Single · 2024
- Nocturnal (feat. Yellowman) - Single · 2024
- The Collabs LP (10th Anniversary Deluxe Edition) · 2023
- Killing Black People Is a Dark Secret · 2023
- Streets Fyah · 2023
- Witty - Music Master Hits · 2023
Essential Albums
- Yellowman’s rise to fame in the early ’80s mirrored a broader shift in Jamaican music: Instead of soulful roots reggae, the skeletal pulse of early dancehall; instead of dread consciousness and visions of Babylon, sex cracks and nursery rhymes. In the absence of spiritual imagination was a sense of humour and street wisdom that, while not always enlightening (or enlightened), was reassuring, and, maybe more importantly, entertaining. Released about a year after 1982’s Mister Yellowman (and about a year before the equally classic Nobody Move Nobody Get Hurt), Zungguzungguguzungguzeng!—produced, again, by Junjo Lawes with the Roots Radics band—fixed Yellowman’s reputation as one of the more uncut voices in the landscape, a foul-mouthed, self-consciously self-important dope who calls his BMW a “bad man wagon” (“Who Can Make the Dance Ram?”) and thinks that King Solomon was pretty smart but didn’t pull down enough women (“Yellowman Wise”). Some of the views remain repugnant—“Rub a Dub a Play”, one of a number of tunes with Fathead, contains a particularly grisly lyric—but in general, the mood is light, uplifting and as cathartically nonsensical as the string of syllables that make up the title track, a peak not only for Yellowman but for the era in general.
- 2002
Appears On
- Elevator To The Sun
About Yellowman
During his peak in the ’80s, Jamaican dancehall star Yellowman influenced a new generation of artists and upended social mores in the process with a toasting style full of nimble rhymes and raunchy boasts. Yellowman was born Winston Foster in the town of Negril in 1956; abandoned as a baby, he grew up in a Catholic orphanage in Kingston and faced social stigma because he was albino. But he found a crucial outlet in the music of early toasting deejays like U-Roy, and as he cultivated his own skills on the mic, he distinguished himself by performing in a yellow suit and cracking jokes about his bedroom prowess—moves that helped him win the popular Tastee Talent Contest in the late ’70s and land a deal with Columbia Records not long after. In 1983, the immensely catchy single “Zungguzungguguzungguzeng” became a global hit—leading to later samplings and remakes. Audiences were scandalised by other, anatomically inclined tunes like 1982’s “Mad Over Me”, but controversy only seemed to fuel his popularity. Still, Yellowman veered toward socially conscious lyrics in the ’90s after facing multiple bouts with cancer, and he maintained a more thoughtful approach on his 2019 album No More War.
- FROM
- Negril, Jamaica
- BORN
- 1956
- GENRE
- Reggae