- Jutta Hipp With Zoot Sims · 1956
- At The Hickory House Vol. 1 (Live) · 1956
- Jutta Hipp With Zoot Sims · 1956
- Jutta Hipp With Zoot Sims · 1956
- Jutta Hipp With Zoot Sims · 1956
- Jutta Hipp With Zoot Sims · 1956
- Jutta Hipp With Zoot Sims · 1956
- Jutta Hipp With Zoot Sims · 1956
- Jutta Hipp With Zoot Sims · 1956
- At The Hickory House Vol. 1 (Live) · 1956
- First Ladies Of Jazz (feat. Hans Koller & Don Byas) · 1989
- First Ladies Of Jazz (feat. Hans Koller & Don Byas) · 1989
- At The Hickory House Vol. 1 (Live) · 1956
Essential Albums
- You can’t make up a story like Jutta Hipp’s. Born in Leipzig, Germany, in 1925, she fell in love with jazz as an adolescent, tuning in to radio stations broadcasting illicitly under Nazi watch. (Jazz was, in the eyes of the Reich, not only “degenerate art” but pejoratively labeled as “Negermusik”—strictly forbidden.) After the war, she took up a career as a pianist, moving to America in the mid-'50s with the help of the critic and musician Leonard Feather, who’d heard her play while traveling through Europe. Within a year, she’d signed to Blue Note; within five, she’d withdrawn from music entirely, settling into work at a garment factory in Queens, where she lived until her death in 2003. By the time Blue Note managed to find her in 2000, they brought along a gift: $40,000 in royalties. Released in 1957, Hipp’s date with the tenor player Zoot Sims was her last known recording—a snapshot of an artist just starting to settle into her own style. Clean, boppy, a little cool, and refreshingly straightforward, the performances here aren’t calibrated to reach out and throttle—instead, your ears come to them. And while Sims is a far more forward player than Hipp, it’s Hipp who quietly shines: Listen to her delicate—but playfully percussive—solo on the ballad “Violets for Your Furs,” or the way she seems to trip up and down the keyboard on the brisk “Wee Dot,” incorporating just a hint of bluesy dissonance without ever losing her poise. This album is an Apple Digital Master made from a high-definition audio source, designed to cut noise while maximizing clarity and efficiency, bringing you a sound virtually indistinguishable from the original 24-bit studio masters.
About Jutta Hipp
Jutta Hipp had a strangely brief career, dropping out of music altogether shortly after emigrating to the United States. She studied painting in Germany and played jazz during World War II. When the Soviets took over East Germany, she moved with her family to Munich. Hipp played locally and in 1952, recorded with Hans Koller. She led her own quintet in Frankfurt in 1953-1955 and recorded for several labels, including a session that was later released by Blue Note. Moving to New York in November 1955, Hipp played at the Hickory House for much of the first half of 1956, recording two trio albums for Blue Note. Although originally inspired by Lennie Tristano, she was criticized at the time for being too influenced by Horace Silver; however, a studio album from July 1956 with Zoot Sims finds her showing a fairly original style. Unfortunately, that was her final recording, for Jutta Hipp soon dropped out of music, returned to painting, then worked as a seamstress. She lost contact with the music world to the extent that Blue Note didn't know where her royalties should be sent until 2000. Three years later, at the age of 78, Jutta Hipp passed away in the Queens apartment where she lived alone. ~ Scott Yanow
- FROM
- Leipzig, Germany
- BORN
- February 4, 1925
- GENRE
- Jazz