Latest Release
- NOV 22, 2024
- 1 Song
- Bandolero · 1991
- Get Close · 1999
- Got To Be Me · 1987
- Pinchers (Remastered) · 2019
- Dancehall's Golden Era, Vol. 12 · 1987
- Pinchers (Remastered) · 2007
- Get Close · 2000
- Got To Be Me · 1987
- Get Close · 2000
- Get Close · 1994
Essential Albums
- All things considered, Pinchers wasn’t the biggest name in dancehall, but he was a notable one. Helmed by producer/engineer King Jammy, 1987’s Agony helped bridge the gap between the live-band deejay era and the emerging world of digital dancehall. The sound was leaner, tougher, and cheaper, but sweeter and more melodic, too, filled with singsong choruses and high, birdlike vocal flutters—a naive, almost punky take on lovers rock. Not that Pinchers was a choirboy: If you don’t catch his drift when he says his woman is like a magnet to steel (“Magnet to Steal”), consider the anatomical implications of “Si Down Pon It,” wherein love is compared to a hard, sturdy chair. Then there’s “Agony,” a riff on the Sleng Teng riddim whose quasi-Arabic vocal runs helped forecast the gruff, hypnotic sound of ragga.
Artist Playlists
- Badman lyrics delivered by one of reggae's sweetest voices.
Compilations
Appears On
About Pinchers
Dancehall singer Delroy Thompson—better known by the stage name Pinchers—used his supple vocal style and incisive lyrics to set himself apart from prevailing reggae trends in the ’80s and early ’90s. A regular collaborator of producer King Jammy at the time, he embraced digital production in its early years but steered away from the X-rated lyrics of dancehall stars like Yellowman, instead filling hits like the 1987 lover’s lament “Agony” with evocative imagery and ironic turns of phrase. Thompson was born in 1965 in Jamaica, where his mother encouraged his musical passions from a young age. He grew up during the dawn of dancehall reggae, and he teamed up with the forward-thinking rhythm crew Sly Dunbar and Robbie Shakespeare on early tracks like 1986’s “Abrakadabra” and “Can’t Take the Pressure.” A year later, he started working with King Jammy, who helped Pinchers land his second major hit (after “Agony”) in 1991 with the boastful, Zorro-referencing “Bandelero.” Thompson hasn’t been as prolific in recent years, but in the late 2000s his son Kemar took up the elder’s mantle when he began releasing music under the name Jr. Pinchers.
- HOMETOWN
- Jamaica
- BORN
- April 12, 1965
- GENRE
- Reggae