Thanks to symphonic soul stunners like “L'Histoire D'Un Garçon,” Benjamin Biolay has earned a reputation as a modern-day Gainsbourg. But he's shown a willingness to step out of the boudoir and onto the dance floor: “Marlène déconne” recasts his forlorn croon in strobe-lit synths and a pounding electronic pulse, while the light Afropop accents of “Miss Miss” bulk up into a four-on-the-floor thump in a remix by French electro-rock crew The Shoes.