A Magnificent ‘Bluebeard’s Castle’ Crowns a Fine Met Season But Not at Lincoln Center Yet dissatisfaction remains about music director Yannick Nézet-Séguin's role in where the company is headed. By Christopher Corwin
While U.S. Companies Struggle, German Opera Houses Move Ahead Ambitiously A recent visit to Germany found both the Hamburg and Berlin Staatsopers fearlessly, and successfully, mounting challenging operas of questionable popular appeal. By Christopher Corwin
How Tomer Zvulun Turned the Atlanta Opera Around Could his innovative approach to company management offer a solution to the mounting economic crisis in the world of opera? By Alexandra Tremayne-Pengelly
Lise Davidsen and Julia Bullock Jump Start New York City’s Classical Music Season By Christopher Corwin
Donizetti’s ‘Poliuto’ and Ricci’s ‘Crispino e la Comare’ Offered Midsummer Delights By Christopher Corwin