Countertenor Anthony Roth Costanzo On Training, Technique and Radical Operatic Expression Costanzo’s story shows that sometimes the most radical thing you can do is use your voice. By Annie Levin
Opera Queensland’s ‘Orpheus & Eurydice’ Is a Feast for the Eyes The production is a testament to opera’s ability to evolve in the hands of a creative (and courageous) director. By Christa Terry