Reviews

The majority of professional photographers pray at the Church of the Holy Trinity. That is to say that they make their daily bread with an ultra-wide f/2.8 zoom, a general-purpose 24-70mm f/2.8, and a 70-200mm f/2.8 telephoto. This is a tradition that has held true for decades from the time of the autofocusing film SLR to the modern mirrorless cameras of today. Good things come in threes so today we look at the best three lenses from the three biggest companies.

It's well-known that I am not a fan of the 35mm focal length. It's also well-known that I am in the extreme minority on this. Everyone loves a good 35mm lens which is a prime candidate for a faster f/1.4 aperture. Samyang has answered the call with its latest "Prima" series of lenses which promise to be optical standouts with sophisticated autofocusing.

The OnePlus 13 got its reveal, but perhaps even more revealing is how much the company is trying to make its flagship more accessible. To do it, it’s embracing MagSafe (albeit only with its phone cases) and including a software feature in OxygenOS to enable sharing with iPhone users. Even faster wired and wireless charging, plus a demonstration of heavy water resistance involving a dishwasher. All that is on top of a focus on improving action photography.

Viltrox has been making waves in the lens space for a while now, but its LAB series, a new push into professional-grade optics, takes the company's ambitions up a notch (or two). The Viltrox LAB 135mm f/1.8 aims to deliver professional performance at a much lower price. Does it deliver the goods?

Here, we thought that the smartphone would kill the point-and-shoot digital camera. There is, instead, a steady resurgence with more and more (mostly young) people purchasing used point-and-shoot cameras. The Panasonic ZS99 aims to capitalize on the trend, offering a modernized take on an older P&S model.

My editor-in-chief, Jaron Schneider, tasked me with a Christmas challenge to review a camera unlike anything I had reviewed before. On my doorstep shows up a Bluey-themed kids' camera with the worrisome "eKids" branding on the bottom. I had a family vacation coming up in Alberta's capital city of Edmonton, so it was the right opportunity to put the camera through a rugged baptism of fire. We planned on shooting at the Royal Alberta Museum, which would give us bright and dark conditions in which to test the camera. Even with low expectations, I came away disappointed.

Jordan and I regularly give our two cents about the lenses we enjoy the most from each of the major manufacturers. Taking each brand in turn, we list our favorite wide-angle, normal zooms, normal primes, portrait, and telephoto lenses. However, we have never tackled the Micro Four Thirds system, which is unique because it has two major OEM manufacturers that can share lenses. This gives us roughly twice as many optics to sift through, but we managed to narrow it down.

Some of the best traditions are holiday traditions. Turkey at Thanksgiving, pumpkin carving at Halloween, and Christmas trees loaded with decorations are some of the cherished classics but undeniably, the greatest of them all is our annual Best and Worst camera gear roundup.

Hasselblad is a name that screams premium optics at a premium price. However, Hasselblad recently developed a line of more compact and somewhat more affordable lenses categorized under the “P” for portable moniker.

For years, my wife and I have been aimlessly stuck in a first-world conundrum. We enjoy traveling, and like most folks, we enjoy capturing photos and videos of our trips as keepsakes that remind us of the tremendous experiences we have been fortunate to have. But whenever we have considered buying a dedicated camera for our travels, we just haven’t been able to pull the trigger.

I like the ultra-compact Canon RF 70-200mm f/2.8L lens very much. It’s easy to carry around in the camera bag. It’s very sharp and well-corrected. But the inability to attach a teleconverter is a huge strike against a fast 70-200mm lens and video shooters don’t like the shifting balance as you zoom the extendable lens elements.

Now that Canon has released the R1 and Sony has updated its a1 II platform, the Nikon Z9 has stiff competition. The title of "flagship camera" represents the pinnacle of each company's technological abilities and becomes the outward face of that company for all to judge. Should a flagship camera be able to handle anything that is thrown at it? And is there such a thing as a "best" right now?

I wanted to love this camera so desperately. When I first looked at the X-M5, I was won over by its handsome design and compact nature. And the world needs more stylish little cameras like this, which are within the reach of most people’s budgets. However, we might lose too much to make this lower $799 price possible. Most of the technical specs and features were covered in a previous video and subsequent article, but I want to focus on the make-or-break features today.

I’m an outlier in the photo world, especially regarding glass. I dislike the 35mm focal length, and as much as I love a good 24mm lens, a 28mm lens is even better. Maybe this is why I immediately gravitated to the quirky Canon RF 28-70mm f/2 zoom when it first came out. Despite its massive form factor, this bulbous gem of a lens quickly became a favorite of mine.

The original Sony a1 is one of the most capable, advanced, and expensive flagship cameras ever. When it first came out, it wowed potential buyers with a fast-scanning 50-megapixel sensor without major rolling shutter issues while offering fast burst rates. It has been almost four years since then, and now we have a version II from Sony in our hands. Does the apple fall far enough from the tree to make it worth the $6,500 cost?

The Xiaomi 14T Pro is a smartphone that takes better photos than the price indicates, pushing this device into something performative between mid-range and flagship territory. Xiaomi’s T Series continues to mature, and the partnership with Leica is a driving factor.

My first experience with the Canon EOS R1 was in the sweltering heat of Phoenix, Arizona with a pre-production unit. There is of course, only so much that you can test with a pre-production unit under predefined conditions.

Light Lens Lab (LLL) has released a re-creation of Leica’s first generation 28mm f2.8 Elmarit lens introduced in 1965. The Leica lens has become a collector's item known as the 28mm 9 Element. It contains nine spherical surfaced lenses in six groups and the fast f2.8 aperture was a significant improvement from the Summaron f5.6 lens that preceded it. If you can find an original Leica 28mm 9 Element (V1) lens on eBay, prices range from $8,000 to more than $15,000.

Small drones aren’t a new concept, but when they’re dependable in creating content, they change perceptions, which describes the DJI Neo in a nutshell. As much as DJI has captured so much of the consumer drone market, the Neo also feels like a response to what others have done.

Tamron has been in the lens-making business for decades and was initially known for making affordable optics if not always professional-grade optics. Many enthusiasts flocked to Tamron super-zooms for the inherent convenience and low cost that they represented. However, there is a focal length that gained legendary status amongst amateurs and professionals alike and the Tamron 90mm f/2.8 Macro found its way into even the most discerning camera bags.

Apple has steadily been improving the performance of its M-series chip generation over generation and if you're just comparing results versus the previous iteration, "steadily" would be the key word. However, with M4 Max, Apple is showing a notable jump in performance, especially for video editors.

Nikon's Z50 II is a long time coming. Although the Nikon Z50 II is -- by Nikon's own admission -- aimed at beginner photographers moving up from smartphones, the first thing you notice is just how capable this basic camera design is for serious photography.

There’s something happening with foldable phones that isn’t as apparent in North America, and devices like the Honor Magic V3 make that clear. Thinner, lighter, yet also packing a bigger battery and large screen, Honor puts together a compelling combination further enhanced by the camera array.

If the original Ace Pro was Insta360’s way of getting its bearings in the traditional action camera landscape, its new Ace Pro 2 is its way of putting the rest of the action world on notice.