O que você faz se suas decisões de edição de filmes colidem com a visão do diretor?

It’s the Director’s film or project, not the Editor’s. In post the Editor’s role is the equivalent to the Cinematographer’s role during Principal Photography, which is a role of supporting the Director in the vision of their story. If the Director hasn’t properly planned and is “winging” it or just doesn’t have the talent, then your function becomes much more difficult. If you believe your creative choices are better than the Director’s, maybe it’s time to Direct your own film.

I should to respect the vision of the director whatever happened, I will try many times to solve the clash but at the end the final the decision to the director of the film

Whenever this happens, its usually because the editor has yet to have a sit-down convo with the director about story, script, action, scenes, character arcs, emotional weight, etc. The good news is "There's no time like the present!", and editors work FOR directors, not against them. While differences in creative approach always exist, the goal is to meet (and hopefully exceed) your director's expectations for any given scene in the project. Sometimes all it takes is sitting down together, showing them all your previous tries, talking about options, and then "making that happen". You MAY or MAY NOT have a great idea for the project, but if your idea exists outside the director's vision then you can expect pushback, so be flexible.

A good editor can save a bad director however a good director can’t save a bad editor…. The Director supersedes the editor right or wrong. It’s the editors job to support the director even if they are making bad calls. You must show options and have discussions however if the director is not buying in to your ideas then you must concede. Not all directors have talent, not all editors have the skills. It’s a relationship equal to the most precarious relationships that exist.

It is important to find a balance between your editing choices and the director's vision for the film's success. The director's vision is their unique perspective and artistic expression. As an editor, your role is to shape the film in alignment with the director's artistic vision and narrative objectives. It is important to understand their vision, and be willing to compromise and make adjustments to your editing decisions.

In navigating creative differences with the director, I aim to approach the situation as a collaborative opportunity rather than a conflict. By acknowledging that both the director and I have unique perspectives and insights to offer, we can leverage our combined creativity to elevate the film. This approach fosters a sense of partnership and mutual respect, ultimately leading to a more harmonious and effective editing process.

Im reading replies from people where they mention non negotiable edits and raise conflict between editor and director. That is so wrong on so many levels. First: all editors do not possess the power to refuse changes of any kind. Your job is to make a great story and make people happy…not an easy task but if you want to keep working you must do both very well.

Without the Director the Editor has no vision to nurture, I believe an honest conversation is first Important, and If there is no agreement It is expedient for the Editor to explore mediums upon which he can bring the Director's vision to life. If the Editor is happy and the Director is not then we have a bad project, If the Director is happy and the Editor is not then we still have a good project.

Ultimately it’s not really a negotiation. There is definitely room for dialogue and a good director will listen to the people around them and take feedback and look for things that improve on their vision and not be threatened by creative challenges to that vision. But at the end of the day, as an editor you don’t get the luxury of deciding when to compromise. That’s something the director gets to decide. After you’ve made your point and argued for your idea, you get to do what the director tells you to do. When the credits roll it’s going to say “a film by_______” and your name isn’t the one going into the blank.

When you are the conductor, then you get to decide how the notes should be played. Similarly, the editors job is to tell the story as effectively as possible in line with the director's vision. And yet... Stories abound where an editor saved a film and, likely, a director's career. But that's because they chose wisely along the way and earned that kind of influence.

Offer Alternative Edits: Propose alternative editing options that align more closely with the director's vision while still adhering to your creative instincts. Present these options as suggestions for consideration and discussion. Collaborate Collaboratively: Approach the editing process as a collaborative effort rather than a conflict. Work together with the director to find creative solutions that blend both of your visions and strengths to enhance the overall quality of the film.

Provide constructive feedback and be receptive to feedback from the director in a respectful and professional manner. Focus on finding solutions that serve the story and the film's ultimate goals.

When your film editing choices clash with the director's vision, embrace the opportunity to blend creativity and collaboration. Initiate open discussions to understand and respect each other’s artistic perspectives. Offer alternative edits to explore different possibilities together. Always focus on enhancing the story, and be open to feedback and compromise. If needed, involve a third party for fresh insights. By maintaining professionalism and embracing flexibility, you'll not only align with the director's vision but also enrich the final masterpiece.

One valuable insight I've gained as a filmmaker is the importance of flexibility and adaptability. While it's essential to have a clear vision and plan, being open to unexpected changes or new ideas can lead to some of the most memorable and impactful moments in a film. Some of the most brilliant scenes or character developments can arise organically during the filming or editing process, so staying receptive to these possibilities can truly enhance the final product. It's all about striking a balance between structure and spontaneity to create something truly special.