The SAG Awards are coming this Sunday, and with over 150,000 voting members around the world, anything is on the table — in particular, the more populist choices. Last year, the SAG wins…
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
The SAG Awards are coming this Sunday, and with over 150,000 voting members around the world, anything is on the table — in particular, the more populist choices. Last year, the SAG wins for Chadwick Boseman and Viola Davis for “Ma Rainey’s Black Bottom” in the leading categories and “The Trial of the Chicago 7” for cast ensemble didn’t translate to Oscar success.
Jane Campion’s Netflix drama “The Power of the Dog” leads Oscar nominations with 12 and has run the table with precursors this season, with more than 25 wins from critics’ groups. One of its only notable misses was from the SAG Awards in the cast ensemble category, a spot that many previous Academy Award winners for best picture have occupied during their respective seasons. However, three of the last four winners of the Academy’s top prize have been able to triumph without it: “The Shape of Water” (2017), “Green Book” (2018) and “Nomadland” (2020). The dark western could continue that trend.
“Belfast” could prove that it still has a firm hold on the season if it picks up the top prize from the largest guild in the country. However, the feel-good and inclusive nature of “CODA” could help it follow in the footsteps of past SAG winners like “Parasite” (2019), “Hidden Figures” (2016) and “Slumdog Millionaire” (2008). “King Richard” boasts a dynamic cast of standout newcomers (i.e., Saniyya Sidney and Demi Singleton) and veterans (i.e., Tony Goldwyn and Jon Bernthal). Oscar nominee Aunjanue Ellis’ omission from the guild’s supporting actress lineup could help the film’s chances in this category, to reward her outstanding achievement that was sadly overlooked. The film may also be more visible on ballots as voting ends on Feb. 25 — two days before the ceremony and the end of Black History Month.
Check out the final predictions for both film and television categories down below, and the latest video episode of Awards Circuit above.
With an Oscar race that has been built around “Belfast” versus “The Power of the Dog,” which is not nominated in this category, this should be an easy pick up for the Focus Features drama. Once one of the strong barometers for what creates the best picture winner, the last three out of the four Oscar winners were able to do so without a nom for cast ensemble (“The Shape of Water,” “Green Book” and “Nomadland”). That doesn’t necessarily put the nail in the coffin at the winning chances for Netflix’s dark western, however if none of its three actors who are nominated pull off a win, that could be indicative of trouble that lies ahead. On the other hand, if “Belfast” can’t win when its biggest competitor isn’t present, that could also signal future stumbles, especially with BAFTA ahead. With the twists and turns that the season has provided, any of the five sprawling casts could win (in theory).
Will win: “CODA”
Could win: “Belfast”
Should win: “CODA”
Should have been nominated: “Nightmare Alley”
This could be the cementing moment of Will Smith’s Oscar win if he pulls off an endearing moment at the SAG Awards, no matter how BAFTA shakes out. If the universe has other plans, Andrew Garfield’s beloved work in “Tick, Tick … Boom!” with the combination of a year that included “The Eyes of Tammy Faye” and the box-office smash “Spider-Man: No Way Home,” he could sneak past Smith. That could throw the entire race in flux, especially since Garfield isn’t nominated at BAFTA, leaving an opening for Benedict Cumberbatch to have his moment.
Will win: Will Smith
Could win: Andrew Garfield
Should win: Andrew Garfield
Should have been nominated: Simon Rex, “Red Rocket”
Welcome to the most wide-open race of the evening, and the year. Colman and Kidman have never won individual SAG film awards despite winning Oscars for “The Favourite” (2018) and “The Hours” (2002). Chastain has also never won, with two previous noms for “The Help” (2011) and “Zero Dark Thirty” (2012). Kidman seems to be the safe choice with a Golden Globe win for lead actress drama and could have the slight edge with a large voting body. However, if Gaga or Hudson pull it off, that’s going to help in the campaign for Kristen Stewart, who isn’t nominated here for “Spencer” but is at the Academy Awards.
Will win: Nicole Kidman
Could win: Jessica Chastain
Should win: Olivia Colman
Should have been nominated: Tessa Thompson, “Passing”
It’s down to the two Oscar nominees, Troy Kotsur for “CODA” and Kodi Smit-McPhee for “The Power of the Dog.” Kotsur may have the local Los Angeles advantage with having a presence on the theatre stage. We should also watch out for Bradley Cooper, who missed out on an Oscar nom for “Licorice Pizza,” and is the only representation for the film here. Idris Elba (“Beasts of No Nation”) made history when he became the first person to win a SAG Award without being nominated at the Oscars. The same happened again with Emily Blunt (“A Quiet Place”) but it doesn’t seem as likely as either Kotsur or McPhee winning.
Will win: Kodi Smit-McPhee
Could win: Troy Kotsur
Should win: Troy Kotsur
Should have been nominated: Vincent Lindon, “Titane”
Serving as the only nomination for “West Side Story,” Ariana DeBose can cement her steamrolling, frontrunner status for her role as Anita. DeBose would also be the first Latina to win a SAG film award in its 28-year history. If there is an upset, Kirsten Dunst is a popular actress who could shake things up with “The Power of the Dog.” In the same vein, as Cooper possibly upsetting in supporting actor, many were shocked by the exclusion of Caitríona Balfe for “Belfast” in supporting actress at the Oscars. She could have received a couple of snubbed-sympathy votes that could make a difference.
Will win: Ariana DeBose
Could win: Kirsten Dunst
Should win: Ariana DeBose
Should have been nominated: Olga Merediz, “In the Heights”
Will win: “No Time to Die”
Could win: “Shang Chi and the Legend of the Ten Rings”
Should win: “Shang Chi and the Legend of the Ten Rings”
Should have been nominated: “Spider-Man: No Way Home”
Will win: “Squid Game”
Could win: “Succession”
Should win: “Squid Game”
Should have been nominated: “Yellowjackets” (Showtime)
Will win: “Ted Lasso”
Could win: “Only Murders in the Building”
Should win: “Hacks”
Should have been nominated: “Reservation Dogs”
Will win: Jeremy Strong
Could win: Kieran Culkin
Should win: Jeremy Strong
Should have been nominated: Billy Porter, “Pose”
Will win: Steve Martin
Could win: Jason Sudeikis
Should win: Steve Martin
Should have been nominated: Andy Samberg, “Brooklyn Nine-Nine”
Will win: Michael Keaton
Could win: Oscar Isaac
Should win: Michael Keaton
Should have been nominated: Joel Edgerton, “The Underground Railroad”
Will win: Jennifer Aniston
Could win: Sarah Snook
Should win: Sarah Snook
Should have been nominated: Mj Rodriguez, “Pose”
Will win: Jean Smart
Could win: Hannah Waddingham
Should win: Jean Smart
Should have been nominated: Issa Rae, “Insecure”
Will win: Kate Winslet
Could win: Jennifer Coolidge
Should win: Kate Winslet
Should have been nominated: Julianne Nicholson, “Mare of Easttown”
Will win: “Squid Game”
Could win: “Loki”
Should win: “Cobra Kai”
Should have been nominated: “Yellowstone” (Paramount Network)
