Modern More Art

The Untitled Blue Plate, (IKB 54), was executed in 1957 at a pivotal moment in Yves Klein’s career, the same year in which he perfected the production of the colour-matter that he wo...

Harding Black San Antonio Ceramicist (1912 - 2004) "Mid Century Planter" 1959 16 inches Tall 18 inches across. Weight almost 50 pounds. You are more than welcome to pick this up in person at my Fredericksburg, Texas Gallery. Biography: Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, New York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self-taught. I find it amazing that anyone could ever accomplish what he did with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand-built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there, and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas by concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time, he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these polychromed vessels and he began attempting to create hand-built pots. He had very little or no success but a lifelong of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933, he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio...

"Le Nu" is a lithographic invitation signed in the plate which was made for the opening of "Les Dames de Mougins" exhibit in 1963. The inviation comes in a high-end pass-partout with...

Margaret Putnam (1913-1989) San Antonio Artist Image Size: 11.5 x 11.5 Frame Size: 14 x 14 Medium: Batik "Hymn to the Red Moon" Margaret Putnam (1913-1989) Margaret Putnam left an ar...

Zephyr Green Macchia with Blue Lip Wrap, 1996 Dale Chihuly (American, b. 1941) 8 x 10 x 10 inches Signed and Dated on Bottom Born in Tacoma, Washington, Dale Chihuly became the most...

Yves Klein "Table Bleu" Designed in 1963 and from an open edition circa 1990s. Plexiglass, glass, chromed aluminum and IKB pigment. The "Table Bleu" by Yves Klein, also known as "T...

- extraordinary rug, woven from sheep's wool and linen with 4 warp threads - company label verso with inscribtion, date and signature by Theo Riedl - knotted by Alejandro Garin G. & ...

Carmie Born 1958 Mesquite Shallow Bowl 5" diameter 1.5" tall Biography Carmie Born 1958 Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he works as a syntheti...

Carmie Born 1958 Tippy Messenger Box 7 2.5 x 2 Biography Carmie Born 1958 Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he works as a synthetic organic chem...

Carmie Born 1958 Mesquite "Hut Box" 4.5 tall 2.5 Wide Biography Carmie Born 1958 Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he works as a synthetic organ...

Carmie Born 1958 Natural Edge Mesquite Bowl 8.75" x 7.5" 2" tall Biography Carmie Born 1958 Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he works as a synt...

Carmie Born 1958 Mesquite Bowl with Beads 7" diameter 3.25" Tall Biography Carmie Born 1958 Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he works as a synt...

Carmie Born 1958 Mesquite Closed Form Bowl with Beads 7" diameter 3.5" Tall Biography Carmie Born 1958 Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he work...

Carmie Born 1958 Mesquite Bowl with Turquoise 11.5" Diameter 2.75" tall Biography Carmie Born 1958 Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he works as...

Carmie Born 1958 Mesquite Bowl with Turquoise 11.5" Diameter 2.75" tall Biography Carmie Born 1958 Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he works as...

PABLO PICASSO (1881-1973) Femme au chapeau fleuri (A.R. 521) stamped and numbered 'Madoura Plein Feu / Empreinte Originale de Picasso / 97/100' (on the reverse) terracotta plaque, pa...

PABLO PICASSO (1881-1973) Pichet espagnol (A.R. 244) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / 97/300 / Mad...

PABLO PICASSO (1881-1973) Cavalier et cheval (A.R. 138) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura / 199/300' (underneath) white ea...

Pablo Picasso (1881-1973) CHOUETTE (A.R. 543) stamped, marked and numbered 'Madoura Plein Feu / Edition Picasso / Edition Picasso / 37/500 / Madoura' (underneath) white earthenware c...

Margaret Putnam (1913-1989) San Antonio Artist Size: 15 x 16 Frame: 22 x 23 Medium: Batik "Girls Night Out" Margaret Putnam (1913-1989) Margaret Putnam left an artistic legacy rare e...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Glazed and...

Robert Indiana’s, "Classic Love" tapestry is a wool iteration of the artist's iconic “LOVE," which began as a simple Christmas card design for the Museum of Modern Art, NYC in 1964 and has since become one of the most recognizable contemporary works created. This hand-tufted tapestry...

A fine modernist portrait of a woman by American artist Margaret Hawkins Keane (1927-2022). Keane was born in Nashville,TN, and attributes her deep respect for the Bible and inspirations of her artwork to the relationship with her grandmother. In the 1960’s, while married to her second husband Walter, she was forced to paint and sell under his name, but during their divorce proceedings, she was able to prove that the paintings were actually done by her and the court determined that she was able to paint under her own name again. She became known for painting women and children with large black sad eyes...

Robert Fournier (1915-2008), stoneware, tall flattened, bottle, circa 1960-1965 - This bottle is from the same series as No.2008.658.18 in the Metrop...

Norman Stuart Clarke (b.1944): Seascape, wave vase, 1997 "I use bold, powerful colors; it's a consuming interest of mine, an obsession, placing ...

Alan Wallwork (1931-2019): Organic landscape sculptural vessel, 1960-1965 -Exhibiting the articulated, inventive, organic qualities & tactility of Wallwork’s early oeuvre for which he is best known - This sculptural landscape vessel has been handmade by coiling, slabbing and shaping the clay. The totemic form and pitted and pierced surfaces draw on the abstract landscape and tactility of elements in nature. matte glazes and oxides have been skillfully used to enhance the rich textures of the surfaces and the organic aesthetic. - Wallwork is one of the great individualists in British pottery, developing an archetypal language that echoed some of the wider artistic obsessions of that period, what the art critic Herbert Read called the “postwar ferment” of sculptural activity. - This piece was made during 1960-1965, the time that Wallwork was sharing a studio in Greenwich with Bernard Rooke and comes from a private collection along with a waterscape vase by Rooke and a bottle by Robert Fournier...

Les Réfugiés is an original Rare Book illustrated by Frans Masereel (1889 – 1972) and written by Louis Piérard (Frameries,1886 - Paris, 1951) in 1942. Original First Edition. Published by Arthaud Editeur, Grenoble. Format: Small 8°. The dimensions and the weight are indicative. The book includes 116 pages with 9 full page reproductions of drawings. Good conditions. Frans Masereel (1889 – 1972). He was a Flemish painter and graphic artist who worked mainly in France, known especially for his woodcuts focused on political and social issues, such as war and capitalism. He completed over 40 wordless novels in his career, and among these, his greatest is generally said to be Passionate Journey. Masereel's woodcuts influenced Lynd Ward and later graphic artists such as Clifford Harper, Eric Drooker, and Otto Nückel. Masereel's woodcuts influenced Lynd Ward and later graphic artists such as George Walker, Clifford Harper, Eric Drooker, and New Yorker cartoonist Peter Arno. Masereel's woodcut series, mainly of sociocritical content and expressionistic in form, made Masereel internationally known. Among them were the wordless novels 25 Images of a Man's Passion (1918), Passionate Journey (1919), The Sun (1919), The Idea (1920), Story Without Words (1920), and Landscapes and Voices (1929). At that time Masereel also drew illustrations for famous works of world literature by Thomas Mann, Émile Zola, and Stefan Zweig.

This essential reference work, edited by Georges Bloch and published by Editions Kornfeld et Klipstein, meticulously catalogs 1,399 graphic works created by Pablo Picasso between 190...

L’Antipatico - Almanacco per il 1960 is an original modern rare book written by Italo Cremona and illustrated by Mino Maccari (Siena, 1898 – Rome, 1989) in 1959. Original First Edi...

Polichinel ex-roi des Marionnettes devenu philosophe is an original modern rare book illustrated by Alcide-Joseph Lorentz (1813-1891) in 1848. Original Edition. Published by Willer...

La Tartaruga Gallery Catalogue is an original print in 1955. The artwork is designed for the exhibition of A.Raphael Mafai in La Tartaruga Gallery. Good conditions but aged with co...

Théâtre des Pupazzi is an original modern rare book illustrated by Louis Lemercier de Neuville (2 July 1830 – 1918) in 1876. Original Edition. Published by Scheuring, Lyon. Format...

Claribella is an original modern rare book illustrated by Fernand Edmond Jean Marie Khnopff (12 September 1858 – 12 November 1921) in 1893. Original First Edition. Published by Beijers, Utrecht. Format: In 8°. The book includes 224 pages. Inscribed by the author on the front page, lithographic full page frontispiece by F.K. signed on the plate. Mint conditions. Fernand Edmond Jean Marie Khnopff (12 September 1858 – 12 November 1921). In 1881, he presented his works to the public for the first time at the "Salon de l'Essor" in Brussels. The critics' appraisal of his work is very harsh, with the exception of Emile Verhaeren who wrote a commending review. Verhaeren would remain a lifelong supporter and would write the first monograph on the painter. In 1883, Khnopff was one of the founding members of the group Le Groupe des XX. Khnopff exhibited regularly at the annual "Salon" organised by Les XX. In 1885, he met the French writer Joséphin Péladan the future grandmaster of the Rosicrucian "Ordre de la Rose...

La Coda di Paglia is an original modern rare book illustrated by Mino Maccari (Siena, 1898 – Rome, 1989) and written by Alfonso Gatto in 1949. Original First Edition. Published by...

Totò il buono is an original modern rare book illustrated by Mino Maccari (Siena, 1898 – Rome, 1989) and written by Cesare Zavattini in 1943. Original Edition. Published by Bompia...

Il Selvaggio is an original modern rare art magazine illustrated by Mino Maccari (Siena, 1898 – Rome, 1989) in 1955. Original First Edition. Published by Neri Pozza, Venice. Form...

Der Spiesser-Spiegel is a modern rare book engraved by George Grosz (Berlin, 1823 - 1959, Berlin) in 1925. Original First Edition. Published by Carl Reissner, Dresden. Format: in 4°. The book includes 14 pages with Sixty full page reproduction of drawings. Mint conditions. George Grosz (Berlin, 1823 - 1959, Berlin). By the war’s end in 1918, Grosz had developed an unmistakable graphic style that combined a highly expressive use of line with ferocious social caricature. Out of his wartime experiences and his observations of chaotic postwar Germany grew a series of drawings savagely attacking militarism, war profiteering, the gulf between rich and poor, social decadence, and Nazism. In drawing collections such as The Face of the Ruling Class (1921) and Ecce Homo (1922), Grosz depicts fat Junkers, greedy capitalists, smug bourgeoisie, drinkers, and lechers—as well as hollow-faced factory labourers, the poor, and the unemployed. At this time Grosz belonged to the Berlin Dada art movement, having befriended the German Dadaist brothers Wieland Herzfelde and John Heartfield...

Voyage où il vous plaira is an original modern rare book written by P.J. Stahl and Alfred De Musset and illustrated by Tony Johannot (9 November 1803 – 4 August 1852) in 1843. Original First Edition. Published by Hetzel, Paris. Format: large 8°. The book includes 170 pages with hundreds of illustrations (63 of them are full page woodcuts). Mint conditions. Tony Johannot (9 November 1803 – 4 August 1852). Johannot was a French engraver, illustrator and painter. His historical paintings were exhibited at the Paris Salon for the first time in 1831. He became an illustrator much prized for his elegance, his diversity, and the lively character of his drawings, which were converted to engravings either by himself or by such artists as Jacques Adrien Lavieille, Émile Montigneul, and Alfred Revel. He was praised by Théophile Gautier.

Ex Libris Laszlo is an original Contemporary Artwork realized in the 1920s. Original B/W woodcut on ivory-colored paper. Signed and dated on plate on the lower margin: "Nemes Irm...

Cat's Tail is an original modern rare book engraved by George Cruikshank (London, 1792 - London, 1878) and written by Caroline Anne Southey (1786–1854) in 1831. Published by T. Cadell, London. Original First Edition. Format: in 12°. The book includes 32 pages with an original brochure and three Etchings. Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...

Jérôme Paturot à la recherche de la meilleure des républiques is an original modern rare book written by Louis Reybaud (Marseille, 1799 – Paris, 1879) and...

Ex Libris Viine Annuk is an original Modern Artwork realized in Germany in the early 20th Century. Original Ex Libris. Hand-signed by the artist in pencil on the lower right corner....

Oeuvres Complètes de Béranger is an original modern rare book Pierre-Jean de Béranger (19 August 1780 – 16 July 1857) and illustrated by Jean Jeacques Grandville...

Ex Libris Gheri Mantero is an original Contemporary Artwork realized in Italy in the mid-20th Century. Original Ex Libris. The artwork has been realized by Alina Kalczinska. Origin...

Destiny is an original modern rare book including original woodcut prints by Otto Nückel (Cologne, 1888 – Cologne, 1955). Published by Farrar & Rinehart, New York, 1930. Original ...

Milano e la sua Esposizione Internazionale del Sempione Magazine is a vintage Italian colored newspaper. published in 1906 With illustration, Editors" Fratelli T...

Ex Libris Nils Sjoberg is an original Contemporary Artwork realized in 1951. Original Ex Libris. Original Colored woodcut on ivory-colored paper. Dated in pencil on the upper left ...

These are Autographs Letter Signed by Nicolas Nabokov to the Countess Anna Laetitia Pecci-Blunt. Paris, June 18th 1962 . On letterhead paper " Nicolas Nabokov , Paris" Rome, February 6th 1963. On letterhead paper " American Academy in Rome". In French. One page, sigle-sided. Excellent condition: As good as New. With original envelope included. The Russian-born composer never forgot to write to his mentor and patron of art A.L. Pecci Blunt, with each kind of request, mainly asking to meet her. Background: During the Fifties, Nicolas Nabokov became General Secretaryof the newly formed Congress for Cultural Freedom (CCF), backed by the CIA, and remained in the job for more than fifteen years, organizing music and cultural festivals, and was musical director of the American Academy in Rome (Villino Aurelia, Porta S. Pancrazio). Nicolas Nabokov (Russia 1903 –1978) The Russian-born composer and cultural figure, was the first cousin of the talented writer of "Speaks Memory", Vladimir Nabokov...

Die Nonnen von Murano is an original modern rare book engraved by Rudolf Grossmann (Freiburg, 1882 - Freiburg, 1941) and written by Giacomo Casanova in 1923. Original First Edition. Published by Pontos Verlag and Freiburg, Berlin. Format: small 8°. The book includes 247 pages with 21 full page color Lithographs. Good conditions. Rudolf Grossmann (Freiburg, 1882 - Freiburg, 1941) was a German painter and graphic artist. He is particularly well known for his portrait drawings of famous contemporary figures. With his friend, Jules Pascin, he travelled to Belgium and Holland. Later study trips took him to Northern and Southern France, then to Vienna, Budapest and Stockholm. In 1910, he stayed briefly in Berlin, then continued his travels; this time to Engadin (near Munich), the Tegernsee and Italy, where he lived with his friend, Hans Purrmann...

Der Mantel is an original modern rare book written by Nikolaj Vasil'evič Gogol'-Janovskij (Velyki Soročynci, 1809 - Moscow, 1852) and illustrated by Walter Gramatté (Berlin, 1897 –...

"Ex Libris Helge Sterner" is an original Modern Artwork realized in the XX Century. Original woodcut print on ivory-colored paper. The work is glued on cardboard. Total dimensio...

Ex Libris Arno is an original Contemporary Artwork realized in the 20th Century. Original Ex Libris. Hand-signed by the artist in pencil on the lower right corner. Original B/W wo...

Ex Libris Bent Ole Wither is an original Contemporary Artwork realized in Germany in the 20th Century. Original B/W woodcut print on paper. The work is glued on cardboard. Total ...

Ex Libris De Filippis is an original Contemporary Artwork realized in Italy in the 1960s. Signed by the artist on plate on the lower right corner. Original Colored woodcut print o...

Posinsky is an original modern rare book illustrated written by Carl Sternheim (Lipsia, 1878 – Ixelles, 1942) and illustrated by Rudolf Grossmann (Freiburg, 1882 - Freiburg, 1941) in 1917. Original First Edition. Published by Heinrich Hochstim, Berlin. Format: small 8°. The book includes 65 pages with Seven full page Lithographs, cover included. Good conditions. Rudolf Grossmann (Freiburg, 1882 - Freiburg, 1941) was a German painter and graphic artist. He is particularly well known for his portrait drawings of famous contemporary figures. With his friend, Jules Pascin, he travelled to Belgium and Holland. Later study trips took him to Northern and Southern France, then to Vienna, Budapest and Stockholm. In 1910, he stayed briefly in Berlin, then continued his travels; this time to Engadin (near Munich), the Tegernsee and Italy, where he lived with his friend, Hans Purrmann...

Ex Libris Tove Hornaver is an original Contemporary Artwork realized in Germany in the 20th Century. Original Ex Libris. Original B/W woodcut print on ivory-colored paper. The w...

Limited edition of 120 copies. Copy number 22 on Magnani di Pescia paper. Includes an original etching on Japon nacré paper numbered and signed by the atist Fabrizio Clerici. Includ...

"Ex Libris Leida Pruus" is an original Modern Artwork realized in the 20th Century. B/W woodcut print on ivory-colored paper. The work is glued on cardboard. Total dimensions: ...