Art

Image dimensions: 54cm x 73cm Framed dimensions: 72.5cm x 93.5cm Signed lower right. Celebrated as a “painter of light”, Joseph Raymond Wintz (1884-1956) enjoyed a reputation as on...

Dani Humberstone’s Pomegranate is a radiant exploration of one of nature’s most visually stunning fruits. The painting draws the viewer in with its extraordinary attention to detail,...

Pocket Doh-nut (with sprinkles) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to bar...

Does Grace Jones need any introduction? Performer and cabaret singer extraordinaire. Master of the hula-hoop. Early supermodel. Androgynous icon. Bond villain. The queen of Studio54...

Caviar20 is excited to offer "Train" - a signed and numbered print based on one of the artist's early ambitious sculptures "Jim Bean - J.B. Turner Train". The work debuted in 1986 a...

Throughout his extraordinary career, Frank Stella (1936-2024) significantly influenced the key developments in post-war American art; notably the rejection of abstract expressionism ...

Artist: Slonem, Hunt Title: Stream Date: 2017 Medium: Oil on wood Unframed Dimensions: 14" x 30" Framed Dimensions: Signature: Signed by Artist on Verso Edition: Unique

Laura M. GREENWOOD (1897-1951). Portrait of Woman in Winter Coat Oil on canvas, 18 x 24.5 inches. Signed lower left. Excellent condition. Would beneifit from a cleaning. Origina...

Kees van Dongen 1877-1968 Dutch-French Madame Flore Lesieur Signed "van Dongen" (upper left) Oil on canvas "You have to want to touch a painting, for it to be a pleasure for all ...

McArthur Binion (b. 1946, Macon, MS; lives and works in Chicago, IL) combines collage, drawing, and painting to create autobiographical abstractions of painted minimalist patterns ov...

Michael Vasquez is an American artist most recognized for his works that explore identity and the cultivation of community amidst an inherent disposition of broken homes inside margi...

Titan Fine Art present this picture which formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history and, more specifically, to the roles of Colonel the Hon. John Russell in the Civil War and the reign of King Charles II and of Lord Arthur Hill, later 2nd Baron Sandys, in the Peninsular War. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This painting hung in The Great Hall (see photo). This charming portrait is an example of the type of small-scale panel portraits, often of splendid beauties of the time, that became fashionable from about the first quarter of the seventeenth century. The sitter has been depicted wearing a low-cut silk dress with the wide billowing sleeves typical of the late 1630’s. The simplicity of the ensemble is reinforced by the absence of lace on either the collar or cuffs. At this time gone are the complicated layers of fabrics, and now replaced with understated elegance of plain silk (satin and taffeta were most popular), with only a couple of focal points as accessories. There is an abundance of the accessory par excellence – pearls, and they are worn as a necklace, on her attire, and as earrings; the pear-shaped earrings are called ‘unions excellence’ reflecting the difficulty of finding perfectly matched pearls of such large size. They could range up to 20 millimetres in diameter. There is a splendid display of gold, diamond and pearl jewellery which is an obvious sign of her wealth. The portrait is thought to represent Thomas Bruce (1596-1654), Earl of Elgin. The physiognomy and features in our portrait strongly correlate to a portrait of the Earl, by Cornelius Johnson (1593-1661), painted circa 1638, and is held at Kenwood House, London. Another painting from Ombersley Court, also with Titan Fine Art, is contemporaneous to ours and is thought to represent the Earl’s wife, Diana Cecil, 1st Countess of Elgin (c.1603-1654) - it appears to have derived from Cornelius Johnson’s depiction of the Countess circa 1638, also at Kenwood House. During the 1630’s Johnson painted a number of portraits, obviously influenced by Van Dyke. Here, Theodore Russel, who worked in the studios of both Van Dyle and Johnson, and later specialised in small scale reproductions of his master’s works, modelled the head, with the striking large dark eyes, on Cornelius Johnson, and the attire on Anthony van Dyke. There are also other portraits by Johnson of the sitter with very similar facial features to that of the sitter in ours. Theodore Russel and Cornelius Johnson also had a family connection as it is thought that Russel’s step-mother was a sister of Johnson. Thomas Bruce, 1st Earl of Elgin, was a prominent Scottish nobleman who held titles such as the 3rd Lord Bruce of Kinloss. He resided at Houghton House in Bedfordshire and played a significant role in the political and social landscape of his time. His legacy as an Earl and Lord continues to be remembered in history. Thomas Bruce, born in Edinburgh in 1599, inherited the Scottish peerage title as the 3rd Lord Bruce of Kinloss at the age of 13 following his brother's untimely death in a duel. The family's estates, including Whorlton Castle and manor, were granted by King James I of England to Thomas's father, with the wardship of Thomas and the estates entrusted to his mother until he reached the age of 21. He maintained a strong connection with King Charles I's court during the Personal Rule, receiving titles of honour and prestigious roles throughout the years. Thomas Bruce was married twice in his lifetime. His first marriage was to Anne Chichester in 1622. Ann died in 1627, the day after giving birth to their only child, Robert Bruce, who later became the 1st Earl of Ailesbury. On 12 November 1629, Thomas Bruce married Lady Diana Cecil, the daughter of William Cecil and widow of Henry de Vere. The marriage was childless, but Diana brought significant estates with her. Thomas Bruce died on 21 December 1663 at the age of 64. This oil on panel portrait has been well cared for over its life, which spans almost four centuries. Having recently undergone a treatment to remove an obscuring discoloured varnish, it can be fully appreciated, and attributed to Theodore Russel. Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. Further Waterloo memorabilia are kettle drums from battle. The family had a strong tradition of military and political service, dating back to the 17th century, and this was also reflected in the fine collection of portraits and paintings in the house. In short, Ombersley represented a vital aspect of British history. The house and more especially the collection were of the greatest historical importance. Houses that have remained in the possession of the same family for as many as three centuries have become increasingly rare. Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone. Presented in a fine period frame. Theodore Russell, or Roussel, was born in London in 1614. His father came from Bruges to England and was the Royal Stuart jeweller. His apprenticeship was spent in the studio of his uncle, Cornelius Johnson, with whom he lived for about nine years. Sometime after 1632, he is said to have worked as an assistance to Van Dyck. He executed numerous copies of portraits by his famous master and other notable painters, also painting original works. He is particularly remembered for his portraits of Charles II at Woburn Abbey and James II at the Palace of Holyrood. His son, Antony Russel (c.1663–1743) was also a portrait-painter and is said to have studied under John Riley. Several of his copies were in the Royal Collections, and among the nobility. Provenance Richard Hill...

Artist: David Alfaro Siqueiros (1896-1974) Mexican Title: Emiliano Zapata Medium: Pyroxylin on Wood Panel, Signed Lower Right Size: Unframed 35” x 49”,...

In her 1980s series of 'Wasserzeichnungen' (Water Drawings), Heidi Bucher used gestural marks in gouache on paper to create what can be described as "wate...

In her 1980s series of 'Wasserzeichnungen' (Water Drawings), Heidi Bucher used gestural marks in gouache on paper to create what can be described as "wate...

Malick Sidibé (1935-2016) was renowned for his celebrated black-and-white photographs of the youth culture in his hometown of Bamako, Mali.

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

Laura Letinsky Untitled #3, Guild Hall, 2013 Archival pigment print Edition of 7 Image: 48 x 37 1/2 inches Paper: 58 x 48 inches

Laura Letinsky Untitled #2, Guild Hall, 2013 Archival pigment print Edition of 7 Image: 47 5/8 x 37 3/8 inches Paper: 57 5/8 x 48 inches

Silverpoint and colored pencil on paper, 29 x 23 in. Signed (at lower right): Joseph Stella Executed about 1919 EXHIBITED: Hirschl & Adler Galleries, New York, November 23, 1985–January 4, 1986, American Masterworks on Paper: Drawings, Watercolors, and Prints, pp. 6, 46 no. 47 illus. // (probably) Richard York Gallery, New York, October 5–November 17, 1990, Joseph Stella: 100 Works on Paper, no. 36 EX COLL.: [Dudensing Galleries, New York]; sale, Christie’s, New York, December 7, 1984, lot 324; [Hirschl & Adler Galleries, New York, 1984]; to private collection, 2006 until the present An independent-minded artist who adhered to the credo “Rules don’t exist,” Joseph Stella explored a range of styles, media, and themes, willfully ignoring the “barricades erected by ... [the] self-appointed dictators” of the art establishment (Joseph Stella, “On Painting,” Broom 11 [December 1921], pp. 122–23; Joseph Stella, “Discovery of America: Autobiographical Notes,” Art News 59 [November 1960], p. 41). By doing so, he produced a diverse and highly eclectic body of work, ranging from realist figure subjects, pulsating Futurist cityscapes, and modernist religious...

"Blue and Green Abstract" by Claudia Sisemore, acylic on canvas, 43.5 x 46 inches, $4,800. "I have a vague idea of what I am going to paint. I...

Red Swash (Abstract painting) Oil on gessoed Arches paper. Unframed. For Russinof, everything begins with color. She begins a painting by applying color in lyrical, gestural marks....

"Sideways Glance" is an original oil painting on wood by Robert Richter. The artist signed the piece on the back. This artwork features a woman with long red hair glancing behind her over her shoulder. The artist hand-carved the frame to become an integral part of the artwork. 8" x 9" art 15 5/8" x 15 1/2" frame Artist's Statement: "I was born in Milwaukee over half-a-century ago in the year of the horse...

Artist: Jan De Ruth, Czech (1922 - 1991) Title: The Red Shoes Year: circa 1970 Medium: Oil on Canvas, signed l.l. Size: 33 x 23 in. (83.82 x 58.42 cm) Frame ...

Portrait of Dave Winfield Edward Avedisian 20 x 14 inches, acrylic on stretched canvas Armenian-American artist, Avedisian was best known for his work made in New York City during the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. He was largely recognized for a series of Beach Ball paintings that emerged in the early 1960's and into the later 1960's the artist began painting larger horizontal paintings, featuring vertically intersecting beacon-like stripes that highlighted characteristics from both the Post-Painterly and Color Field movements. In this portrait, Avedisian using his signature use of color, combining bright rusty reds and oranges against a metallic green gold backdrop. A major work from Avedesian's color-stripe series was featured on the cover of Artforum's January 1969 issue (pictured here). Also pictured are photographs of the artist c. 1970 in his studio in New York City and catalog pages from Avedisian's inclusion in the American Painting Now Expo at the Institute of Contemporary Art in Boston, MA in Dec 1967 - Jan 1968. The exhibition, organized by art critic Alan Solomon, featured one of Avedisian's signature Beach Ball paintings alongside large works by Robert Motherwell and Jim Rosenquist. About the subject: Dave Winifield is American former Major League Baseball right fielder born in 1951 and who played for six teams (San Diego Padres, New York Yankees, California Angels, Toronto Blue Jays, Minnesota Twins, and Cleveland Indians) during his 22 year long career. He had the winning hit in the 1992 World Series with the Blue Jays over the Atlanta Braves. Winfield retired in 1996 and was elected to the Baseball Hall of Fame in 2001, in his first year of eligibility. About the Artist: In the 1960’s, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract painting. Shown first at Ivan Karp and Dick Bellamy’s Hansa Gallery and then at Robert Elkon, Avedisian’s insouciant mix of pop playfulness, color field cool and high formalist style put his art in a unique, and at the time generously rewarded, position. Paintings made it onto the cover of Artforum, were purchased by all the major museums, were among the few abstract works shown as representative of America’s post-war achievement at Expo 67 in Montreal and comprised a cornerstone in histories of the period written by Barbara Rose, among others. The artist was largely influenced by his Color-Field predecessors, Mark Rothko and Barnett Newman. Throughout the 1960's and into the mid 1970's the artist was celebrated in the Manhattan art scene, contributing to the Post-Painterly Abstraction movements with contemporaries Helen Frankenthaler, Andy Warhol, Jules Olitski, and Larry Poons. Museum Collections: Albright-Knox Art Gallery, Buffalo, New York Brooklyn Museum, New York Chrysler Art Museum, Norfolk, Virginia Denver Art Museum, Colorado Flint Institute of Arts, Michigan Jack S. Blanton Museum of Art, Austin, Texas The Larry Aldrich Museum, Ridgefield, Connecticut Metropolitan Museum of Art, New York Minneapolis Institute of Arts Minneapolis Society of Fine Arts Neuberger Museum of Art, State University of New York, Purchase Los Angeles County Museum, California Neuberger Museum, SUNY, Purchase, New York Parrish Art Museum, Water Mill, New York Solomon R. Guggenheim Museum *above description text is supported by Alexandra C. Anderson's article on Edward Avedesian in Artforum's January 1969 issue. NY Times Obituary, published Aug 23, 2007 by Roberta Smith: Mr. Avedisian was best known for his work in the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. A frequent motif was a cluster of bright seedlike orbs corralled at the center of a vibrant monochrome field by larger rings of color, creating an image that could resemble a buoyant cross-section of some unknown fruit. Mr. Avedisian was born in Lowell, Mass., in 1936 and studied art at the Boston Museum School. By the late 1950s he was living in New York, part of a generation of promising young painters that included Frank Stella, Larry Poons and Darby Bannard. From 1958 to 1963 Mr. Avedisian had six solo shows in New York galleries, including two at the Robert Elkon Gallery, where he continued to show almost every year until 1975. By the early 1960s Mr. Avedisian was a rising star. During that decade, his work appeared on the cover of Artforum, in “The Responsive Eye” exhibition of Op Art at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought by collectors and acquired by major museums in New York and elsewhere. In the mid-1970s Mr. Avedisian moved to Hudson and became less visible. His paintings soon began shifting toward representation; he took to calling his abstract paintings “a period style.” But he continued to be well served by his feeling for color, scale and surface. His landscapes described his surroundings in blunt, flat shapes and singing hues reminiscent of those of Marsden Hartley and Paula Modersohn...

Pink Peony is a 14" x 10" oil on panel painting by European /Croatian artist Tina Orsolic Dalessio who is classically trained. This is part of her new 2024 series of still-life pai...

Poppy Meadow French Impressionist, 20th century oil on board, wooden frame framed: 13 x 17 inches board: 10 x 13 inches Provenance: Private collection, France Condition: Good conditi...

Dani Humberstone’s Clementine is a vibrant celebration of one of nature’s sunniest fruits. The painting features a single clementine, its brilliant orange skin glowing against a dark...

Anna Hyatt Huntington Fillies Playing 13/75 Created 1955
 Cast 2010
 Bronze with black-Red patina
 16.5 x 17 x 10 inches Conceived in the smaller version, 1955, Redding, CT Exec...

In this contemporary oil painting on canvas, thoughtfully combined sections of varying textures and areas of pattern, stripes, circles, dots and undulations are cheerful in bright, p...

Image dimensions: 26cm x 34cm Framed dimensions: 44.4cm x 52.7cm Signed lower right. Henri Bouvrie is celebrated for his masterful watercolours, which are of universal appeal. The ...

Image dimensions: 30cm x 30cm Framed dimensions: 42cm x 42cm Signed lower right. Martin Taylor successfully captures the essence of Summer in this beautiful oil painting. Into the ...

Image dimensions: 27cm x 21.5cm Framed dimensions: 39cm x 33.5 Signed lower left. This beautiful original oil painting by Charles Perron depicts two delicately painted eggs, a whit...

Image dimensions: Framed dimensions: Signed lower right. The Old English Longhorn Bull. Stamford was the first place in England known to have carried out bull-running and records ...

Modernist painter, curator, and collector John Graham is recognized for his relationship to the New York School and as a mentor of Abstract Expressionist artists. Born Ivan Dombrowsk...

Giulio Aristide Sartorio (Rome 1860 - 1932), Caves of Nero, Anzio Mixed media on cardboard 28 x 59 cm signed and dated "Roma 1891" lower left.

Auguste Rodin Eve 6/24 1883, Cast later 68 cm. Round Base Signed Masters Limited Foundry Edition Gruppo Mondiale Est Certificate from Master Limited Edition, Gruppo Mondiale Proven...

James Cecil, 4th Earl of Salisbury (1666-1694) Circle of Willem Wissing (1656-1687) Presented by Titan Fine Art, this impressive portrait depicts the English nobleman, politician, ...

This large porcelain gambling plate (apx. 1830) has the signature "M. Hanarte" embedded within its charming playing card design, adding to its authenticity and appeal. Measuring appr...

Print on polyester produced by Kimono-Brain Unframed 104 cm * 104 cm Brand new

In creating this artwork, I explored the juxtaposition of the vintage and modern, the real and the imagined. Using collage materials juxtaposed with delicate pencil and bold ink, I s...

Image dimensions: 50cm x 40cm Framed dimensions: 65.5cm x 55.5cm Signed lower right. Peter Van Breda perfectly captures the reflection of sunlight in his contemporary painting of t...

Image dimensions: 41.5cm x 33cm Framed dimensions: 58.2cm x 50.5cm Signed lower left. This beautiful original oil painting by Alexandre Jacob depicts a snowy river scene. Alexandre ...

Image dimensions: 50cm x 60cm Framed dimensions: 68.5cm x 79.5cm Signed lower right. Yvonne Canu’s joyful and colourful landscapes of the South of France stand out as some of the mo...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

Jennifer Bartlett Graceland Mansions, 1978-79 Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper 24 x 120 inches, unframed Ed...

This exquisite French oval bowl, dating from the late 18th to early 19th century, showcases the elegance and craftsmanship of its era. Measuring 17 inches in width, 9.5 inches in hei...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

This exquisite portrait, created by the renowned British artist Albert Henry Collings, dates back to the early years of his career. Rendered with remarkable skill, the piece showcase...

These charming vintage "IN" and "OUT" signs, hailing from England in the 20th century, offer a distinctive and functional touch to any collection or interior. Crafted from mahogany a...

Coming from the world of Street art, Lis Sam is a self-taught artist. Born in Tunisia in 1989, he arrived in France at the age of 11, where he entered the world of craftsmanship, dev...

This work conveys a deep sense of calm and harmonious connection between the couple. Executed in a warm pastel palette, the painting is complemented by decorative elements that evok...

Image dimensions: 25.5cm x 30.5 Framed dimensions: 43cm x 47.9 Signed lower left. Webb has tremendous fun creating his Sweetpea paintings, playing with different colour palettes, te...

Image dimensions: 61cm x 92cm Framed dimensions: 75.5cm x 106cm This beautiful original oil painting by Paul S. Brown depicts a still life of spring bulbs amongst plant pots and del...

Image dimensions: 30cm x 30 cm Framed dimensions: 43.8cm x 43.8cm Signed lower right. Inspired by the light found on the Scottish Islands, she relocated with her husband to the Isle...

Image dimensions: 27cm x 61 cm Framed dimensions: 40.2cm x 72.4cm Signed lower left. Robert Fogell's contemporary abstract paintings are an extended study of his sculptural explora...

Image dimensions: 66cm x 102cm Framed dimensions: 81.5cm x 117.5cm Signed lower right. As one of Britains leading landscape artists, Peter Symonds is undeniably a master at captur...

The counterpoint here is the plastic form itself and the long-term nature of the perception of the information contained in it, which tells about both the inner world of the author a...