In “Cue the Sun,” a title derived from a line in Peter Weir’s darkly prescient 1998 film “The Truman Show,” Emily Nussbaum, who received a Pulitzer Prize in 2016 for her work as The New Yorker’s TV critic television critic, takes a deep dive into the genesis and maturation of reality television. Nussbaum posits that reality programming and the moral outrage that it engenders began more than seven decades ago in the age of radio when disc jockeys began taking phone calls from listeners. The talk radio fad would jump to television in the late 1940s, with shows such as “Queen for a Day,” launching the game show, and “Candid Camera,” the prank show. Chuck Barris followed with “The Dating Game,” “The Newlywed Game,” and “The Gong Show.”
Nussbaum recycles some well-known trivia, such as Barris’s claim that he worked as an assassin for the CIA, but she also unearths a plethora of new gossip from the hosts, the producers, the employees, and the cast members themselves. She also places the reality shows in the context of the biggest news stories of the time. “An American Family,” the first real-life soap opera, filmed during the chaos wrought by Vietnam, the Manson murders drugs, sex and radical politics, chronicled the foibles of an affluent California family of seven with an openly gay son. Nussbaum describes how Nora Ephron panned the show in “New York” magazine, expressing particular revulsion for the matriarch Pat Loud for “letting it-all-hang out candor” about her husband’s affairs and their impending divorce. Ironically, Ephron would later marry Carl Bernstein who cheated on her while she was pregnant, and Ephron would write “Heartburn,” a score-settling best seller. “‘Heartburn’ would be attacked by critics for the same crime she’d dunned Pat for — sprinting her public divorce into a personal brand.”
No respectable book about reality television would be complete without an analysis of “Survivor,” “The Apprentice,” and “The Bachelor.” With respect to the latter, Nussbaum reveals how contestants imbibed on alcohol because it was readily available and “there was nothing else for them to do: no books, no magazines, no TV.” Female contestants who were unstable and pretty were “gold.” Producers would befriend the contestants, and deploy the private information that they had gleaned (eating disorders) to create emotional scenes and, if they were unsuccessful in generating drama, skillful editing would make a contestant look deranged.
Because Nussbaum drew on hundred of interviews with sources, her book has the gravitas of serious scholarship although she is investigating a guilty pleasure. It is a juicy (and unsettling) read for fans of reality television and popular culture. Thank you Random House and Net Galley for this enlightening read.
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Frequently bought together
$27.00
Get it as soon as Tuesday, Jul 9
In Stock
+
Total price:
To see our price, add these items to your cart.
Choose items to buy together.
Customers who bought this item also bought
Page 1 of 1 Start overPage 1 of 1
