Animation
Getting Animated
Josh Cooley tells IndieWire about deleted gladiatorial fights and ILM's work on the film.
Getting Animated
Pixar director Kelsey Mann tells IndieWire about visualizing Riley's Sense of Self and devising Anxiety's panic attack, where she spins fast and creates a storm.
Getting Animated
From "Lord of the Rings: The War of the Rohirrim" to "Inside Out 2" to "Wallace & Gromit: Vengeance Most Fowl," and, yes, "The Garfield Movie," the year in animated features is looking strong.
Getting Animated
ILM tackles its first animated feature since the Oscar-winning "Rango," and tells IndieWire how it created an innovative 2D look inspired by manga and anime with a marker-like finish.
Getting Animated
Pixar tells IndieWire about the retro opportunities of exploring the dog and fanny pack stars of the fictional preschool show "Bloofy's House."
Getting Animated
Netflix also announced Timothy Olyphant will be the voice of the upcoming "Terminator Zero" during its animation slate preview event.
Getting Animated
Director Mark Dindal and DNEG tell IndieWire about capturing the 2D aesthetic of the concept art while still offering a fresh look at Garfield's origin story.
Getting Animated
The showrunners tell IndieWire about mixing '70s conspiracy thrillers with killer dinos in the animated follow-up to "Camp Cretaceous."
What If
The Framestore animation and VFX team used Esther Williams and "Fleabag" to help inform Blossom's sassy performance, which includes a Busby Berkeley-esque swimming sequence.
Getting Animated
Cinematography lighting & VFX director Joel Aron talks about keeping ILM's hand-made feeling alive in CG animation for the Disney+ series.
Getting Animated
Pixar tells IndieWire about the tech that went into the new emotion, Anxiety, and how she gets into an "All About Eve" dynamic with Riley's star emotion, Joy.
Getting Animated
The animated Netflix series asks the question, "But what if Hades and Persephone were actually in love?"
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