Animation
The first thing to go? Walk and talks: "Absolute nightmares."
Getting Animated
Director Mike Mitchell discusses turning Viola Davis' badass Chameleon into a transformational beast and channeling Disney's "The Sword and the Stone" for her final battle with Jack Black's Po.
Getting Animated
"Iwájú" director Olufikayo Ziki Adeola found a creative synergy with Disney to reveal the unique geographic and class segregation in Lagos for the futuristic animated long-form series.
Getting Animated
Splitting up the Short Films and Feature Animation branch into separate branches has been met primarily with enthusiasm. But there are concerns about their futures.
Getting Animated
The "Eternal Sunshine" Oscar winner's script for the new DreamWorks family movie provided a trippy sensibility for the producer and director to play with.
Getting Animated
Pixar alum Dave Mullins discusses turning the iconic John Lennon and Yoko Ono song into an alternate-reality World War I short.
Getting Animated
In a world rife with disappointment in superhero films, the directors of Miles Morales' story wanted to tackle the problem head-on.
Getting Animated
Pablo Berger channels Chaplin, Tati, and Earth, Wind & Fire in his acclaimed animated debut about the friendship between a dog and a robot in New York's East Village.
Animator Takeshi Honda couldn't say no when Miyazaki asked him to supervise his most personal film.
Filmmaker Toolkit Podcast
The studio veteran breaks down the lengthy process of developing a Pixar film, and why word of mouth still matters.
Oscars 2024
The Oscar shortlist of 15 animated shorts was determined for the first time by a preferential voting system.
Getting Animated
Dan Guterman tells IndieWire about his new animated Netflix series and why Martha Kelly had to star in it.
