Craft | Technology, Sound and Set Design
Sounding Off
The "Day One" sound team tells IndieWire how they crafted the tense soundscape of the prequel, from alien calls to a flooded subway.
Off the Rack
No actual shahtoosh shirts were harmed in the making of this Netflix rom-com.
Western Garb
Costume designer Lisa Lovass tells IndieWire about the demands of costuming an epic period Western trilogy.
Interview
Director Christy Hall tells IndieWire how she utilized LED technology to create a constant sense of exterior movement in her dynamic two-hander.
Stunt coordinator Freddie Poole tells IndieWire about working with Austin Butler, Tom Hardy, and the biker gangs of Jeff Nichols' drama.
Stranger Things
Production designer Anthony Gasparro turned New Orleans into a nameless city with an eccentric vibe for Yorgos Lanthimos' twisted new movie.
Nantucket Film Festival
Documentarians Dawn Porter and Jeff Zimbalist tell IndieWire some of the things they've found useful for visual storytelling, regardless of whether it's fiction or nonfiction.
I Know I Have Good Taste
And no, the music at the end of the video is not from a third "Short 'n' Sweet" song.
Cutting Remarks
Editor Yorgos Mavropsaridis tells IndieWire about cutting the anthology as alternate realities, as well as a deleted scene about Emma Stone eating her own liver in "R.M.F. Is Flying."
Freeze!
The odd editing choice has haunted viewers for years. The answer remains elusive.
See the TV Glow
Cinematographer Sam Levy tells IndieWire about the process of pulling out all the stops to craft the HBO series' distinctive, ghostly look.
"Bad Boys: Ride or Die" directors Adil and Bilall tell IndieWire about the technology behind the take that went viral.
