Reviews

Odessa Young gives an excellent performance in Thordur Palsson’s folklore-influenced exploration of the ways that our choices follow us forever.

We may be mere hours into the new year, but we've already got a series of solid recommendations to keep you busy for days to come.

Kidman is all raw nerve in Halina Reijn's sexy provocation that makes no moral judgments, instead celebrating sex, onscreen and off, for what it is and can be.

Best of 2024: From deep dive interviews to big ticket profiles, biting investigations to thoughtful analyses, and plenty of critical assessments, here's your must-read list of IndieWire's 2024 hits.

Héctor Medina is a force of nature in this too-Sundance-for-Sundance drama about a true phenomenon from the Fidel Castro years.

Ben Schwartz and Idris Elba are no Jahmyr Gibbs and David Montgomery.

The "Moonlight" director follows up Jon Favreau's 2019 photorealistic animation with a story fit for VHS.

The "Vox Lux" director returns with the sprawling tale of an immigrant architect who devotes his life to building a masterpiece for Guy Pearce.

Shot almost entirely in the first-person, Ross' visionary masterpiece injects radical new life into a novel about the racial abuse at a Florida reform school.

An evil Jason Bateman needs to smuggle some killer cargo aboard a plane in this fun and gripping holiday treat from the director of "Non-Stop" and "The Shallows."

An inspired villain turn from Alessandro Nivola is all that elevates this above a "Madame Web"-level misfire.

Combining shots from his own films with historical footage and classic Hollywood imagery, Carax's 40-minute screed makes it clear that the "Holy Motors" director hasn't come any closer to understanding why he makes the films he makes.