Reflective to the point of inertia, the new season marks a minor next chapter of Christopher Storer and Joanna Calo's restaurant drama, albeit with enough savory portions to satisfy loyal diners.

Season 2's penultimate episode, "I Could Not Prevent It," marks a uniquely fang-tastic achievement. Not only does it harness the show's greatest strengths into one unrelenting hour of television, but it also brings two years of patient preparation full circle.

Julio Torres' inspired new HBO series centers hamster nightclubs and sequined toilet seats while slyly crafting a vicious indictment of late-stage capitalism.

The biggest red herring in David E. Kelley's monotonous mystery is casting Renate Reinsve in the original film's most thankless role, only to give her the same shallow treatment yet again.

Eric Kripke's action-satire returns as bloody and bold as ever, but the latest battle between average Americans and an encroaching fascism feels all the more dour in these trying times.

Ryan Condal and George R.R. Martin's hit "Game of Thrones" prequel still feels like its merely biding time between battles in the first half of a fiendish, flickering second season.

In retelling recent history, creator and showrunner Gina Welch starts off by gleefully skewering Donald Sterling before closing with a savage slam on the broader system that supported him.

Abi Morgan's sappy yet savage limited series follows a bad dad who — alongside his imaginary puppet monster — concocts a drunken, dangerous scheme to find his missing son.

After gut-churning torture scenes and eye-opening revelations, Episode 7 ultimately offers limited resolution. But there's immense personal significance in The Captain's attempt to restart.

As Black Panther co-founder Huey P. Newton, the "Moonlight" and "High Flying Bird" star unveils more nuance than the speedy but stilted series around him.

With a game cast dramatizing true crime tropes (a small Irish town with suspicious townsfolk harboring dark secrets), "Bodkin" is primed to parody the popular, occasionally problematic genre. Instead, it merely adds to it.

A scenic Chicago and solemn Joel Edgerton can't quite salvage Blake Crouch's adaptation of his own novel, about a married father who's forced to reconsider his life's biggest choice.