What are some creative ways to mic hi-hats and cymbals?

Some creative ways to mic hi-hats and cymbals include using multiple microphones positioned strategically around the drum kit to capture different angles and textures of the sound. Experimenting with unconventional microphone placements, such as placing a microphone underneath the hi-hat or suspending one above the cymbals, can yield unique tonal characteristics. Additionally, using specialized microphone techniques like XY or ORTF stereo configurations can provide a wider stereo image and enhance the depth of the cymbal sound. Employing ribbon microphones or dynamic microphones with a fast transient response can also capture the nuances of hi-hat and cymbal playing with clarity and warmth.

Utilize a stereo pair of small-diaphragm condenser mics for hi-hats and cymbals. Techniques like X-Y or ORTF capture depth and width. Position mics 1-2 feet above, angled towards the kit center. This setup offers sensitivity and versatility for detailed stereo imaging of the percussion.

Place a stereo pair of mics above the kit in an XY or ORTF configuration to capture the full width and depth of hi-hats and cymbals. This method provides a balanced stereo image, capturing both the high-frequency shimmer and the spatial placement of the cymbals. Adjust mic height and distance to control the balance between the cymbals and the rest of the drum kit.

1. Experiment with placement: Try different angles and distances from the hi-hats and cymbals to capture varying levels of detail and ambience in your recordings. 2. Blend with overheads: Combine the stereo pair with overhead mics to achieve a balanced and cohesive drum sound, ensuring the hi-hats and cymbals integrate well with the rest of the kit. 3. Consider room mics: Incorporate room mics strategically to add depth and natural reverb to the hi-hats and cymbals, enhancing the overall spatial quality of your drum mix.

Ribbon mics offer a smooth, vintage sound that can capture the warmth and detail of cymbals. Place the mic a few feet above the cymbals to avoid harshness while maintaining a natural representation. Ribbon mics are sensitive to high frequencies and can provide a lush, rounded tone.

Utilize ribbon mics for hi-hats and cymbals to achieve warmth and reduce harshness. Position them 2-3 feet above, angled away from snare and kick, exploiting their figure-8 pattern for isolation or room blending. Ribbon mics offer a natural, rich sound, complementing these percussion elements effectively.

Utilize a contact mic for innovative hi-hat and cymbal recording. Attach it carefully to capture nuanced vibrations, revealing textures and resonances. Avoid disrupting movement, securing with tape or clips. Amplify signal with a preamp or DI box for enhanced sound quality and depth.

Attach a contact mic directly to the cymbals or hi-hat stand to capture vibrations and resonances not typically picked up by airborne mics. This technique can provide unique textures and enhance the percussive qualities. Blend this signal with your overhead or close-miked recordings for added depth.

Though traditionally used for kick drums, a subkick mic can capture the low-end resonances of large cymbals or the "thud" of hi-hats. Place the mic at a distance to pick up the low-frequency rumble, which can add a unique dimension to your cymbal sound. This mic’s role is supplementary, so blend it carefully with other mic signals.

Position a boundary mic on the floor or a nearby surface to capture reflections and room ambiance around the cymbals. This technique adds a sense of space and can make the cymbals sound more integrated with the room environment. It’s particularly effective for enhancing the natural reverb of the recording space.