My conversation with Danny O'Brien for Filecoin Foundation’s DWeb Decoded podcast is live.
His fantastic questions led us into a deep dive into value, online art, conservation and decentralized storage.
🎧 Give it a listen on Spotify: https://lnkd.in/gSyxZWKd
TL;DL:
05: What parts of the NFT boom were anticipated by the work you were doing at TRANSFER, and what was overlooked that now lays fallow as an opportunity?
10: Discussion of speculative vs. cultural value: building value over time. “A great example is Second Life founder Philip Rosedale’s vision of engineering in harmony with art, as a result cultural value grows over time. Art in these kinds of lasting virtual environments has the opportunity to accrue value.”
14: Conservation and artist intent: exhibiting and contextualizing live virtual worlds. “Regina Harsanyi’s monumental exhibition of Auriea Harvey’s work at the Museum of the Moving Image is an excellent example of an institution getting this right.”
17: Decentralized Data Storage: TRANSFER Data Trust as permanence, and performance. “Encoding transactions of care into FVM: reciprocity, appreciation, context.”
20: Appraisal and Value of Time-based Media Art: “There’s the data, and there’s the processes performed on it - I believe that’s where the value is stored.”
26: Lots of copies keeps stuff safe: “We’re repositioning the Archival Information Package (AIP), as an evolving conservation artifact.”
30: The cooperative design challenge: “Unifying a group of interdisciplinary practitioners around protocols of care.”
34: A bridge between art and engineering: “Archiving is a lonely act, just like development, and studio production. We’re creating new behaviors of trust and encouragement.”
37: Getting involved: “We have a federated vision for the TRANSFER Data Trust. In the first phase, you can acquire a work and host a node, or contribute resources of expertise and care, and (eventually) fork and implement your own trust.”
40: Gray Area‘s DWeb Curriculum for Creators. “Post-NFT boom, artists are familiar with IPFS and some of the tooling, but they’ve maybe been burnt, and their works are disappearing. This course educates artists and creatives about the historical precedent and the technological infrastructure of DWeb.”
48: Our 2024 Roadmap for the Data Trust + teaser of upcoming exhibitions: “We’re exiting ownership of the gallery to our artists, inspired by MED Lab Boulder’s Exit to Community Collective”