Lost Planet Editorial

✂️ In LBB’s "Secrets of the Snip: An Editing Guide for Clients," Lost Planet Editorial editor Joanna Lewandowska reflects on the editing process: “The aim is to leave the audience with a particular emotional response, and these additional elements help create a more immersive and complete world.” Jo, alongside other industry voices, discusses the vital role of music, the importance of strong raw material, and how editing shapes powerful viewer experiences. Read the full article on LBBonline - Little Black Book! 🎬

What can Catherine Bull simply not live without? “My headlamp, my teddy bear, and my pocketknife!” The Lost Planet editor shares her creative inspirations and obsessions in the shots feature “On My Radar”. Learn about her quirky obsession with promotional giveaways at baseball games, her undying love for Willie Nelson, and the best film she’s seen all year. Head to shots to read more: https://lnkd.in/eE6W7adJ

Catherine Bull edits the new documentary series “Social Studies,” a harrowing look into the digital age 🤳 Award-winning filmmaker Lauren Greenfield examines the highs and lows of the online experience for teens. The anticipated series debuts today on Hulu via FX: https://lnkd.in/g-ryA3rZ

“Ultimately, crafting an emotional piece can be summarized in one word: empathy. Putting yourself in someone else’s shoes to understand their struggles or moments of pure joy, their rationale – or lack thereof – is probably the toughest part. However, once achieved, your canvas will be wide open. Paint with care; everyone deserves that.” Lost Planet Editorial's Kenji Yamauchi speaks with Zoe Antonov of #LBB about his approach to emotional editing and how to balance craft and storytelling in “The Responsibility of Making Someone Cry: Editors Spill Their Secrets.” Read more wisdom from Felipe Kenji and fellow editors from PS 260, Final Cut, Work Editorial, and more in LBBonline - Little Black Book!

🥇 Team captain Diana Taurasi states facts in this spot for Nike featuring the Olympic Women’s Basketball team and edited by Max Koepke: they're taking home a gold medal and everyone else is not. Watch this team train for Paris, where they eventually cemented their #Olympic dynasty with an eighth consecutive win! - Editor: Max Koepke Client: Nike Agency: Wieden + Kennedy - #lostplanet #lostplaneteditorial #postproduction #edit #editor #nike

"Film is about understanding and revealing the story that needs to be told. In editing, I often consider when to reveal visual information to the audience. That decision has a lot of power." As an editor, Kenny Shimm takes pride in being the collaborator making choices about when pieces of information are revealed to the audience. A storyteller through and through, his insights about editing are invaluable. Check out Kenny's “Finely Sliced” featured in LBBonline - Little Black Book!

Welcome to the Lost Planet family, Catherine Bull! 📽✂️ Catherine's careful eye and ability to co-write unscripted stories with filmmakers have made her a highly sought-after collaborator, with work for brands including Jeep, Ford, Coca-Cola, Pandora, Nike, Google, Facebook, Microsoft, and Ray-Ban. And that’s just the tip of the iceberg! Head to shots to learn more about Catherine.

WINNING ISN’T ENOUGH 🚨👟🏀 Winning can be a curse, if you’re #LeBronJames — you have to stay on it so you can win again, and again, and again. Watch how editor Max Koepke underscores the legend’s commitment to besting himself in this Nike spot “Again.” - Editor: Max Koepke Director: Jonas Lindstroem Production: ICONOCLAST Agency: Wieden + Kennedy Client: Nike

Shop til you drop 💳 Olympic champion Simone Biles and her sister Adria stock up on EVERYTHING ahead of their next big trip. Chuck Willis edits the new campaign for the U.S. Bank+ Visa Signature Card. Alice Mathias of Gifted Youth directs for Decoded Advertising. - Editor: Chuck Willis Director: Alice Mathias Production: Gifted Youth Agency: Decoded Advertising

Welcome to Lost Planet, Jo Lewandowska 🌟 Jo’s precise, rhythmic cuts and instincts as a storyteller make for emotionally compelling films. Jo’s true-north centers connections between characters, navigating along that path to create evocative editorial choices with a lot of heart. Jo’s edits elevate every film she works on and we’re excited to see what’s next for her at LP. Learn more about Jo’s style and background in SHOOT Magazine / SHOOTonline.