Maquette Fine Art Services

In the first exhibition with Hauser & Wirth since joining the gallery in 2023, Firelei Báez presents new large-scale canvases, drawings and her first-ever bronze sculpture at the gallery’s Downtown Arts District Center in Los Angeles. Complex and layered, Báez’s work depicts fantastical hybrid figures and reimagined worlds. Employing beauty to reprocess the enduring effects of violence and trauma, Báez challenges traditional representations of history, nationality, gender and race. https://lnkd.in/e_fsSTV9

The Art of Service: Adaptability at Maquette Our approach to service is much like water—adaptable, fluid, and ever-responsive to the terrain it meets. Success in the service industry doesn’t come from rigid formulas or limiting service to specific parts of the business. Instead, it requires a holistic and dynamic approach where every aspect of the organization contributes to the client experience. Our CFO, Kit Lee, exemplifies this philosophy by seamlessly managing the financial past while staying fully engaged with the present and future. Kit understands that while financial precision lays the groundwork, it’s exceptional service that truly drives results. This belief underpins Maquette’s mission: every team member, every division, every interaction is aligned to deliver value and exceed expectations. Service is not just a department at Maquette—it’s the core of everything we do. Like water, we flow to meet the needs of our clients, adapting to challenges and opportunities to ensure their success is ours. #maquettefas #artlogistics #artservices #servicemindset #fluidservice #artofwarinspired #holisticservice #dynamicapproach #clientexperience #exceptionalservice #serviceleadership #adaptablesolutions #financialprecision #serviceindustry #artmanagement #teamphilosophy #clientfocused #serviceexcellence #cfoleadership

Sean Kelly Gallery is delighted to announce Artificialis, Laurent Grasso’s sixth solo exhibition with the gallery. The exhibition features the US premiere of Grasso’s films, ARTIFICIALIS and Orchid Island, along with two groups of new paintings related to each film. One of the series draws inspiration from the prominent 19th century American artist Frederic Edwin Church’s evocative landscape paintings of the Hudson River Valley. The exhibition confronts the rapid changes and existential challenges of our world where human cultural impact on nature is now indelible; it places viewers in a realm where distinguishing between the real and the artificial is questioned. https://lnkd.in/gdUMQ5fC

🌆 We’re honored to have been entrusted with the care and preservation of Webster Replying to Hayne, painted by George P. A. Healy (1813–1894), a significant piece of Boston’s history displayed at Faneuil Hall. This project brought together the City of Boston, the National Park Service, Conservation Gianfranco Pocobene, and Faneuil Hall Building Management to address urgent conservation needs. After condition issues were discovered in late 2023, Maquette was called upon in January 2024 to coordinate a precise and thoughtful emergency deinstallation plan. Our collaboration with these dedicated stakeholders exemplifies a shared commitment to working with our communities to preserve our cultural legacy. #maquettefas #artconservation #boston #fineartservices #preservinghistory

“I try to see one thing from five different viewpoints and keep moving, working around a central point,” The exhibition Thomas Schütte surveys half a century of work by one of the most inventive artists of our time. Although foremost a sculptor, Schütte incorporates a wide variety of disciplines in his capacious practice: drawing, painting, printmaking, installation, design, and architecture. Schütte’s work challenges established artistic norms by revitalizing genres rooted in past traditions and making them relevant in the present and for the future. The Museum of Modern Art https://lnkd.in/gSSGGr8f

This immersive exhibition tells the story of a unique mid-20th-century collaboration between artists and engineers. It explores the beginnings of the organization Experiments in Art and Technology, or E.A.T., as well as two of its most pivotal projects: 9 Evenings: Theatre and Engineering and the iconic Pepsi-Cola Pavilion at the 1970 World Exposition in Osaka, Japan, both of which pursued groundbreaking integrations of theater, dance, technology, and interactive, multimedia art. https://lnkd.in/eEtmxSkP

✨ Excited to share our latest blog post: Service as an Art – where creativity sits at the core of everything we do. At Maquette, we believe in blending precision with passion, treating each service as a creative endeavor that supports and elevates the art we handle. Discover how our approach transforms service into an art form. https://lnkd.in/eq63ZPmV #MaquetteFAS #ServiceAsArt #ArtLogistics #CreativityInService #FineArt #CreativityInService #ArtfulLogistics #MaquetteFAS #InnovationInAction #ClientFocused #ArtAndCraft

Josh Kline’s Climate Change is both an exhibition and a total work of art—an ambitious, immersive suite of science-fiction installations that imagines a future sculpted by ruinous climate crisis and the ordinary people destined to inhabit it. Begun in 2018 and produced in sections over the last five years, Kline’s eponymous project was brought together for the first time for this exhibition. It mobilizes sculpture, moving image work, photography, and ephemeral materials to completely transform the galleries of MOCA | The Museum of Contemporary Art Grand Avenue. In this vision, which could be called dystopian but is, in truth, terrifyingly near, a catastrophic sea-level rise has inundated the world’s coasts, unleashing a flood of hundreds of millions traumatized refugees. What happens in a world where the systems built to sustain and extend capitalist enterprise and global hegemony melt down their own foundations? Kline opens the door to such a future, inviting us to place ourselves within it and consider the rear view. https://lnkd.in/eWMp9G5V

Michael Werner Gallery, New York is pleased to present Francis Picabia: Femmes, an exhibition of paintings by the French modern master Francis Picabia (b. 1879 in Paris, d. 1953 in Paris). Starting in the 1920s and extending into the 1950s, the exhibition charts the last three decades of Picabia’s career through the singular, classic, and favored subject matter of women. Picabia famously wrote, “In order to have clean ideas, change them as often as your shirt.” Throughout his career, Picabia shifted rapidly between styles. Founding and then rejecting almost every major artistic movement of the early 20th century, paintings of women remained at the core of Picabia’s practice. https://lnkd.in/g2cYxXPA

Join us at our booth at NEMA! We are proud to be a sponsor of this incredible event. Stop by, say hello, and let’s talk about how we can lend our support! #nema #artservices