Audio Recording Techniques
With Bobby Owsinski
Liked by 2,973 users
Duration: 5h 17m
Skill level: Beginner
Released: 10/24/2012
Course details
Discover the industry secrets to recording crisp, rich instrument tracks and vocals in any type of recording environment. Join renowned audio engineer Bobby Owsinski as he walks through the process of miking and tracking a complete song by Underground Sun recording artist Iyeoka and A-list session musicians in a top-of-the-line studio—in a way that is applicable to any recording space and musical genre. Learn how to select the correct microphone and polar pattern for each instrument, with hundreds of revealing listening examples for drums, acoustic and electric guitar, piano, keyboards, and more. These professional techniques offer critical insights for those just getting started in the recording process, and a trustworthy reference guide for more seasoned engineers. Bobby also demonstrates how to monitor and sculpt EQ settings, why and when to process your input signal, and how to choose the right outboard gear for the track. This course employs 360-degree, 3D visualizations that provide an unprecedented perspective of the equipment, players, and microphone placements discussed. Plus, with the raw audio files provided, you can critically listen to every recorded example at home with your DAW of choice at full 24-bit resolution.
Skills you’ll gain
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Meet the instructor
Learner reviews
4.8 out of 5
The overall rating is calculated using the average of submitted ratings. Ratings and reviews can only be submitted when non-anonymous learners complete at least 40% of the course. This helps us avoid fake reviews and spam.
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Jaime Rivera
Jaime Rivera
I'm a versatile creative with skills in scriptwriting, songwriting, acting, 2D/3D art, and animation. I'm also expanding my knowledge in 3ds Max…
This was another great course with fantastic videos to help everyone improve every aspect of their musical career and productions. The instructor has a gift that he skillfully shares, his absolute knowledge of music, equipment, and instruments is total, and his professional advice is gratifying. I enjoyed this course. Everything from spreading the Intro, plate, and Reverb, recording tracks, tweaking balances, arranging harmonies, delays, and the overall production of developing a soundtrack from beginning to end, with the excellent bonus of the beautiful song, Simply Falling, and how everyone contributed with their expertise to it, made this a spectacular course well watching again, many times over! -
Contents
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Exploring different microphone types5m 16s
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Microphone directional response basics2m 43s
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Hearing different directional patterns4m 58s
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Exploring how the proximity effect works3m 55s
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Explaining microphone controls1m 49s
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Reviewing microphone accessories3m 3s
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Exploring direct boxes1m 9s
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Exploring amplifier emulators2m 36s
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Explaining the microphone preamplifier3m 59s
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Choosing a preamp1m 35s
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Setting up the mic preamp1m 39s
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Setting the record level2m 29s
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Using proper gain staging1m 46s
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Knowing what to do if distortion occurs2m
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Using the compressor during recording2m 58s
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Using the equalizer (EQ) during recording2m 24s
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Using the high-pass filter during recording1m 4s
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Exploring the principles of EQ47s
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Avoiding latency3m 51s
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Finding the right placement in the room for the drums1m 48s
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The keys to a great drum sound2m 2s
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Tuning the drums2m 19s
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Tuning tips and tricks2m 26s
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Miking the bass drum without a front head2m 15s
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Miking the bass drum with front head port1m 5s
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Miking the bass drum with a front head1m 12s
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Using a subkick microphone1m 31s
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Miking the snare drum: Technique one3m 2s
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Miking the snare drum: Technique two57s
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Adding a bottom snare mic1m 45s
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Miking the hi-hat2m 14s
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Miking the toms2m 24s
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Miking the cymbals3m 14s
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Miking the overall kit1m 25s
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Using room mics2m 2s
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Getting the drum sound2m 47s
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Getting the correct drum mix balance2m 50s
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Checking the drum phase2m 18s
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Panning the drums2m 25s
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Tweaking the drum sound with EQ3m 10s
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Using the one-mic drum recording technique2m 37s
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Using the two-mic drum recording technique1m 5s
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Using the three-mic drum recording technique1m 45s
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Using the four-mic drum recording technique1m 26s
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Tips for drummers to use before recording1m 15s
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Tracking a solo drum part1m 10s
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Finding the right placement in the room for the guitar1m 24s
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Miking the amplifier: Technique one1m 58s
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Miking the amplifier: Technique two1m 30s
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Miking the amplifier: Technique three1m 54s
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Using the Marshall cabinet miking trick1m 30s
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Recording the electric guitar direct6m 51s
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Prepping for recording acoustic guitar58s
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Recording the acoustic guitar with one mic2m 46s
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Recording the acoustic guitar with two mics1m 46s
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Recording the acoustic guitar with three mics1m 19s
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Exploring stereo acoustic guitar miking techniques1m 31s
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Recording the acoustic guitar direct1m 14s
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Using a limiter when recording acoustic guitar1m 39s
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Tracking the guitar part1m 11s
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Finding the right placement in the room for the bass57s
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Recording the bass using a direct box1m 44s
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Miking the bass amplifier2m 13s
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Using a limiter when recording the bass guitar3m 8s
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Miking an acoustic bass: Technique one3m 4s
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Miking an acoustic bass: Technique two1m 43s
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Tracking the bass part1m 11s
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Finding the right placement in the room for vocals53s
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Recording a scratch vocal1m 24s
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Exploring vocal mic placement3m 2s
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Using a limiter on vocals2m 7s
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Recording in the control room1m 35s
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Setting up the vocal headphone mix2m 26s
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Doubling the vocal2m 52s
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Getting the best from a singer1m 16s
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Exploring background vocal mic placement2m 53s
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Layering background vocals1m 5s
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Recording the lead vocal part1m 14s
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Recording a solo grand piano with one mic2m 14s
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Recording a solo grand piano in stereo1m 8s
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Close miking a grand piano with one mic3m 10s
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Close miking a grand piano with two mics: Method one1m 39s
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Close miking a grand piano with two mics: Method two1m 25s
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Recording the piano part1m 13s
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Finding the right placement in the room for horns1m 18s
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Recording a solo sax: Technique one2m 40s
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Recording a solo sax: Technique two2m 30s
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Recording a solo brass instrument3m 20s
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Recording a horn section: Technique one2m 27s
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Recording a horn section: Technique two30s
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Recording the horn section part1m 12s
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Setting up for a tracking session4m 17s
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Setting up a talkback mic1m 27s
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Using sound leakage to your advantage1m 36s
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Setting up the headphone mix2m 31s
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Setting up a click track2m 11s
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Setting up for overdubs2m 17s
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Recording the rhythm section in the studio6m 7s
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What’s included
- Practice while you learn 28 exercise files
- Test your knowledge 16 quizzes
- Learn on the go Access on tablet and phone