ARRI Solutions’ Post

My interview for Fontech, about the beginnings of MIKI movie production, about the sequel CERNAK comming out next year, about Slovak film production business in general and other things 😎👍 https://lnkd.in/eic49Han

Here’s the latest commercial I directed for Locate Global

Considering Nigerian cinema's future; Zuma International Film Festival 2024 The future of film is here; however, the question is, how prepared are we to connect? This is why the theme of the 2024 edition of the Zuma International Film Festival (ZIFF) is "Digital Renaissance, embracing the future.". The five-day event will feature a number of exciting activities, including brainstorming sessions with local and international industry stakeholders about what steps need to be taken to secure the future of film in Nigeria and throughout the continent. In considering the future of Nigerian cinema, stakeholders in the Nigerian film industry should use the opportunity provided by this festival to have an overview of the present position of the entire industry and seek the way forward in order to  plug in successfully to the ongoing radical shift, where technology is influencing the future of film globally. For instance, technology is not only shaping consumer expectations, but also changing distribution strategies. Eventually, what is emanating may probably look like a convergence of traditional cinema, innovative technologies, especially AI and issues of environmental sustainability. To get more gist visit the comment section.

#IMAX has announced its expansion in #China through a partnership with #Bona Film Group, adding three new IMAX locations by 2026, which will increase the total number of IMAX locations with Bona to 36. This move, marking the first post-COVID deal between the two, reflects the growing demand for premium movie experiences among Chinese audiences. #InvestinChina #IndustrialTrends #GlobalCooperation

🎥REBOOT Horizon Europe - Meet the #ELIAMEP Team! “Delving into young people’s film practices and preferences in Europe reveals new perspectives for Europe's cinematic presence, which is constantly adapting and finding new ways to reflect society and identities in process." – Eirini Sifaki. ℹ#REBOOT project focuses on the European Film industry, aiming to connect the existing strengths, identify and overcome weaknesses and plan for future competitiveness in the fields of policy, practice and experience. 🔗You can find further information on the project here: https://lnkd.in/dXgvgP5q #filmindustry #Europeanfilmsector #competitiveness

❓Why are so many skyscrapers in Warsaw choosing SONTE film?❓ ➡️ In honor of #SkyscraperDay, we want to share an interesting fact about how many skyscrapers in Warsaw are already enjoying the benefits of SONTE film. 📍 Each pin marks a skyscraper where SONTE film is installed. This number is constantly growing, and we’re not slowing down! Our solutions are effective for both small local businesses and large corporations. No matter the size of your company, SONTE film can be tailored to meet your needs. 🔹 Number of skyscrapers with SONTE film*: 11 🔹 Largest project*: 2400 m² 🔹 Smallest project*: 7,5 m² *And that's only in Warsaw! If you've seen our film in action, let us know in the comments! 💙 #SONTE #SkyscraperDay #Warsaw #SmartGlass #SmartFilm #ModernSolutions

In 2022, Europe's film scene was vibrant and diverse, with European films making up 68% of the total films shown across 27 European markets. That's over 8,100 films! 📽 Meanwhile, US films accounted for 19% (2,265 films), with the remaining 13% (1,500 films) coming from other parts of the world. 🌍 Learn more about the European box office structure in the latest report from the European Audiovisual Observatory | Observatoire européen de l'audiovisuel! ➡️ https://go.coe.int/CmLNR

>>The traditional playbook for many Film sales companies is to premiere a film at one of the major festivals (Sundance, Cannes, TIFF, Venice), hopefully secure a few major territories from that premiere (including North America), and then take the film to AFM to sell off the remaining territories worldwide and realize a profit. Rinse, repeat. However, that practice came to a halt for a handful of years once the Streamers started gobbling up Worldwide rights to these Tier 1 festival films, therefore leaving no remaining territories left to sell at AFM. During those years, many of the international distributors became flustered as their supply chains were interrupted. Well, we’re back to where we started - the original AFM playbook. READ ON... https://lnkd.in/g6BKdGX9

𝗧𝗵𝗲 𝗚𝗼𝗹𝗱𝗲𝗻 𝗔𝗴𝗲 𝗼𝗳 𝗖𝗶𝗻𝗲𝗺𝗮 𝗶𝘀 𝗙𝗮𝗱𝗶𝗻𝗴. Matt Damon's words echo the challenges faced by the film industry today. The decline of traditional distribution channels has made it harder than ever for independent filmmakers to get their projects funded and seen. 𝗕𝘂𝘁 𝗻𝗼𝘁 𝗮𝗻𝘆𝗺𝗼𝗿𝗲. Our launchpad is here to revolutionize the industry. By empowering creators and fans, we're bringing back the magic of cinema. 𝗝𝗼𝗶𝗻 𝘂𝘀 𝗶𝗻 𝘀𝗵𝗮𝗽𝗶𝗻𝗴 𝘁𝗵𝗲 𝗳𝘂𝘁𝘂𝗿𝗲 𝗼𝗳 𝗳𝗶𝗹𝗺.

If you're considering moving your productions towards a greener transition in Europe, here are the key guidelines you need to know.🌱 Read the full article🔗https://lnkd.in/d5P_3FGw Want to get more tools and resources? Come to Green Film Forum!👇