Berlin International Film Festival (Berlinale)’s Post

As someone who grew up in France, where North African minority often makes headlines for anecdotal reasons, I understand firsthand why representation matters. This year's 77th Cannes Film Festival is featuring fewer African films, marking a decline after a record year in 2023 with standout films like the Oscar-nominated "Four Daughters," "Banel & Adama," and "Omen (Augure)" captivating audiences. Despite this dip, there's reason for celebration. Movies by North African filmmakers, spanning Moroccan, Algerian, Tunisian, and Egyptian cinema, are prominently featured across six festival sections. These films not only mark the return of established filmmakers but also welcome newcomers, showcasing a vibrant and diverse narrative landscape. Representation in film festivals like Cannes is more than just showcasing movies; it's about amplifying voices and stories that often go unheard. When films from underrepresented communities get a platform, it challenges stereotypes, fosters understanding, and empowers individuals to see themselves in narratives that resonate with their experiences. As we celebrate the richness of North African cinema at Cannes and beyond, let's continue championing diversity and representation in the film industry. It's through these efforts that we build a more inclusive and empathetic world through the power of storytelling. #RepresentationMatters #Cannes2024 #DiverseCinema #EmpowermentThroughFilm

For #IndigenousHistoryMonth, check out this new film, about cultural appropriation and these persistent stereotypes of Indigenous peoples. #culturalawareness #truthandreconciliation https://lnkd.in/eNyu25eB

Ever pondered the intersection of film criticism and libertarianism? My recent article in the Journal of Libertarian Studies delves into this captivating realm, shedding light on the rise and fall of film critics during the latter half of the twentieth century. Discover how prominent libertarian figures like Murray Rothbard, John Hospers, and David Brudnoy navigated the landscape of film criticism, offering their unique perspectives in publications like Reason, Libertarian Forum, and the Libertarian Review. Gain insights into how these individuals shaped the discourse around American cinema and culture, while also illuminating aspects of libertarian ideology. Whether you're a scholar or a cinephile, this article aims to unravel a rich tapestry of ideas, offering fresh perspectives on both libertarianism and the world of film criticism. https://lnkd.in/e2k3qraV

Exploring the Divided State of Korea Through Cinema Korean cinema has long reflected the country's unique divided status, giving rise to the distinct "division film" genre. 🎥 These films have evolved over time, from early anti-communist propaganda to blockbuster depictions of Korea's turbulent modern history. Delve into the origins and development of Korean division films, and see how they illustrate the social and political changes on the divided peninsula. 📽️ Read the full entry: https://lnkd.in/gAc3ENKW #KoreanCinema #KoreanFilms #DivisionFilms #ModernKoreanHistory

Our newest Montgomery Fellow studies the rise of cinema in global megacities. Learn more about Vinzenz Hediger and his work here: https://bit.ly/4aioyfs

As an Australian, I am passionate about Aussie films as they are a unique breed, captivating audiences worldwide with their diverse storytelling and breathtaking scenery. They are more than just entertainment because I see them as cultural gems that showcase the rich experiences across our country. From indigenous stories to gritty urban dramas, Aussie cinema explores different perspectives, reflecting different voices and human experiences. These films serve as ambassadors for Australia, proudly displaying the country’s stunning landscapes, unique history, and traditions to the world. But it’s not just about showcasing Australia’s beauty. In film school, I learned that Aussie filmmakers are also pioneers, pushing the boundaries of cinema with innovative storytelling and groundbreaking visual effects. Despite coming from a relatively small industry, Aussie films have garnered global recognition, winning awards and earning cult status worldwide. Moreover, Australian cinema creates connections and conversations, bringing people together and sparking discussions on important issues like race, gender, and the environment. This composition transcends mere film critique or accolade. Its purpose is to offer a nuanced portrayal of Australia’s historical and cultural complexities, shedding light on significant challenges faced by Indigenous communities and the LGBTQ+ populace. Beyond entertainment, these films serve as a catalyst for cultural exchange and understanding. So, whether they make us laugh, cry, or ponder life’s complexities, Aussie cinema is a reflection of our culture and a powerful force on the global stage, as I exemplify in the following ten samples. Ten Memorable Aussie Movies Widely acclaimed with Compelling Reasons Why Audiences Love Them. You can read this story on ILLUMINATION-Curated - Medium https://lnkd.in/ggNnpMts

A really interesting article by INDEX ON CENSORSHIP on the increasing use of threats of violence to intimidate festivals. This follows the recent decision by the London Film Festival to pull Undercover: Exposing The Far Right and The Toronto International Film Festival pausing screenings of the controversial documentary Russians at War, after staff received threats of violence and sexual violence. Sadly such tactics are by no means new and are often part of the playbook of authoritarian regimes and extremist groups. However, there is a worrying trend that they are now being used by elements of special interest and lobby groups to dictate what is or not acceptable for the public to view. Undoubtedly each incident has a chilling effect on filmmakers, funders and festivals trying to get important stories on social justice, human rights and politics, to the public. Against this background I would highly recommend that anyone working in this area look at the work that DOC SOCIETY is doing at the Democracy Story Unit. https://lnkd.in/g3d_KsNG Creators Counsel

We are witnessing a global process of decivilization, desensitization and dehumanization in which, through a new international order, the reset and reversal of human moral foundations is pursued in reality, the final goal being the justification and impunity for g......e , crime, torture and robbery. The first culprits are the politicians, the international institutions that have largely lost their credibility, but the most guilty are those who should act according to a deontological and moral code, namely those trained, educated and employed in the mass media, culture and education. The latter are the ones to blame for the current state of affairs.

Between 2013 and 2023, only Nepali fiction films that address socioeconomic challenges have been selected for A-list international film festivals such as Sundance, Cannes, Berlinale, Venice, and Toronto International Film Festival (TIFF). While highlighting these pressing social issues acts as a window into the country’s diverse and complex societal dynamics, it also leads to imply if this is a set formula to make it into the A-list festivals. It also raises questions about the broader implications for creativity and the portrayal of the nation’s cinematic landscape. A small reflection piece I wrote, let me know what you think! #internationalfilmfestivals #socialstorytelling #creativeeconomy #nepalicinema