Blender Studio’s Post

🔴 LIVE NOW | Embark on a thrilling journey with Andy Needham and unravel the wonders of the new #Cinema4D Particle system. Get practical insights on integrating this new system into your workflow.

Do you have a massive sync map of the day's shoot with lots of black holes and gaps? Want to get rid of all those gaps so you can scrub through the rushes real fast? Click on the sequence in the bin, go to Clip and click on Auto VO (stupid name for it, I know, but that's Avid for you), choose Keep Segments and hey presto, it creates a new timeline with all the gaps gone in an instant! Sync maps are such a pain and personally I never use them if they have massive gaps. #PostProduction #Avid

The Rider, ushering in the new way to animate for real-time interaction at runtime. Made entirely in Rive. File size: 245kb.

Rocket Lasso Live Ep 6 Season 7: Chris Schmidt of Rocket Lasso is streaming live Ep 6 Season 7 now, showing how he embeds a letter A in a landscape with some cool texturing and lighting. He’s only 30 minutes in as I type this, so who knows where he will go! Jump on the livestream now or watch it later. Rocket Lasso Utility Splines Collection Wrangle your splines Introducing the new RKT Utility Splines Collection, a powerful suite of 5 plugins that transforms the way you work with splines in Cinema 4D. With this collection, you can now effortlessly smooth out rough lines, control the number of points in your splines, reduce the point count to a minimum, remove overlapping points and redundant points, and convert unruly splines into clean, smooth Bezier curves. This suite of tools has everything you need to achieve precise results in your spline workflow. Learn More The post Rocket Lasso Live Ep 6 Season 7 appeared first on . #toolfarm #tutorial #vfx

Introducing COSMOSIS: Your Gateway to Cinematic Soundscapes At its core, COSMOSIS boasts an innovative XY Pad motion engine, meticulously scripted to empower you in crafting mesmerizing soundscapes. With the ability to record and playback in various modes—including reverse, loop, and reverse loop—the possibilities for creative exploration are endless. But that's just the beginning! https://lnkd.in/gKsSA9i5

How to direct a motion capture shoot with just the director and the actor? See Hasraf Dulull and Ace Ruele do the #mocap for the animated film Max Beyond. Haz is pioneering the animated film world by operating in agile teams. One example is how he approached the motion capture for Max Beyond. The shoot didn't take place in a big studio, just in a small room with enough space to move. The two of them played out the scenes and movement together for optimal collaboration on the spot. Go check out Max Beyond on Apple TV or other streaming platforms. Watch: Behind the Scenes: The Motion Capture Process for Max Beyond https://bit.ly/3B0jLD4 #Xsens #MaxBeyond #Mocap #Unreal

Here's how to create an epic cinematic look with only two lights

Discover how to use Physical Size metadata in Substance Materials within Cinema 4D and Redshift. Spoiler Alert! It's super easy 😃 For more tips, check out my Instagram here: https://lnkd.in/eYE-rBWA #substance3d #maxonvfx #redshift #cinema4D

Wave warp in After Effects In this video, we’ll show you how to easily create stunning wave warp motion effects using After Effects. Dive in to learn how to bring dynamic movement to your projects with this powerful technique! #Hassanmurad #hassanmurad #videoeditor #Aftereffects